A Glimpse Inside The Shell

Environmental Criticism for the Twenty-First Century showcases the recent explosive expansion of environmental criticism, which is actively transforming three areas of broad interest in contemporary literary and cultural studies: history, scale, and science. With contributors engaging texts from the medieval period through the twenty-first century, the collection brings into focus recent ecocritical concern for the long durations through which environmental imaginations have been shaped. Contributors also address problems of scale, including environmental institutions and imaginations that complicate conventional rubrics such as the national, local, and global. Finally, this collection brings together a set of scholars who are interested in drawing on both the sciences and the humanities in order to find compelling stories for engaging ecological processes such as global climate change, peak oil production, nuclear proliferation, and food scarcity. Environmental Criticism for the Twenty-First Century offers powerful proof that cultural criticism is itself ecologically resilient, evolving to meet the imaginative challenges of twenty-first-century environmental crises.

From the bestselling author of The Genius of Birds, the revised and reissued edition of her beloved book of essays describing her forays along the Delaware shore For three years, Jennifer Ackerman lived in the small coastal town of Lewes, Delaware, in the sort of blue-water, white-sand landscape that draws summer crowds up and down the eastern seaboard. Birds by the Shore is a book about discovering the natural life at the ocean's edge: the habits of shorebirds and seabirds, the movement of sand and water, the wealth of creatures that survive amid storm and surf. Against this landscape's rhythms, Ackerman revisits her own history--her mother's death, her father's illness and her hopes to have children of her own. This portrait of life at the ocean's edge will be relished by anyone who has walked a beach at sunset, or watched a hawk hover over a winter marsh, and felt part of the natural world. With a quiet passion and friendly, generous intelligence, it explores the way that landscape shapes our thoughts and perceptions and shows that home ground is often where we feel the deepest response to the planet.

A Glimpse Inside The Shell takes the reader on a journey of self discovery through the lens of a 20-year-old, reclusive woman. She invites readers behind her elusive shell which shockingly unmasks loneliness, depression, isolation & despair. Although she is known for being bubbly, chipper, and happy go lucky, her pain has been her best kept secret: until she couldn't hide it anymore. This collection of poems colorfully depict an outcry of frustration, as the author fights through feeling alone, only to discover a surprising ally in Jesus; who has been there all along.

Focussing on Durham Cathedral, this is a practical guide to prayer in holy spaces, concentrating on the places where we can go to be closer to God.

Originating in the sea, especially in the waters surrounding the low-lying islands of the Maldives, Cypraea moneta (sometimes confused with Cypraea annulus) was transported to various parts of Afro-Eurasia in the prehistoric era, and in many cases, it was gradually transformed into a form of money in various societies for a long span of time. Yang provides a global examination of cowrie money within and beyond Afro-Eurasia from the archaeological period to the early twentieth century. By focusing on cowrie money in Indian, Chinese, Southeast Asian and West African societies and shell money in Pacific and North American societies, Yang synthsises and illustrates the economic and cultural connections, networks and interactions over a longue durée and in a cross-regional context. Analysing locally varied experiences of cowrie money from a global perspective, Yang argued that cowrie money was the first global money that shaped Afro-Eurasian societies both individually and collectively. He proposes a paradigm of the cowrie money world that engages local, regional, transregional and global themes.

Lady Eleanor Ramsay is the only one who knows the truth about Hart Mackenzie. Once his fiancee, she is the sole woman to whom he could ever pour out his heart. Hart has it all--a dukedom, wealth, power, influence, whatever he desires. Every woman wants him--his seductive skills are legendary. But Hart has sacrificed much to keep his brothers safe, first from their brutal father, and then from the world. He's also suffered loss--his wife, his infant son, and the woman he loved with all his heart though he realized it too late. Now, Eleanor has reappeared on Hart's doorstep, with scandalous nude photographs of Hart taken long ago. Intrigued by the challenge in her blue eyes--and aroused by her charming, no-nonsense determination--Hart wonders if his young love has come to ruin him . . . or save him.

As the centenary of the Great War approaches, this book offers a unique perspective told in the words and illustrations of someone who was there , on the front line.??Although an American citizen, Jim Maultsaid's parents were Irish and he lived in Donegal. He joined the Young Citizen Volunteers, a group drawn from the ranks of clerical and professional society, at the outbreak of war.??Although he left school at age 13, the author was naturally gifted in both writing and drawing, with a great eye for detail, and has often been described as the unofficial war artist.??Jim's personal style of writing is engaging, and along with his sketches and illustrations, which are witty at times, takes the reader on a journey through not only the dark days and misery but also reveals the gritty humour that helped him and his 'chums' cope with the horrors of life in the trenches.??The diaries offer in words and illustrations, a true insight into the thoughts of the ordinary soldiers, and are filled with untold stories from the Great War, covering aspects that have never been addressed in other books. In particular there is new light shone on the Chinese Labour Corps, where Jim served as Captain, after he was certified unfit for active service due to his wounds.??The book has great historical and educational value, and will give those of all ages a real understanding of how this brave generation faced war, and how they struggled to survive.

Anthem of Misogyny: The War on Women in North Africa and the Middle East argues that misogyny—which operates through an interconnected network of ideologies, institutions, beliefs, aesthetics, and cultural trends—is too complex and too deep rooted to eradicate with superficial changes. Like a national anthem, misogyny in North Africa and the Middle East has acquired a sacred status. It is accepted uncritically and woven effortlessly into daily practices, creating a community of men of different ages, educational levels, and socioeconomic backgrounds who are united in their sense of entitlement to evaluate, scrutinize, deter, question, and expose women. For women, it is as if they are in a state of perpetual war, forever on the verge of being accused of deviating from the norms and being punished. These norms, however, are neither clear nor predictable. This study of misogyny is written against a dominant orthodoxy in Western feminism. Critics are accused of gendered orientalism, savior complexes, and even Islamophobia if they dare to bring up misogyny and gender-based violence in North Africa and the Middle East in contexts other than calling it a Western-created issue. Rather than exaggerate Western agency, this book is invested in making Muslim agency visible. There are narratives of violence and injustice that produce discomfort, anger, and even despair. These stories deserve to be told, and those behind the injustices are entitled to an unfiltered portrayal because the non-West, too, is deserving of unapologetic feminist critique.