A History Of Spanish Piano Music

For this volume, Hinson selected 16 piano works by Isaac Albéniz, Mateo Albéniz, Manuel de Falla, Enrique Granados, Padre Felipe Rodriguez and Padre Antonio Soler to provide an interesting representation of Spanish keyboard music from the 18th, 19th and 20th centuries. Hinson provides information about the important influence that folk instruments, primarily the guitar, had on these imaginative composers.

Although studies of Modernism have focused largely on European nations, Spain has been conspicuously neglected. As Carol A. Hess argues in this compelling book, such neglect is wholly undeserved. Through composer Manuel de Falla (1876-1946), Hess explores the advent of Modernism in Spain in relation to political and cultural tensions prior to the Spanish Civil War. The result is a fresh view of the musical life of Spain that departs from traditional approaches to the subject and reveals an open and constantly evolving aesthetic climate.

This biography offers a fresh understanding of the life and work of Spanish composer Manuel de Falla (1876-1946), recognized as the greatest composer in the Spanish cultural renaissance that extended from the latter part of the 19th century until the outbreak of the Spanish Civil War in 1936. The biography incorporates recent research on Falla, draws on untapped sources in the Falla archives, reevaluates Falla's work in terms of current issues in musicology, and considers Falla's accomplishments in their historical and cultural contexts.

The 2nd-3rd works by Falla are excerpts from ballets, originally for orchestra.

For this volume, Hinson selected 16 piano works by Isaac Albéniz, Mateo Albéniz, Manuel de Falla, Enrique Granados, Padre Felipe Rodriguez and Padre Antonio Soler to provide an interesting representation of Spanish keyboard music from the 18th, 19th and 20th centuries. Hinson provides information about the important influence that folk instruments, primarily the guitar, had on these imaginative composers.

This second comprehensive and scholarly volume of over 500 pages on the life and work of Andres Segovia contains a biography of the years 1958-1987 and focuses on Segovia's rendition of Spanish/Romantic and Contemporary/Neo-Classical masterpieces by Tárrega, Albeniz, Granados, Llobet and Ponce. A special appendix in each volume presents the original scores for the Segovia editions discussed in the text, some of which have never been published, as well as modern editions of these pieces. Includes access to an online audio recording by Gerard Garno.