A Glasgow Mosaic

With this book is completed a trilogy of works begun in 2005 with This City Now: Glasgow and its Working Class Past, and continuing with Clydeside; Red Orange and Green in 2009. The three books have all had similar aims in trying to raise the profile of forgotten or neglected areas and aspects of Glasgow and its history, in a small way trying to boost the esteem in which such places are held by the people who live in there and by those who visit. Moving away slightly from the working class focus, this third instalment presents a broad view of Glasgow's industrial, social and intellectual history. From public art to socialist memorials, and from factories to cultural hubs, Ian Mitchell takes the reader on a guided tour of Glasgow, outlining walking routes which encompass the city's forgotten icons.

With this book is completed a trilogy of works begun in 2005 with This City Now: Glasgow and its Working Class Past, and continuing with Clydeside; Red Orange and Green in 2009. The three books have all had similar aims in trying to raise the profile of forgotten or neglected areas and aspects of Glasgow and its history, in a small way trying to boost the esteem in which such places are held by the people who live in there and by those who visit. Moving away slightly from the working class focus, this third instalment presents a broad view of Glasgow's industrial, social and intellectual history. From public art to socialist memorials, and from factories to cultural hubs, Ian Mitchell takes the reader on a guided tour of Glasgow, outlining walking routes which encompass the city's forgotten icons.

From the acclaimed author of the Anderson & Costello series, a compelling standalone psychological thriller. Megan Melvick has returned home after a three-year absence to visit her dying sister, Melissa, for the last time. As she approaches the grand Scottish country estate where she grew up, the memories come flooding back. Just what did happen on the night of Melissa’s wedding five years before? Where has Megan and Melissa’s mother disappeared to? And why does Melissa whisper that solitary word before she finally slips away: Sorry. In order to overcome her demons, Megan must confront her painful recollections of that terrible night, the night of Melissa’s wedding. The night somebody died. But can she really trust her memories? And who is it who’s determined that she should forget ...?

In the wake of Glasgow’s transformation in the nineteenth-century into an industrial powerhouse — the "Second City of the Empire" — a substantial part of the old town of Adam Smith degenerated into an overcrowded and disease-ridden slum. The Old Closes and Streets of Glasgow, Thomas Annan’s photographic record of this central section of the city prior to its demolition in accordance with the City of Glasgow Improvements Act of 1866, is widely recognized as a classic of nineteenth-century documentary photography. Annan’s achievement as a photographer of paintings, portraits and landscapes is less widely known. Thomas Annan of Glasgow: Pioneer of the Documentary Photograph offers a handy, comprehensive and copiously illustrated overview of the full range of the photographer’s work. The book opens with a brief account of the immediate context of Annan’s career as a photographer: the astonishing florescence of photography in Victorian Scotland. Successive chapters deal with each of the main fields of his activity, touching along the way on issues such as the nineteenth-century debate over the status of photography — a mechanical practice or an artistic one? — and the still ongoing controversies surrounding the documentary photograph in particular. While the text itself is intended for the general reader, extensive endnotes amplify particular themes and offer guidance to readers interested in pursuing them further.

This volume examines, in English, the role of emblems in the Portuguese-speaking world, their distinctive qualities and their links with the wider European tradition. Luis Gomes brings together studies ranging over a wide corpus of material, in both Portugal and Brazil, from manuscripts to printed books to the famous azulejos."