A History Of New England Vol 1

A dictionary of surnames of the first settlers of New England and 3 successive generations prior to 1692.

Excerpt from A History of New England, Vol. 1: Containing Historical and Descriptive Sketches of the Counties, Cities and Principal Towns of the Six New England States, Including, in Its List of Contributors, More Than Sixty Literary Men and Women, Representing Every County in New England; Illustrated The history of New England is invested with a peculiar interest. Its honored antecedents, the extraordinary circumstances of its early settlement, and the numerous vicissitudes attending its later development; the rare intelligence, sturdy virtue and indomitable energy of its primitive population; the fact, moreover, that the sons of this motherland have, for generations, been carrying her ideas and institutions, as well as her spirit of enterprise, into the new and opening regions of the great West, serve to attach to this section of our common country an exceptional importance, and to invest its annals with a corresponding significance and charm. For not the native New Englander alone, or even the native American, but for all true lovers of liberty, and of free institutions everywhere, the-history of this nursing spot of freedom, as also the annals of the people who contributed, in so eminent a degree, to the success of this notable experiment in local self-government, cannot, we feel confident, but prove a theme of deep and enduring interest. This work, as will be readily 'perceived, is intended to embrace, in a comprehensive form, what ever may be regarded as of special interest connected with the history of the States, counties and towns of New England. Such a work obviously possesses a peculiar. Merit. In this characteristically fast and progressive age, when there is so much to be read in a necessarily limited period of time, the public generally want results and not processes generalizations and bird's-eye views, and not extended disquisition. Meantime, neither labor nor expense has been spared, in the preparation of this work, to make it, as far as possible, accurate and reliable; while both the quality and variety of the talent employed are such as to warrant, not only the authenticity of its statements, but also the varied and popular treatment, as well as the literary ability and skill that should characterize a work of this kind. Special attention, it will be observed, has been paid to the earlier history of each section, and not only in the letter-press, but in the illustrations. Indeed, in the latter department, the book will be found happily to embrace the two extremes of our civilization what it was at its first and feeble beginnings, and what it is at its present advanced stage of progress. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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The Gothic Literature and History of New England surveys the history, nature and future of the Gothic mode in the region, from the witch trials through the Black Lives Matter Movement. Texts include Cotton Mather and other Puritan divines who collected folklore of the supernatural; the Frontier Gothic of Indian captivity narratives; the canonical authors of the American Renaissance such as Melville and Hawthorne; the women's ghost story tradition and the Domestic Gothic from Harriet Beecher Stowe to Charlotte Perkins Gilman to Shirley Jackson; H. P. Lovecraft; Stephen King; and writers of the current generation who respond to racial and gender issues. The work brings to the surface the religious intolerance, racism and misogyny inherent in the New England Gothic, and how these nightmares continue to haunt literature and popular culture—films, television and more.