A Lover S Pinch

A worldwide subculture that influences everything from fashion to advertising, sadomasochism has a long and lively history. A Lover’s Pinch tells the story of consensual sadomasochism, from a controversial religious practice to a secretive sexuality branded a perversion. The origins of kink and fetish culture have been shrouded in secrecy and myths, until now. Here, Peter Tupper reveals the true story of sadism and masochism, dominance and submission. From the ancient Christian flagellants to the Fifty Shades trilogy, the history of consensual sadomasochism is a story of fascinating individuals, unlikely connections and strange twists and turns. Meet Arthur Munby, the Victorian gentleman who secretly married Hannah Cullwick, his maid of all work, and called her his slave; and Jack McGeorge, the UN weapons inspector who was outed as a BDSM club leader just before the Iraq war. Explore the links between Robinson Crusoe,Uncle Tom's Cabin and modern BDSM pornography, and between fetish fashion and anti-Catholic propaganda. Learn how the 19th century middle-class household nurtured dominant-submissive sexuality. Discover the secret history of a hidden world. Winner, 2019 Geoff Mains Non-Fiction Book Award, NLA-International

Henriette d'Entragues arrives at the Court of Henri IV in 1598. After years of religious wars, France is at last at peace, but Henri desperately needs an heir. His estranged queen is imprisoned far away and the Vatican is in no hurry to grant him a divorce. As Henri negotiates with the Pope, his ambitious mistress, Gabrielle d'Estrees will stop at nothing to ensure that she will be his next queen. Deception and intrigue are everywhere; murder is never far away. When Henriette develops ambitions of her own, she and Gabrielle are drawn into a ruthless fight to take the crown, but there are forces moving behind the scenes more powerful then either of them has realised. Those who would challenge the mighty House of Medici may expect no forgiveness. For a promise, even from a king, is worth nothing unless you live long enough to collect on it.

In this, her last book, Rosalie L. Colie suggests that by linking "forms"—verse forms, devices, motives, themes, conventions, genres—to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does. She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each exploring the problematics of his craft and revealing his assessment of what was problematical. The author has chosen for study topics which connect Shakespeare with the long and rich continental Renaissance, in the hope that in the future Shakespeare might be, like Dante and Cervantes, an essential author in a comparatist's education. Usually a single topic dealing with some formal aspect of a play—the use of stereotypes to create a character highly original in stage practice, or the various manipulations of a mode (the pastoral, for example) rich in potentialities—is used to try to see in what particular ways Shakespeare shaped works that are still unique. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

With a little bit of flour and a pinch of love, anything is possible... Rose-Ellen "Zell" Carmichael Roy doesn't cook, but she wears her late husband Nick's camouflage apron every day. That's her widow style. It's been more than a year since Nick's tragic death during a post- Katrina relief mission in New Orleans, but Zell can't bring herself to move on. Then, a postman's error spurs her to enter a baking contest in the hopes of donating the grand prize to the hurricane survivors in Nick's memory. After Zell's first attempt at baking goes embarrassingly awry, she meets Ingrid Knox-her motherless nine-year-old neighbor-and the two forge an unlikely friendship that will alter both their lives forever.