A History Of Women In 101 Objects

Discover the hidden history of women—and the world—through this visual exploration of intimate objects and the surprising, sometimes shocking stories behind them. “I adored this book!”—Olivia Colman This is a neglected history. Not a sweeping, definitive, exhaustive history of the world but something quieter, more intimate and particular: a single journey, picked out in 101 objects, through the fascinating, manifold, and too often overlooked histories of women. With engaging prose, compelling stories, and a beautiful full-page image of each object, Annabelle Hirsch’s book contains a curated and diverse compendium of women and their things, uncovering the thoughts and feelings at the heart of women’s daily lives. The result is an intimate and stirring alternative history of humans in the world. The objects date from prehistory to today and are assembled chronologically to show the evolution of how women were perceived by others, how they perceived themselves, how they fought for freedom. Some (like a sixteenth-century glass dildo) are objects of female pleasure, some (a thumbscrew) of female subjugation. These are artifacts of women celebrated by history and of women unfairly forgotten by it. With variety and nuance, A History of Women in 101 Objects cracks open the fissures of what we think we know in order to illuminate a much richer retelling: What do handprints on early cave paintings tell us about the role of women in hunting? How is a cell phone related to femicides? What does Kim Kardashian’s diamond ring have to do with Elena Ferrante? Wide-ranging, subversive, witty, and superbly researched, this is a book that upends all our assumptions about, and presentations of, the past, proving that it has always been as complicated and fascinating as the women who peopled it.

The history of the world has been told in objects. But what about the objects that tell the history of women? What are the items that symbolise the journey of women from second-class citizens with no legal rights, no vote and no official status to the powerful people they are today? And what are the objects that still oppress women, even now? From the corset to the contraceptive pill, the bones of the first woman to Rosa Parks's mugshot and the iconic Mary Quant cape, A History of Women in 100 Objects documents the developing role of women in society through the lens of the inanimate objects that touched women's lives, were created by women or that at some time – perhaps even still – oppressed them. Woven by two leading historians, this complex, fascinating and vital tale of women and womanhood is told with a lightness of touch and depth of experience that will appeal to all those interested in women's history.

The Smithsonian Institution is America's largest, most important, and most beloved repository for the objects that define our common heritage. Now Under Secretary for Art, History, and Culture Richard Kurin, aided by a team of top Smithsonian curators and scholars, has assembled a literary exhibition of 101 objects from across the Smithsonian's museums that together offer a marvelous new perspective on the history of the United States. Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. Kurin sheds remarkable new light on objects we think we know well, from Lincoln's hat to Dorothy's ruby slippers and Julia Child's kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman's hymnal, Sitting Bull's ledger, Cesar Chavez's union jacket, and the Enola Gay bomber, tell difficult stories from the nation's history, and inspire controversies when exhibited at the Smithsonian. Others, from George Washington's sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In Kurin's hands, each object comes to vivid life, providing a tactile connection to American history. Beautifully designed and illustrated with color photographs throughout, The Smithsonian's History of America in 101 Objects is a rich and fascinating journey through America's collective memory, and a beautiful object in its own right.

"The story of America's great metropolis, told through 101 distinctive objects that span the history of New York, all reproduced in full color. Modeled on the best-selling A history of the world in 100 objects, this is the story of America's great metropolis, told through 101 significant objects that span the history of New York"--

This book takes a dramatically original approach to the history of humanity, using objects which previous civilisations have left behind them, often accidentally, as prisms through which we can explore past worlds and the lives of the men and women who lived in them. The book's range is enormous. It begins with one of the earliest surviving objects made by human hands, a chopping tool from the Olduvai gorge in Africa, and ends with an object from the 21st century which represents the world we live in today. Neil MacGregor's aim is not simply to describe these remarkable things, but to show us their significance - how a stone pillar tells us about a great Indian emperor preaching tolerance to his people, how Spanish pieces of eight tell us about the beginning of a global currency or how an early Victorian tea-set tells us about the impact of empire. Each chapter immerses the reader in a past civilisation accompanied by an exceptionally well-informed guide. Seen through this lens, history is a kaleidoscope - shifting, interconnected, constantly surprising, and shaping our world today in ways that most of us have never imagined. An intellectual and visual feast, it is one of the most engrossing and unusual history books published in years.

A rich and compelling introduction to the history of Asian Pacific American communities as told through 101 objects, from a fortune cookie baking mold to the debut Ms. Marvel comic featuring Kamala Khan Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects invites readers to experience both well-known and untold stories through influential, controversial, and meaningful objects. Thematic chapters explore complex history and shared experiences: navigation, intersections, labor, innovation, belonging, tragedy, resistance and solidarity, community, service, memory, and joy. The book features vibrant full-color illustrations of objects that embody and engage with Asian Pacific American issues, including the immigrant experience, the importance of media representation, what history gets officially documented vs. what does not, and so much more. Those objects include: Name tag for Challenger astronaut Ellison Onizuka Photograph of Hollywood actress Anna May Wong Hello Kitty bento box Stella Abrera's ballet shoes, pancaked to match her skin color Caravan’s Thailand: Songs for Life album Sewing kit of internment camp survivor May Ishimoto Nam June Paik's Electronic Superhighway: Continental U.S., Alaska, Hawaii The Devanagari typographical font patented by Hari Govind Govil Asian Americans are the fastest growing group in the United States and include approximately 50 distinct ethnic groups, but their stories and experiences have often been sidelined or stereotyped. This spirited and beautifully illustrated book offers a vital window into the triumphs and tragedies, strength and ingenuity, and traditions and cultural identities of these communities. Smithsonian Asian Pacific American History, Art, and Culture in 101 Objects is a crucial and celebratory read.

Volume III of A History of Women draws a richly detailed picture of women in early modern Europe, considering them in a context of work, marriage, and family. At the heart of this volume is "woman" as she appears in a wealth of representations, from simple woodcuts and popular literature to master paintings; and as the focal point of a debate--sometimes humorous, sometimes acrimonious--conducted in every field: letters, arts, philosophy, the sciences, and medicine. Against oppressive experience, confining laws, and repetitious claims about female "nature," women took initiative by quiet maneuvers and outright dissidence. In conformity and resistance, in image and reality, women from the sixteenth through the eighteenth centuries emerge from these pages in remarkable diversity.