A Goddess In Motion

The current practice of the cult of María Lionza is one of the most important and yet unexplored religious practices in Venezuela. Based on long-term fieldwork, this book explores the role of images and visual culture within the cult. By adopting a relational approach, A Goddess in Motion shows how the innumerable images of this goddess—represented as an Indian, white or mestizo woman—move constantly from objects to bodies, from bodies to dreams, and from the religion domain to the art world. In short, this book is a fascinating study that sheds light on the role of visual creativity in contemporary religious manifestations.

In the post-Newtonian world motion is assumed to be a simple category which relates to the locomotion of bodies in space, and is usually associated only with physics. This book shows this to be a relatively recent understanding of motion and that prior to the scientific revolution motion was a broader and more mysterious category, applying to moral as well as physical movements. Simon Oliver presents fresh interpretations of key figures in the history of western thought including Plato, Aristotle, Aquinas and Newton, examining the thinkers’ handling of the concept of motion. Through close readings of seminal texts in ancient and medieval cosmology and early modern natural philosophy, the books moves from antique to modern times investigating how motion has been of great significance within theology, philosophy and science. Particularly important is the relation between motion and God, following Aristotle traditional doctrines of God have understood the divine as the ‘unmoved mover’ while post-Holocaust theologians have suggested that in order to be compassionate God must undergo the motion of suffering. The text argues that there may be an authentically theological, as well as a natural scientific understanding of motion. This volume will prove a major contribution to theology, the history of Christian thought and to the growing field of science and religion.

Open theism paints the picture of a flexible God who engages in a dynamic history with his free creatures, a history in which the future is not yet definitely known to God but rather unfolds as a range of open possibilities. As one might expect, this position has proven fractious. Though much of the noise surrounding the issue of God's predestination and humanity's freedom has quieted in recent years, the conversation is ongoing and a continual source of contention in evangelical circles. God In Motion is the first in-depth analysis of the biblical-hermeneutical questions driving the heated open theism debate. Unlike previous books on the open view of God, Manuel Schmid's work does not take sides. Rather, God in Motion offers a qualified and critical look at the standard arguments of both the proponents and critics of open theism and suggests new perspectives. Schmid proposes an alternate path to understanding what is at stake in this debate, bringing open theism into conversation with weighty representatives of German-language theology such as Karl Barth, Emil Brunner, Wolfhard Pannenberg, and Jürgen Moltmann. God in Motion shows ways out of the theological dead ends that have characterized the debate, especially regarding the biblical grounding of open theism, by giving careful consideration to lessons learned from the controversies of current theological discourse. In all of this analysis, Schmid conveys a passion for serious pursuit of a biblically, theologically, and philosophically coherent Christian doctrine of God for the twenty-first century. Those wrestling with questions about biblical theology and eager to gain a more nuanced conception of God out of the richness of biblical texts and traditions will greatly benefit from God in Motion, as they follow Schmid past the polemics of theological controversy to fresh and challenging insights.

The existence of God as demonstrated from motion has preoccupied men in every age, and still stands as one of the critical questions of philosophic inquiry. The four thinkers Father Buckley discusses were selected because their methods of reasoning exhibit sharp contrasts when they are juxtaposed. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Inspirational Activity Book to step into your healing power!

A generous collection of spiritual and family poetry with pictures to create a lasting effect.These poems beg to be said aloud, and more than once. It's the journey from love to heartbreak passion, wit, and good common sense, the author tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. The author's evocative poetry speaks to the soul of anyone who is on this journey. The author expounds on his craft for translating complex emotions with astonishing simplicity and profound admiration for a reader of poetry.The poems of Poetry In Motion With God And Family are loosely connected and each represents the author's celebration of his philosophy of life and humanity. The physical body is present in all of the poems in this electric collection. We are given moments of the body's first pleasures, its anguish, its unpleasant realities, and its closeness to mortality. There are stories in these poems, too.

Jesus was not in a hurry. He had only three years of public ministry—three years to heal and teach and change the world—but the Bible never tells us he was rushing through them. We are the ones who rush through them. Catching the gist of this parable. Smiling at the punch line in that dialogue. We can race through the Gospels in hours, fully briefed on Christ’s life, but hardly changed. Until we sit down with Mike Nappa’s God in Slow Motion. Nappa hasn’t carved up the Gospels for quick review or sliced them into tiny pieces for academic study. He has taken ten important moments from the life of Christ and reveled in them, chewing on their words, relating them to life, comparing them with modern culture, allowing the Spirit to work, and letting Christ change him. The result is a rich, personal, and biblical narrative about Jesus and how His purposes unfold, then and now. See how God is sneaky about his glory. How he presents evidence for belief. How he can be comforting and terrifying at once. This is the “good news” in all its many-splendored wonder: the life of Christ, frame by frame. And it is worth every minute because it will change you too.