A High And Lonely Place

A classic of Scottish nature writing and of the literature of our mountains

Pitting an American biologist against cutthroat smugglers and the governments of China and India, this compelling and suspenseful thriller brilliantly evokes the exotic landscape of the wilds of Nepal. David Trowbridge is determined to set up a wildlife refuge, but he soon learns that his greatest enemy is not the harsh environment, but those who seek to control it.

Dix Steele is back in town, and 'town' is post-war LA. His best friend Brub is on the force of the LAPD, and as the two meet in country clubs and beach bars, they discuss the latest case: a strangler is preying on young women in the dark. Dix listens with interest as Brub describes their top suspect, as yet unnamed. Dix loves the dark and women in equal measure, so he knows enough to watch his step, though when he meets the luscious Laurel Gray, something begins to crack. The American Dream is showing its seamy underside.

Hard Country and a Lonely Place: Schooling, Society, and Reform in Rural Virginia, 1870-1920

A range of approaches to the director’s life and work. The director of such classic Hollywood films as In a Lonely Place, Johnny Guitar, and Rebel Without a Cause, Nicholas Ray nevertheless remained on the margins of the American studio system throughout his career, and despite his cult status among auteurist critics and cinephiles, he has also remained at the margins of film scholarship. Lonely Places, Dangerous Ground offers twenty new essays by international film historians and critics that explore the director’s place in the history of the Hollywood industry and in the larger institution of cinema, as well as a 1977 interview with Ray that has never before been published in its entirety in English. In addition to readings of Ray’s most celebrated films, the book provides a range of approaches to his life and work, engaging new questions of his cinematic authorship with areas that include history and culture, politics and society, gender and sexuality, style and genre, performance, technology, and popular music. The collection also looks at Ray’s lesser-known and underappreciated films, and devotes attention to the highly experimental We Can’t Go Home Again, his recently restored final film made in the 1970s with his students at Binghamton University, State University of New York. Rediscovering what Ray means to contemporary film studies, the essays show how his films continue to possess a vital power for film history and criticism, and for film culture.

A fictionalized history of the infamous, if little-known outside Florida, Prohibition-era gangster John Ashley and his moll, Laura Upthegrove.

This is a Non Fiction Book that is for ADULTS only. The book is an accurate Historical rendition. It is reinforced by the author's 531 days of close quarters infantry combat in the Vietnam War. The introduction begins with the French Indochina War (1946-1954) followed by the US war against the Communist from 1959 until 1973. The aftermath is also included.

Many women, driven by a need for change in their lives, contact a marriage agency. These are their stories – ironic, woeful, romantic, and often very funny – as varied and as wonderful as the women themselves. Working as a matchmaker in the 1990’s Irina had seen a lot related to the international dating phenomenon, particularly as it was viewed through the eyes of Russian Women. The author is a Russian, but she has written these stories in a charming idiosyncratic English.