A Grammar Of The Corpse

No matter when or where one starts telling the story of the battle of al-Qasr al-Kabir (August 4, 1578), the precipitating event for the formation of the Iberian Union, one always stumbles across dead bodies—rotting in the sun on abandoned battlefields, publicly displayed in marketplaces, exhumed and transported for political uses. A Grammar of the Corpse: Necroepistemology in the Early Modern Mediterranean proposes an approach to understanding how dead bodies anchored the construction of knowledge within early modern Mediterranean historiography. A Grammar of the Corpse argues that the presence of the corpse in historical narrative is not incidental. It fills a central gap in testimonial narrative: providing tangible evidence of the narrator’s reliability while provoking an affective response in the audience. The use of corpses as a source of narrative authority mobilizes what cultural historians, philosophers, and social anthropologists have pointed to as the latent power of the dead for generating social and political meaning and knowledge. A Grammar of the Corpse analyzes the literary, semiotic, and epistemological function these bodies serve within text and through language. It finds that corpses are indexically present and yet disturbingly absent, a tension that informs their fraught relationship to their narrators’ own bodies and makes them useful but subversive tools of communication and knowledge. A Grammar of the Corpse complements recent work in medieval and early modern Iberian and Mediterranean studies to account for the confessional, ethnic, linguistic, and political diversity of the region. By reading Arabic texts alongside Portuguese and Spanish accounts of this key event, the book responds to the fundamental provocation of Mediterranean studies to work beyond the linguistic limitations of modern national boundaries.

No matter when or where one starts telling the story of the battle of al-Qasr al-Kabir (August 4, 1578), the precipitating event for the formation of the Iberian Union, one always stumbles across dead bodies - rotting in the sun on abandoned battlefields, publicly displayed in marketplaces, exhumed and transported for political uses. 'A Grammar of the Corpse' proposes an approach to understanding how dead bodies anchored the construction of knowledge within early modern Mediterranean historiography.

An exhaustive reference work for Wambule/Tibeto-Burman linguistics, language typology, linguistic theory "and" Wambule society and culture, and as such indispensable for any linguistic and anthropological library.

The dark shadows and offscreen space that force us to imagine violence we cannot see. The real slaughter of animals spliced with the fictional killing of men. The missing countershot from the murder victim’s point of view. Such images, or absent images, Karla Oeler contends, distill how the murder scene challenges and changes film. Reexamining works by such filmmakers as Renoir, Hitchcock, Kubrick, Jarmusch, and Eisenstein, Oeler traces the murder scene’s intricate connections to the great breakthroughs in the theory and practice of montage and the formulation of the rules and syntax of Hollywood genre. She argues that murder plays such a central role in film because it mirrors, on multiple levels, the act of cinematic representation. Death and murder at once eradicate life and call attention to its former existence, just as cinema conveys both the reality and the absence of the objects it depicts. But murder shares with cinema not only this interplay between presence and absence, movement and stillness: unlike death, killing entails the deliberate reduction of a singular subject to a disposable object. Like cinema, it involves a crucial choice about what to cut and what to keep.

This monograph is a grammar of Thangmi, an endangered Tibeto-Burman language spoken in the districts of Dolakha and Sindhupalcok in central-eastern Nepal. The language is spoken by upwards of 30,000 people belonging to an ethnic group of the same name. The Thangmi are one of Nepal s least documented communities.These two volumes include a grammatical description of the Dolakha dialect of Thangmi, a collection of glossed oral texts and a comprehensive lexicon with relevant examples. In addition, the reader will find an extensive ethnolinguistic introduction to the speakers and their culture.For students and scholars of anthropology and linguistics, this study is a compelling illustration of the interweaving of these disciplines in the context of Himalayan studies.With financial support of the International Institute for Asian Studies (www.iias.nl).

Mian is a non-Austronesian ('Papuan') language of the Ok family spoken in the Highlands fringe in western Papua New Guinea. Mian has approximately 1,400 speakers and is highly endangered. This grammar is the first comprehensive description of the language. It is based on primary field data consisting of a text corpus that covers different genres of the oral tradition, namely myths and ancestor stories, historical accounts, accounts of the initiation ritual, conversations, and procedural texts. The corpus was recorded by the author during a total of eleven months of field work from 2004 to 2008. The book provides a thorough description of all areas of Mian grammar and gives an in-depth analysis of many points of typological interest, such as the complex system of lexical tone, the interaction between a gender system and a system of classificatory prefixes on verbs of object movement, manipulation or handling, which allows the highlighting of certain characteristics of a referent in a given situation, the complex verbal morphology which allows fine-grained tense-aspect-mood distinctions, and a switch-reference system in which switch-reference suffixes on medial verbs are homophonous with and derived from suffixes functioning as tense and aspect markers in final verbs. The book is rounded off by a collection of traditional and contemporary texts (fully glossed and translated) and a word list comprising some 1,600 items, giving lexical tone, word class and meaning.

A grammar of Kurtöp presents the phonology, morphology, syntax, and semantics of Kurtöp, a Tibeto-Burman language of northeastern Bhutan. When possible, data are presented in a comparative light, lending insight into the development of phenomena such as tonogenesis and nominalizations.

Kashibo-Kakataibo is the westernmost Panoan language and, therefore, the one closest to the Andes Mountains. In terms of its typological profile, Kashibo-Kakataibo is a (mainly) postpositional and agglutinating language with a highly synthetic verbal morphology, which includes a highly complex tense system with several markers, some of which also express aspectual meanings. Kashibo-Kakataibo presents a mixed prosodic system, which combines stress and tone features. In addition, like with other Pano languages, Kashibo-Kakataibo exhibits a number of transitivity-related issues of high typological interest. First of all, the language shows an extremely complex system of grammatical relations, which includes tripatite, ergative, accusative, neutral and one horizontal alignment types. In addition, the language exhibits a fascinating interaction between syntactic case and pragmatic function. There are two fixed syntactic classes of verbs: transitive and intransitive. A verb root/base can only change its class by means of explicit morphological derivation (with only 4 ambitransitive verbs in the whole language). As in other Panoan languages, the transitivity class of the main verb is morphologically indicated throughout the clause, by means of complex systems of agreement and harmony (some of which are totally new even from a Panoan perspective)