The House In France

In 2009, six years after her mother's death, Gully Wells returns to La Migoua, the house in Provence which belonged to her mother - the glamorous, funny, unpredictable and furiously rude American journalist, Dee Wells. Surrounded by the clutter of decades, Gully is taken back to her childhood, to her mother, her adored stepfather - the celebrated, brilliant, womanising Oxford philosopher, A. J. Ayer - and to the rich, sensual memories that the house evokes. Gully's beautiful, rebellious mother Dee fled Boston when she was seventeen to join the Canadian Army, where she became a Sergeant Major. She married, had Gully, divorced and moved to London where she would meet, and fall madly in love with, the icon of logical positivism, Ayer, who she would later persuade to marry her. There they lived in an extraordinary, liberated and intellectual world, with friends and acquaintances including Bobby Kennedy, Mary Quant, Iris Murdoch, Jonathan Miller, George Melly and Bertrand Russell. In the turbulent and vibrant milieu of sixties London, Gully develops from a cautious only child to a studious teenager. She has a childhood infatuation with the aristocratic homosexual Michael Pitt-Rivers, loses her virginity to a Provençal hairdresser and wins a scholarship to St Hilda's at Oxford, where she blossoms, studies French history under Theodore Zeldin, and falls in love with fellow student, Martin Amis. But as the affair ends, Gully moves on, explores love and travel, eventually settling down in New York. La Migoua, perched on a hill above Bandol, halfway between Toulon and Marseilles, is inextricably woven into Gully's existence. Unsentimental and gloriously witty, The House in France is a vivid and moving love letter to a beloved mother, and a celebration of family, of growing up and of the spirit of a cherished house.

One grey dismal day, Janine Marsh was on a trip to northern France to pick up some cheap wine. She returned to England a few hours later having put in an offer on a rundown old barn in the rural Seven Valleys area of Pas de Calais. This was not something she'd expected or planned for. Janine eventually gave up her job in London to move with her husband to live the good life in France. Or so she hoped. While getting to grips with the locals and la vie Française, and renovating her dilapidated new house, a building lacking the comforts of mains drainage, heating or proper rooms, and with little money and less of a clue, she started to realize there was lot more to her new home than she could ever have imagined. These are the true tales of Janine's rollercoaster ride through a different culture - one that, to a Brit from the city, was in turns surprising, charming and not the least bit baffling.

Entertaining at home in gracious French style. Born from her experience of everyday living in France, Sharon Santoni reveals the gracious, easy French way of entertaining guests at her countryside home, year-round. Personal stories evoke the spirit of the French lifestyle, while gorgeous photos make us feel right at home. Santoni creates lush bouquets from her garden and utilizes resources from surrounding nature to lay gorgeous tables both indoors and outdoors. Venues range from a Sunday morning breakfast on the patio, to a ladies lunch in her lush garden, a formal dinner in her dining room, and a picnic by the river. Santoni also shares 15 favorite recipes utilizing seasonal foods. Find inspiration for your tables throughout the seasons, and discover the simple pleasure of entertaining friends and family. Sharon Santoni writes the popular blog My French Country Home. She is the author of My Stylish French Girlfriends (Gibbs Smith). She resides in Normandy, France.

A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siècle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt—the Camondos, the Rothschilds, the Ephrussis, the Cahens d'Anvers—McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of “invading” France’s cultural patrimony. The collections these families left behind—many ultimately donated to the French state—were their response, tragic attempts to celebrate a nation that later betrayed them.

The last sixteen years of James Baldwin's life (1971–87) unfolded in a village in the South of France, in a sprawling house nicknamed “Chez Baldwin.” In Me and My House Magdalena J. Zaborowska employs Baldwin’s home space as a lens through which to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works. Zaborowska shows how the themes of dwelling and black queer male sexuality in The Welcome Table, Just above My Head, and If Beale Street Could Talk directly stem from Chez Baldwin's influence on the writer. The house was partially torn down in 2014. Accessible, heavily illustrated, and drawing on interviews with Baldwin's friends and lovers, unpublished letters, and manuscripts, Me and My House offers new insights into Baldwin's life, writing, and relationships, making it essential reading for all students, scholars, and fans of Baldwin.

"As beguiling and delectable as France itself." *Mimi Sheraton "Ann Barry tells her tale directly and clearly, without cloying artifice or guile, so that it has the warmth, honesty, and force of a long letter from an old friend. She makes her reader a welcome house guest in her much-loved little cottage in the heart of France." *Susan Allen Toth Ann Barry was a single woman, working and living in New York, when she fell in love with a charming house in Carennac in southwestern France. Even though she knew it was the stuff of fantasy, even though she knew she would rarely be able to spend more than four weeks a year there, she was hooked. This spirited, captivating memoir traces Ms. Barry's adventures as she follows her dream of living in the French countryside: Her fascinating (and often humorous) excursions to Brittany and Provence, charmed nights spent at majestic chateaux and back-road inns, and quiet moments in cool Gothic churches become our own. And as the years go by, and "l' Americaine," as she is known, returns again and again to her real home, she becomes a recognizable fixture in the neighborhood. Ann Barry is a foreigner enchanted with an unpredictable world that seems constantly fresh and exciting. In this vivid memoir, she shares the colorful world that is her France. "AN INTELLIGENT MEMOIR." *The New Yorker "DELIGHTFUL . . . BARRY WRITES ENGAGINGLY. . . . [She] is very much at home in such fine company as M.F.K. Fisher's Two Towns in Provence, Robert Daley's Portraits of France, and Richard Goodman's French Dirt. *St. Louis Post-Dispatch

Longstanding and resilient local ideas of property and practices of inheritance control the destinies of those living in Bearn, a region of south-west France in the foothills of the French Pyrenees. Based on extensive fieldwork and archival research that combines ethnography and intellectual history, this book explores these long-term continuities of a particular way of life within a broad framework. These local ideas have found expression twice at the national level: first, in sociological arguments proposed by Frederique Le Play about the family that shaped debates on social reform and the repair of national identity in the last third of the nineteenth century-debates that would play a part in subsequent European thought and in contemporary European social policy. Second, they fed into late twentieth-century sociological categories through the influential work of Pierre Bourdieu. This study of Bearn illustrates the multi-layered life of local concepts and practices, and the continuing contribution of the local to modern European national history.