A Little White Shadow

An exquisite art book of gentle and elegant found poetry.

The highly anticipated sequel to International Booker and Dublin Impac Award-shortlisted The Unseen No-one can be alone on an island . . . But Ingrid is alone on Barrøy, the island that bears her name, and the war of her childhood has been replaced by a new, more terrible present: the Nazi occupation of Norway. When the bodies from a bombed vessel carrying Russian prisoners of war begin to wash up on the shore, Ingrid can’t know that one will not only be alive, but could be the answer to a lifetime of loneliness—nor can she imagine what suffering she will endure in hiding her lover from the German authorities, or the journey she will face, after being wrenched from her island as consequence for protecting him, to return home. Or especially that, surrounded by the horrors of battle, among refugees fleeing famine and scorched earth, she will receive a gift, the value of which is beyond measure. The highly anticipated follow-up to Roy Jacobsen’s International Booker and Dublin Impac Award-shortlisted The Unseen, a New York Times New and Noteworthy book, White Shadow is a vividly observed exploration of conflict, love, and human endurance.

This is one of the wisest books I've read in years... —New York Times Book Review No writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon Review Profound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers Weekly This is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew Dickman The accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco Examiner Over the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award. Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.

From "a singular voice in fiction" (USA Today) comes a remarkable new novel about one of the most infamous murders in Florida history. Tampa, Florida, 1955: a city pulsing with Sicilian and Cuban gangsters, smoky clubs, cigar factories, light and voices and rum. The bludgeoning death of mob boss Charlie Wall sends shock waves rippling through the communities, sets cops and reporters and associates, known and unknown, scrambling to discover the truth. And the truth is that there are many more surprises to come. As the trail winds through rich neighborhoods and poor, enmeshing the innocent and corrupt alike, all the way down to the streets of pre-revolutionary Havana, an extraordinary story of revenge, honor and greed begins to emerge. But that is only the beginning. For Charlie Wall had his secrets, and he guarded them well. And those secrets will have repercussions.

Vait-hua was all savage; whatever bewilderments the missionaries had brought had faded when dwindling population left the isle to its own people. In the minds of my happy companions at the vai puna, modesty had no more to do with clothing than, among us, it had to do with food.... Savage peoples can never understand our philosophy, our complex springs of action. They may ape our manners, wear our ornaments, and seek our company, but their souls remain indifferent. They laugh when we are stolid. They weep when we are unmoved. Their gods and devils are not ours. -from Chapter VII In the years prior to World War I, American author FREDERICK O'BRIEN (1869-1932) took a grand tour of the South Pacific, and the trilogy of books he wrote upon his return sparked a new thirst for all things exotic, far-flung, and gloriously "uncivilized." The first of these volumes, 1919's White Shadows in the South Seas, was a tremendous bestseller in its day, and no wonder. O'Brien romances the people and the culture of the island of Marquesas with this account of the year of drowsy afternoons and nights lit by mysterious moonlight that he spent strolling its sandy shores and basking in its island breezes. But O'Brien's is no mere travelogue: though he introduces us to beautiful young island girls with names like Vanquished Often and Malicious Gossip and discusses the vagaries of native cuisine and the time-measuring power of cigarettes, he also debates himself about the good and the harm done by Western traders and Christian missionaries and ponders the legacy outside influence will have upon the island. O'Brien offers a unique perspective on the South Seas cultures of old just as they were disappearing. OFINTEREST TO: armchair travelers, amateur anthropologists, readers of cross-cultural studies

"It is impossible for me to write about the imagination; it is like asking a fish to describe the sea," Mary Ruefle announces at the start of her essay. With wit and intellectual abandon, Ruefle draws inspiration from Wittgenstein, Shakespeare, Jesus, Steve Jobs, Johnny Cash, and Emily Dickson to explore her subject. The chapbook features original interior illustrations. Mary Ruefle is the author of numerous volumes of poetry and prose, including Madness, Rack, and Honey: Collected Lectures, a finalist for the National Book Critics Circle Award in Criticism, and Selected Poems, winner of the William Carlos Williams Award from the Poetry Society of America.