A Honeycomb For Aphrodite

A Honeycomb for Aphrodite: Reflections on Ovid's Metamorphoses by A. S. Kline. Illustrated with engravings by Crispijn van de Pass. With this innovative analysis of Ovid's Metamorphoses the author provides an essential companion volume to his translation of the work itself. The nature and structure of Ovid's brilliant retelling of Greek myths is explained, while emphasising his broadly humanist approach. The concept of loosely connected tales linked and sustained by the author's style, personality, and world-view, is contrasted with the epic mode as exemplified by Virgil's Aeneid, while seen as being justified in its own right. The exploration of structure is deepened by detailed discussion of the key concepts and themes which run throughout the work. These range from the religious and mythical, to the social and ethical, and highlight Ovid's prime areas of interest and personal attitudes and values, while placing the Metamorphoses within the context of his other literary achievements, and the milieu of Augustan Rome. The manner in which these common concepts and themes are echoed and expanded through disparate myths and tales is highlighted by copious references to specific examples and illustrative passages in the work, allowing the reader rapid access to the supporting evidence within the text itself. A Honeycomb for Aphrodite argues for a more thoughtful appreciation of Ovid's major creation, claiming that his design is more than just a vivid and charming re-telling of the Greek originals, but a deeply-felt humanist development, in which civilised Roman values re-interpret the ancient natural and spiritual environment of Ovid's Greek sources in a manner destined to influence the whole of European culture, not simply the Medieval and Renaissance periods. Ovid is here seen as strengthening and enriching an alternative view of life to that presented by imperialistic, heroic or tragic literature; a view in which tenderness and pathos, pity and moderation transform the human, and humanise the world. This and other texts available from Poetry in Translation (www.poetryintranslation.com).

Atalanta, Andromeda, and Psyche, three female characters in Greek mythology, tell the stories of their marriages. Includes information on love and marriage in ancient Greece.

Aphrodite and Venus in Myth and Mimesis is a broad, flexible source book of comparative literature and cultural studies. It promotes the wide-ranging presence and impact of prominent idiosyncratic personalities in fabled goddess mythology and its emphatic notions of endearment and allure. The book brings together seven hundred acknowledged sources drawn from successive historical, global and literary eras, including principal commentaries, along with factual information and important renditions in art, prose and verse, within and beyond mainstream western culture. A lengthy, detailed introduction presents a copious documented preview of the viable adaptation and mimesis of ‘divine’ characterization and its respective centrality from the long distant past to the present day. Myth, rarely latent, demonstrates varied modes of expression and open-ended flexibility throughout the six comprehensive chapters which illuminate and probe, in turn, aspects of the ideological presence, sensibilities, trials and triumphs and interventions of the goddess, whether sacred or profane. Particular literary extracts and episodes range across ancient cultures alongside quite recent expressions of hermeneutics, blending myth with the contemporary in the multi-layered reception or admonishment of the goddess, whether by one designation or the other. As such, this book is wholly relevant to all stages of the evolution and expansion of a dynamic European literary culture and its leading authors and personalities.

*Includes pictures *Includes ancient descriptions of the goddess and myths *Includes online resources and a bibliography for further reading "However impious the apotheosis of sexuality may seem in the light of the Christian tradition, modern sensibility can nevertheless also appreciate how in the experience of love the loved one and indeed the whole world appears transfigured and joyously intensified, making all else seem insignificant, a tremendous power is revealed, a great duty." Attempting to cover all the forms the "Goddess of Love" encapsulates is no small affair. The roles she played in romance, marriage, procreation, and all of the other desires of humanity were myriad, but the aim of this book is to paint a slightly different, perhaps more esoteric version of Aphrodite from the usual image of her in mythology books. The fact is that Aphrodite, as an ancient Greek goddess, was not the anthropomorphic personage modern aficionados see painted on canvas and hewn out of stone. In addition to that, she was also so much more, which can be a difficult concept for the modern reader to discern. In fact, it was difficult for certain ancient readers to discern too; the 5th century BCE philosopher Plato expressed disgust at the idea that his gods would debase themselves in the adulterous, murderous, and mischievous ways they were said to have in their myths. However, it is important to remember that Plato represented a very small proportion of ancient Athenian society, and the rest of the populace didn't seem to have much of a problem including the "personal" anthropomorphic aspect of the gods into their more "elemental" and "essential" beings. As the scholar Leopold Schmidt put it, "For anyone born a Greek and thinking like a Greek, the idea of a clean antithesis between unity and plurality is put aside where the supernatural beings are concerned. He has no difficult in conceiving unity of action divorced from any unity of person." This is a very important point to remember when considering any of the ancient Greek gods, which can help the modern reader realize the depth of "character" that Aphrodite embodied for the ancient Greeks. Hers was more than the wooing gifts, more than the marriage bed, and more than the "propriety of women." She was an elemental force and not one to be underestimated. Aphrodite: The Origins and History of the Greek Goddess of Love looks at the story of the legendary deity and the various roles she played in Greek mythology. Along with pictures depicting important people, places, and events, you will learn about Aphrodite like never before.

Love and beauty reign supreme in empowering, high-interest narrative text telling the story of Greek mythology's Aphrodite. Core legends show Aphrodite's matchmaking as well as her own lovers among gods and mortals. Fascinating myths also uncover Aphrodite's past, detailing her creation and how she fits into the family of deities. Further explore Aphrodite's role in Greek culture through her signature powers, symbols, and attire. Additional facts and historical information connect the goddess's influence through popular culture today.

An original inquiry into how the artistic psyche interacts with myth; includes a catalogue of the works of British artist Michael Ayrton.

The small site of Aphrodite's Kephali, among several other Minoan and later sites, took advantage of the valley topography in the Isthmus of Ierapetra in eastern Crete by establishing themselves along the nearby hills, resulting in easy access to the natural trade route between the Aegean and the Libyan Seas. A discussion of the architecture, artifacts, and ecofacts are presented from the excavation of this Early Minoan I watchtower. The conclusions challenge some of the commonly held views about Crete in the third millennium B.C. It is suggested that rather than being a precursor to a socially complex state that would arise later, early polities involving several communities probably already existed in the isthmus during the EM I period. Social and economic differentiation existed on a regional, not just a local level, and decisions for mutual defense could involve collaboration by groups of workers, including the building of the watchtower that is the focus of this volume.