A House Full Of Daughters

A family memoir that traces the myths, legends, and secrets of seven generations of remarkable women All families have their myths and legends. For many years Juliet Nicolson accepted hers--the dangerous beauty of her flamenco dancing great-great-grandmother Pepita, the flirty manipulation of her great-grandmother Victoria, the infamous eccentricity of her grandmother Vita Sackville-West, her mother’s Tory-conventional background. But then Juliet, a distinguished historian, started to question. As she did so, she sifted fact from fiction, uncovering details and secrets long held just out of sight. A House Full of Daughters takes us through seven generations of women. In the nineteenth-century slums of Malaga, the salons of fin-de-siecle Washington D.C., an English boarding school during the Second World War, Chelsea in the 1960s, the knife-edge that was New York City in the 1980s, these women emerge for Juliet as people in their own right, but also as part of who she is and where she has come from. A House Full of Daughters is one woman’s investigation into the nature of family, memory, and the past. As Juliet finds uncomfortable patterns reflected in these distant and more recent versions of herself, she realizes her challenge is to embrace the good and reject the hazards that have trapped past generations.

A Booker Prize Finalist, Daughters of the House is Michèle Roberts' acclaimed novel of secrets and lies revealed in the aftermath of World War II. Thérèse and Léonie, French and English cousins of the same age, grow up together in Normandy. Intrigued by parents' and servants' guilty silences and the broken shrine they find in the woods, the girls weave their own elaborate fantasies, unwittingly revealing the village secret and a deep shame that will haunt them in their adult lives.

In 2009, six years after her mother's death, Gully Wells returns to La Migoua, the house in Provence which belonged to her mother - the glamorous, funny, unpredictable and furiously rude American journalist, Dee Wells. Surrounded by the clutter of decades, Gully is taken back to her childhood, to her mother, her adored stepfather - the celebrated, brilliant, womanising Oxford philosopher, A. J. Ayer - and to the rich, sensual memories that the house evokes. Gully's beautiful, rebellious mother Dee fled Boston when she was seventeen to join the Canadian Army, where she became a Sergeant Major. She married, had Gully, divorced and moved to London where she would meet, and fall madly in love with, the icon of logical positivism, Ayer, who she would later persuade to marry her. There they lived in an extraordinary, liberated and intellectual world, with friends and acquaintances including Bobby Kennedy, Mary Quant, Iris Murdoch, Jonathan Miller, George Melly and Bertrand Russell. In the turbulent and vibrant milieu of sixties London, Gully develops from a cautious only child to a studious teenager. She has a childhood infatuation with the aristocratic homosexual Michael Pitt-Rivers, loses her virginity to a Provençal hairdresser and wins a scholarship to St Hilda's at Oxford, where she blossoms, studies French history under Theodore Zeldin, and falls in love with fellow student, Martin Amis. But as the affair ends, Gully moves on, explores love and travel, eventually settling down in New York. La Migoua, perched on a hill above Bandol, halfway between Toulon and Marseilles, is inextricably woven into Gully's existence. Unsentimental and gloriously witty, The House in France is a vivid and moving love letter to a beloved mother, and a celebration of family, of growing up and of the spirit of a cherished house.

Lonely Clementine is the rightful heir to the House of Peine, the vineyard that has been in the family for generations. She has spent her whole life caring for the vines, not to mention her sour brute of a father. But now the Peine patriarch is dead, and to Clementine’s distress his will stipulates that she must share the vineyard with a half-sister she hasn’t seen in twenty years and another she didn’t even know existed. Secrets tumble out as the three sisters struggle to rescue the family heritage while overcoming their own differences. As a precious blend of grapes, tears and triumph brings these estranged siblings together, readers will savor this heartfelt toast to sisterhood and inspired celebration of champagne.

INSTANT NEW YORK TIMES BESTSELLER From the author of the New York Times bestseller Homecoming—“An ambitious, compelling historical mystery with a fabulous cast of characters…Kate Morton at her very best.” —Kristin Hannah “An elaborate tapestry…Morton doesn’t disappoint.” —The Washington Post "Classic English country-house Goth at its finest." —New York Post In the depths of a 19th-century winter, a little girl is abandoned on the streets of Victorian London. She grows up to become in turn a thief, an artist’s muse, and a lover. In the summer of 1862, shortly after her eighteenth birthday, she travels with a group of artists to a beautiful house on a bend of the Upper Thames. Tensions simmer and one hot afternoon a gunshot rings out. A woman is killed, another disappears, and the truth of what happened slips through the cracks of time. It is not until over a century later, when another young woman is drawn to Birchwood Manor, that its secrets are finally revealed. Told by multiple voices across time, this is an intricately layered, richly atmospheric novel about art and passion, forgiveness and loss, that shows us that sometimes the way forward is through the past.

A witty memoir about the trials of adolescence, the tribulations of family life and the embarrassment that ensues from having larger-than-life parents

From the New York Times bestselling author of Then She Was Gone… OUR HOUSE. OUR FAMILY. OUR SECRETS. Meet the picture-perfect Bird family: pragmatic Meg, dreamy Beth, and towheaded twins Rory and Rhys, one an adventurous troublemaker, the other his slighter, more sensitive counterpart. Their father is a sweet, gangly man, but it’s their beautiful, free-spirited mother Lorelei who spins at the center. In those early years, Lorelei tries to freeze time by filling their simple brick house with precious mementos. Easter egg foils are her favorite. Craft supplies, too. She hangs all of the children’s art, to her husband’s chagrin. Then one Easter weekend, a tragedy so devastating occurs that, almost imperceptibly, it begins to tear the family apart. Years pass and the children have become adults, while Lorelei has become the county’s worst hoarder. She has alienated her husband and children and has been living as a recluse. But then something happens that beckons the Bird family back to the house they grew up in—to finally understand the events of that long-ago Easter weekend and to unearth the many secrets hidden within the nooks and crannies of home.

Daughters Who Walk This Path depicts the dramatic coming of age of Morayo, a spirited and intelligent girl growing up in 1980s Ibadan who is thrust into a web of oppressive silence woven by the adults around her. It's a legacy of silence many women in Morayo's family share. Only Aunty Morenike-once protected by her own mother-provides Morayo with a safe home, and a sense of female community which sustains Morayo as she grows into a young woman in bustling, politically charged, often violent Nigeria.