A History Of Canadian Culture

"From Dorset sculpture to the Barenaked Ladies, award-winning historian Jonathan F. Vance reveals a storyteller's ear for narrative.In a country this diverse, 'culture' has different meanings. Vance tells a story from the wind-swept Arctic where a stranded Innu woman, fighting to survive, took the time to decorate her clothing with rich designs. A British explorer was amazed at her efforts, but Vance reminds us of the inseparable connection between life and art in Inuit culture (the Innu word for 'breathe' also means 'to make poetry,' and both derive from the word for 'the soul'). No surprise that Aboriginal culture began to change irrevocably with the arrival of more Europeans (who brought their own ideas about culture). But that is another tale in Vance's fascinating History.Vance considers a range of key topics. Where, for example, is the divide between 'culture' and mass entertainment? He also considers how the hot-button issues of Canadian culture-government funding for the arts, the cultural brain drain, the drive to preserve distinctly Canadian forms of expression, concerns over copyright protection, the economic impact of cultural industries-can be traced back to previous centuries. And he shines new light on other key areas, such as the unique culture of Quebec and the CBC."--Résumé de l'éditeur.

From the Publisher: From Dorset sculpture to traveling circuses to the Barenaked Ladies, award-winning historian Jonathan Vance reveals a storyteller's ear for narrative. In a country of unparalleled diversity, "culture" has many different shades of importance and meaning. A stranded Innu woman found by eighteenth-century explorers in the wind-swept Arctic took the time to decorate her clothing with rich designs. The explorers were taken aback; but Vance informs us that the Inuit word meaning "to make poetry" is the same as the word for "breathe"; and both derive from the word for "the soul." Unsurprisingly, Aboriginal culture began to change with the arrival of more Europeans (who brought their own ideas about culture) in one of the many complicated and intertwined tales that Vance weaves together to explore Canada's cultural history. Vance considers other key issues. Where, for example, is the divide between "culture" and mass entertainment? He describes plays created by sailors trapped in an ice-bound ship through the Arctic winter; "occasionally lewd" tavern music; an early version of Macbeth with a Monty Pythonesque twist-in Canada, so-called high and low culture have coexisted uneasily, and intermingled creatively. Vance reveals that the hot-button cultural issues we all know and love-government funding for the arts, the cultural brain drain, the drive to preserve distinctly Canadian forms of expression, concerns over copyright protection, the economic impact of cultural industries-can be traced back to previous centuries. Taking into account both the past and modern developments, such as the thriving culture of Quebec and the evolution of the CBC, Vance addresses one of the quintessential anxieties of Canadians-where, and what, is our culture?

An exclusively Canadian textbook, this collection investigates the relationships between identity, geography, and popular culture that are produced and consumed in this sprawling country. Expanding beyond the clichés of friendliness and snow, this text provides a fresh perspective on what it means to be Canadian, both nationally and transnationally. Scholars look at historical subjects like Québécois identity and Indigenous self-representation and explore issues in contemporary media, including music, film, television, comic books, video games, and social media. From Drake to the Tragically Hip, Trailer Park Boys to The Amazing Race Canada, and poutine to maple syrup, mainstream icons and trends are studied in the interdisciplinary context of race, gender, sexuality, politics, and patriotism. Contributing to the location of Canadian popular culture, this unique resource will engage students and scholars of communication studies, cultural studies, and Canadian studies. FEATURES - Includes key concepts and theories and a glossary - Engages students with relatable historical and contemporary examples of Canadiana through a breadth of media, including television shows, websites, journals, celebrities, newspapers, literature, comic books, video games, music, and films - Ensures equal representation of a national and transnational Canada, which includes examples of race, gender, sexuality, and ethnicity, with particular attention to geographical intricacies that contain all provinces and territories

Contributors from a wide range of disciplines explore L.M. Montgomery's writing and its relation to Canadian nationalism, including regionalism, canon formation, and Canadian-Amerian cultural relations.

She considers each of these diverse genres in terms of the way it explains the cultural identity of a nation formed from the settlement of immigrant peoples on the lands of dispossessed indigenous peoples.

The surest way to the hearts of a Canadian audience is to inform them that their souls are to be identified with rock, rapids, wilderness and virgin (but exploitable) forest. Multiculturalism, feminism, postmodernism and regionalism - these and other vital movements jostle for expression in Canada. This title deals with this topic.

The first book to examine the role of Canada’s newspapers in perpetuating the myth of Native inferiority. Seeing Red is a groundbreaking study of how Canadian English-language newspapers have portrayed Aboriginal peoples from 1869 to the present day. It assesses a wide range of publications on topics that include the sale of Rupert’s Land, the signing of Treaty 3, the North-West Rebellion and Louis Riel, the death of Pauline Johnson, the outing of Grey Owl, the discussions surrounding Bill C-31, the “Bended Elbow” standoff at Kenora, Ontario, and the Oka Crisis. The authors uncover overwhelming evidence that the colonial imaginary not only thrives, but dominates depictions of Aboriginal peoples in mainstream newspapers. The colonial constructs ingrained in the news media perpetuate an imagined Native inferiority that contributes significantly to the marginalization of Indigenous people in Canada. That such imagery persists to this day suggests strongly that our country lives in denial, failing to live up to its cultural mosaic boosterism.