A Kiss Across The Ocean

In A Kiss across the Ocean Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie and the Banshees, Adam Ant, Bauhaus, Soft Cell, Frankie Goes to Hollywood, and Pet Shop Boys. He recounts these bands’ importance for him and other Latinx kids and discusses their frequent identification with these bands’ glamorous performance of difference. Whether it was Siouxsie Sioux drawing inspiration from Latinx contemporaries and cultural practices or how Soft Cell singer Marc Almond’s lyrics were attuned to the vibrancy of queer Latinidad, Rodríguez shows how Latinx culture helped shape British post-punk. He traces the fandom networks that link these groups across space and time to illuminate how popular music establishes and facilitates intimate relations across the Atlantic. In so doing, he demonstrates how the music and styles that have come to define the 1980s hold significant sway over younger generations equally enthused by their matchlessly pleasurable and political reverberations.

A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.

College teaching assistant Ruth Tyack is excitedly planning for a new job in Rome when she falls in love with Tom, a poet and guest-lecturer at the college. Despite their intense feelings for each other, Ruth and Tom must part after a single romantic together. Tom is married and has too much respect for his wife and a deep bond with his special needs' son. In Italy, Ruth is caught up in a whirlwind romance with Bruno, the scion of an aristocratic family. Their marriage is happy but brief as Bruno is killed in an auto accident and, in her grief, Ruth turns to his handsome cousin, Peter, who has long been in love with her. But once remarried, Peter demands that Ruth model herself after other wives of wealthy Italians--docile homemakers and mothers who look the other way when their husbands have affairs. As her unhappiness grows, Ruth keeps returning to her feelings for Tom and the love that has never been extinguished. Having kept in touch with him over the years, she's been deeply affected by his personal tragedy and the anguish he faced as his wife suffered a series of breakdowns and was committed to an institution. Should she remain in an increasingly untenable marriage or follow her heart? The rerelease of this bestselling contemporary romance has been updated to include three new chapters which reveal the path she takes.

The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to A Passage to India (1984), and from Goldfinger (1964) to 1984 (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges.

A delightfully entertaining journey following the lifelong development of a devoted horseman, and the opportunities and challenges native to such a pursuit in different parts of the world. It was at the age of thirteen that Gunnar Ostergaard wrote in his journal, "Is there anything more beautiful than horses?" The rhetorical question would come to guide his every step as he sought a way to build a life around that which he loved most. What transpired was a journey through three lands and cultures, each providing a different window into the body and mind of the horse and the heart and soul of the horseman. In these pages he traces his path from Denmark to Germany to the United States, providing a glimpse into the world of rider development in three vastly different places, as well as a rare peek behind the curtain of top international dressage training and competition. Throughout, Gunnar is funny and frank, generously sharing both his struggles and successes. The result is a highly entertaining history lesson that is at the same time rich in equestrian philosophy readers can immediately apply to their own riding lives.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

The African Heritage of Latinx and Caribbean Literature unearths a buried African archive within widely-read Latinx writers of the last fifty years. It challenges dominant narratives in World Literature and transatlantic studies that ignore Africa's impact in broader Latin American culture. Sarah Quesada argues that these canonical works evoke textual memorials of African memory. She shows how the African Atlantic haunts modern Latinx and Caribbean writing, and examines the disavowal or distortion of the African subject in the constructions of national, racial, sexual, and spiritual Latinx identity. Quesada shows how themes such as the 19th century 'scramble for Africa,' the decolonizing wars, Black internationalism, and the neoliberal turn are embedded in key narratives. Drawing from multilingual archives about West and Central Africa, she examines how the legacies of colonial French, Iberian, British and U.S. Imperialisms have impacted on the relationships between African and Latinx identities. This is the first book-length project to address the African colonial and imperial inheritance of Latinx literature.