A Lover S Complaint Annotated

A Lover's Complaint is a narrative poem published as an appendix to the original edition of Shakespeare's sonnets. It is given the title A Lover's Complaint in the book, which was published by Thomas Thorpe in 1609. Although published as Shakespeare's work, the poem's authorship has become a matter of critical debate. The majority opinion is that it is by Shakespeare.

Despite the outpour of interpretations, from critics of all schools, on Shakespeare's dramatic works and other poetic works, A Lover's Complaint has been almost totally ignored by criticism. This collection of essays is designed to bring to the poem the attention it deserves for its beauty, its aesthetic, psychological and conceptual complexity, and its representation of its cultural moment. A series of readings of A Lover's Complaint, particularly engaging with issues of psychoanalysis and gender, the volume cumulatively builds a detailed picture of the poem, its reception, and its critical neglect. The essays in the volume, by leading Shakespeareans, open up this important text before scholars, and together generate the long-overdue critical conversation about the many intriguing facets of the poem.

William Shakespeare's 'A Lover's Complaint' is a haunting narrative poem that explores the complex emotions of a jilted lover. The poem's female protagonist shares her heartbreaking story of seduction and abandonment, as she weeps by a river and discards tokens of love. Shakespeare masterfully portrays the young woman's vulnerability, her love for the man who betrayed her, and her willingness to forgive him despite the pain he caused.

An elaborately annotated edition of Shakespeare's masterpieces of wit and erotic word-play. Kerrigan provides an illuminating Introduction to the volume as a whole, together with commentaries on the poems, a textual history, and suggestions for further reading.

This expansive four-volume work gives students detailed explanations of Shakespeare's plays and poems and also covers his age, life, theater, texts, and language. Numerous excerpts from primary source historical documents contextualize his works, while reviews of productions chronicle his performance history and reception. Shakespeare's works often served to convey simple truths, but they are also complex, multilayered masterpieces. Shakespeare drew on varied sources to create his plays, and while the plays are sometimes set in worlds before the Elizabethan age, they nonetheless parallel and comment on situations in his own era. Written with the needs of students in mind, this four-volume set demystifies Shakespeare for today's readers and provides the necessary perspective and analysis students need to better appreciate the genius of his work. This indispensable ready reference examines Shakespeare's plots, language, and themes; his use of sources and exploration of issues important to his age; the interpretation of his works through productions from the Renaissance to the present; and the critical reaction to key questions concerning his writings. The book provides coverage of each key play and poems in discrete sections, with each section presenting summaries; discussions of themes, characters, language, and imagery; and clear explications of key passages. Readers will be able to inspect historical documents related to the topics explored in the work being discussed and view excerpts from Shakespeare's sources as well as reviews of major productions. The work also provides a comprehensive list of print and electronic resources suitable for student research.

A Mirror for Lovers: Shake-speare's Sonnets as Curious Perspective, by William F. Zak, seeks to identify in Shake-speare'e sonnet sequence the structural and thematic features of the satirical tradition born in Plato's Symposium. Through this study, Zak traces the power of an idea to endure, re-animate, and enrich itself through time: Plato's discrimination of the true nature of love in The Symposium. Born anew in its medieval reincarnations (The Romance of the Rose, The Vita Nuova, and The Canzoniere of Petrarch), the tradition begun in Plato's Symposium was then resuscitated in the Elizabethan sonnet sequence revival, most notably in Shake-speare's Sonnets. With extended examination of all the texts in the Q manuscript, A Mirror for Lovers makes a case for the mutually illuminating relationship among the sonnets to the fair young man and the dark lady, "A Lover's Complaint," and the mysterious dedication that until now have never received attention as an integral symbolic matrix of meaning.

When Shakespeare's Sonnets were published in 1609 a poem called A Lover's Complaint was included by the publisher, Thomas Thorpe, who was notorious for several irregular publications. Many scholars have doubted its authenticity, but recent editions of the Sonnets have accepted it as Shakespeare's work. Now Vickers, in this text, the first full study of the poem, shows it to be un-Shakespearian both in its language and in its attitude to women. It is awkwardly constructed and uses archaic Spenserian diction, including many unusual words that never occur in Shakespeare. It frequently repeats stock phrases and rhymes, distorts normal word order far more often and more clumsily than Shakespeare did, while its attitude to female frailty is moralizing and misogynistic. By close analysis Vickers attributes the poem to John Davies of Hereford (1565-1618), a famous calligrapher and writing-master who was also a prolific poet. Vickers' book will re-define the Shakespeare canon.