A Kind Of Magic

Freddie Mercury was rock’s most dazzling showman, a legendary entertainer who in 1991, at the age of just forty-five, became the first major music star to die of AIDS. Mercury’s soaring four-octave voice was a defining element in Queen’s unique sound, crucial to the success of the band’s fifteen studio albums, from Queen (1973) to Made in Heaven (1995). He was also a supremely talented songwriter and musician who wrote many of the band’s greatest hits, including ‘Killer Queen’, ‘We Are the Champions’ and their biggest triumph, the epic anthem ‘Bohemian Rhapsody’. As a solo artist he released two acclaimed albums: Mr. Bad Guy in 1985 and the operatic 'Barcelona' with Spanish soprano Montserrat Caballé in 1988. Mercury’s extraordinary charisma was perhaps best seen in his imperious live performances, in which he’d hold vast stadium crowds to rapturous attention. His outrageous theatrics, physicality and over-the-top costumes led one commentator to describe him as ‘a performer out to tease, shock, and ultimately charm his audience with various extravagant versions of himself’. He pushed the limits of camp in everything he did. His extreme behaviour, in a society in which being gay was only starting to be accepted, just added to Freddie Mercury’s allure. With expert understanding, Mark Blake traces Mercury’s life from his childhood in Zanzibar and India to his untimely death, and charts his astonishing achievements including in Queen’s world-conquering performance at Live Aid in 1985. In the year that marks what would have been his seventieth birthday, Freddie Mercury: A Life celebrates a remarkable life, lived to the fullest. Featuring revealing interviews with fellow musicians, producers and collaborators, and a detailed discography and timeline, this is a memorable tribute to a unique recording artist and an irreplaceable performer who rocked the world.

In this “fun and flirty” debut, a shy scientist is swept off her feet by a rock star—but is it real romantic chemistry or just her love potion perfume (Night Owl Reviews)? Biochemist Eden Sinclair has no idea that the scent she spritzed on herself before leaving the lab is designed to enhance pheromones. Or that the cute guy she meets at her brother’s concert is the international rock god Adam Copeland. By the time she learns the truth, she’s already spent an unforgettable night in his bed . . . Now Eden, who’s more accustomed to disastrous dates set up by her mom, is going out with a gorgeous celebrity who loves how down-to-earth and honest she is. But for once, Eden isn’t being honest. She can’t bear to reveal that this overpowering attraction could be nothing more than seduction by science. And the only way to know how Adam truly feels is to ditch the perfume—and risk being ditched . . . “Sexy, engaging and original. I completely fell in love with Eden and Adam.” —Sydney Landon, New York Times–bestselling author

Telling the story of an immortal Scottish warrior doomed to survive through the centuries while watching those he loves die around him, 1986's Highlander was a British film that took the fantasy genre and infused it with a few thousand volts of energy from the rock video industry to create a timeless, genre-defying, classic. The story of an immortal Scottish warrior battling evil down through the centuries, Highlander fused a high concept idea with the kinetic energy of a pop promo pioneer and Queen's explosive soundtrack to become a cult classic. When two budget-conscious American producers took a chance on a college student's script, they set in motion a chain of events involving an imploding British film studio, an experimental music video director still finding his filmmaking feet, a former James Bond with a spiralling salary, and the unexpected arrival of low-budget indie film company, Cannon Films. Author Jonathan Melville looks back at the creation of Highlander with the help of more than 60 new cast and crew interviews, including stars Christopher Lambert and Clancy Brown, revisiting the gruelling shoot that took them from the back alleys of London, to the far reaches of the Scottish Highlands and onto the mean streets of 1980s New York City.

New York Times bestselling author Donna Grant returns with the Shields in the next installment featuring love and sacrifice. Greetings Dear Reader, I’m an immortal prince of Thales. I’ve lived a life of grandeur, revered and respected, but my one true love was combat. I was given an extraordinary gift in my battle abilities and soon became known as Thales’ finest warrior. But all that changed the day my brother died, and evil descended upon my realm. With Thales on the verge of ruin, I bound myself to the Shields to protect the realms from the wickedness that ravages them. But I have a dark secret that I must atone for. Then, and only then, can I return to Thales and face my family. My special battle skills and my immortality keep my goals in front of me. They have always been clear… Until Elle. Elle makes me long for things I cannot have. Her innate goodness makes me want to grasp what she offers with both hands, but I know that we can never have what she seeks. Elle bears a mark that signals her one of a chosen few who were sent to Earth as infants. She and the others who bear the mark must be found and kept hidden from the ancient evil that seeks them, for they hold the key to the evil’s ruination. The only way to keep Elle safe is to keep her by my side, but can I resist the temptation to take her love? Roderick of Thales

Queen are one of the biggest stadium rock bands in the world. "Another One Bites the Dust" (1980) became their best-selling single, while their 1981 compilation album Greatest Hits is the best-selling album in the UK and is certified eight times platinum in the US. Their record sales range from 150 million to 300 million records, making them one of the world's best-selling music artists. They were inducted into the Rock and Roll Hall of Fame in 2001. In 2018 they were presented the Grammy Lifetime Achievement Award.

"The first biography of Kesey, [revealing] a youthful life of brilliance and eccentricity that encompassed wrestling, writing, farming, magic and ventriloquism, CIA-funded experiments with hallucinatory drugs, and a notable cast of characters that would come to include Wallace Stegner, Larry McMurtry, Tom Wolfe, Neal Cassady, Timothy Leary, the Grateful Dead, and Hunter S. Thompson"--Dust jacket flap.

Amber Sand is not a witch. The Sand family magical gene somehow leapfrogged over her. But she did get one highly specific bewitching talent: she can see true love. As a matchmaker, Amber's pretty far down the sorcery food chain (even birthday party magicians rank higher), but after five seconds of eye contact, she can envision anyone's soul mate. Amber works at her mother's magic shop -- Windy City Magic -- in downtown Chicago, and she's confident she's seen every kind of happy ending there is: except for one--her own. (The Fates are tricky jerks that way.) So when Charlie Blitzman, the mayor's son and most-desired boy in school, comes to her for help finding his father's missing girlfriend, she's distressed to find herself falling for him. Because while she can't see her own match, she can see his -- and it's not Amber. How can she, an honest peddler of true love, pursue a boy she knows full well isn't her match? The Best Kind of Magic is set in urban Chicago and will appeal to readers who long for magic in the real world. With a sharp-witted and sassy heroine, a quirky cast of mystical beings, and a heady dose of adventure, this novel will have you laughing out loud and questioning your belief in happy endings.

This collection of articles by distinguished scholars and experts in their particular fields of research is introduced by a chapter dealing with general matters of the current hermeneutics of magic: what is the nature of magic and what is the understanding of magic in the Western world-view and what - for instance - in the African world? Centered around studies on Jesus and magic the second part contains studies on the use of the term "magic" in the New Testament and especially in Acts. The third section broadens the understanding of magic through selected case studies in different approaches to magic in the environment and background of the New Testament (Old Testament, Qumran, Apuleius, Women as Magicians). Early Christianity subsequent to the New Testament develops its own view of magic, criticizing pagan magic but not being uninfluenced by magic or magic-like practices. This development is part of the fourth and last chapter of the collection along with two different papers on the possible use of Jewish and Christian themes in later magical texts. The collection explores the importance of magic within Early Christianity, an issue shared with its Old Testament and Jewish roots and with its ancient background, implying reluctance and critique. Both magical traits and the critique of non-Christian magic have an impact on later scripture and still exert influence now on modern theoretical discussion and popular ideas.