A Gentle Plea For Chaos

The prize-winning garden writer advocates pleasant disorder in this personal and witty celebration of the garden

In this book the author describes the way her garden evolved and how, without meaning to do so, she let it take over her life. She suggests moving away from planning, regimentation and gardening with the mentality of a stamp-collector. Frequently funny and always stimulating, she writes of the alchemy of gardens, of the 19th-century plant-collectors and plant illustrators and of the gardening philosophers, all fertilizing great thoughts along with their hollyhocks. She won the 1988 Sinclair Consumer Press Garden Writer of the Year Award.

A beautifully written memoir from the bestselling author of A Gentle Plea for Chaos.

The vibrant, opinionated, and totally engaging voice of 85-year-old Emily Whaley transforms a guided tour of one of the most visited private gardens in America into a magical adventure, alive with tidbits of advice and deeply moving reflections. Illustrations.

Max Parkman is perfect in his mother's eyes. Until he's accused of murder. Attorney Danielle Parkman can't deny her son's behavior has been getting worse—drugs and violent outbursts have become a frightening routine. But when she receives the diagnosis from a top-notch adolescent psychiatric facility that Max is deeply disturbed—and dangerous—it seems too devastating to accept. Until she finds Max, weapon in hand, at the bedside of a fellow patient who has been brutally stabbed to death. Separated from Max and trapped in a maelstrom of doubt and fear, Danielle's mothering instincts snap sharply into focus. The justice system is bearing down on her son, so she must use her years of legal experience to find out the truth, no matter what that might be. But has she, too, lost touch with reality? Is her son truly a killer? Previously published.

Nobody writes about the garden like the English. And few in England have ever been as eloquent or astute as Katherine Swift. Some twenty years ago, she and her husband leased a house in the town of Morville, in Shropshire, whose garden became her passion. Driven to uncover its history, she takes readers on a journey through time, back to the forces that shaped the garden, linking the stories of those who lived in the house and tended the same red soil with her family's own. Spanning thousands of years, The Morville Hours is also deeply personal, a journey through the seasons, but also one of self-exploration, of finding one's place in the world and putting down roots. The Morville Hours takes the form of the medieval Books of Hours, recalling the monastic past of the house. Each chapter is named after one of the Hours of the Divine Office, and summons vividly to life an hour of the day or night--from the crunch of grass underfoot at midnight on a frosty New Year's Eve to a perfumed May Day morning when the whole world seems sixteen again; from the enervating heat of a midsummer noon to the bloom of blue-black damsons picked on a golden September afternoon. Together, they describe the arc of the gardening year, and the arc of life.

Seeing gardening as a serious and even outrageous art form has placed Anne Wareham well outside of what usually passes for discussion of gardens. Impatient with received ideas, eager to provoke, The Bad-Tempered Gardener is the story of her development as a thinking gardener and the creation with her husband, Charles Hawes, of their acclaimed garden in the Welsh borders, the Veddw. From the strange (plant obsessives, a bizarre debut as a television presenter) to the everyday (deadheading, sharing a garden), with frequent paeans to favourite plants and thoughtful pieces on show gardens and status, this is an intelligent, pugnacious and engaging book. It also unflinchingly conveys the challenges, the hard work, triumphs and failures behind the creation and development of a substantial contemporary garden.

In recent years beekeepers have had to face tremendous challenges, from pests such as varroa and tracheal mites and from the mysterious but even more devastating phenomenon known as Colony Collapse Disorder (CCD). Yet in backyards and on rooftops all over the world, bees are being raised successfully, even without antibiotics, miticides, or other chemical inputs.More and more organically minded beekeepers are now using top-bar hives, in which the shape of the interior resembles a hollow log. Long lasting and completely biodegradable, a topbar hive made of untreated wood allows bees to build comb naturally rather than simply filling prefabricated foundation frames in a typical box hive with added supers. Top-bar hives yield slightly less honey but produce more beeswax than a typical Langstroth box hive. Regular hive inspection and the removal of old combs helps to keep bees healthier and naturally disease-free. Top-Bar Beekeeping provides complete information on hive management and other aspects of using these innovative hives. All home and hobbyist beekeepers who have the time and interest in keeping bees intensively should consider the natural, low-stress methods outlined in this book. It will also appeal to home orchardists, gardeners, and permaculture practitioners who look to bees for pollination as well as honey or beeswax.