A Million Little Pieces Of Close To Home

Is your face suffering from a lack of exercise? Readers rely on John McPherson's Close to Home cartoon to contort their facial muscles into an unstoppable grin each day. Not even Botox can stop you from smiling at this latest collection of Close to Home. How do you measure a cartoon's popularity? The true measure of a comic panel's popularity is how often it is posted on a refrigerator, cubicle, break room bulletin board, or office door. By that standard, Close to Home wins the comic panel popularity contest hands down. Close to Home captures the humor in all facets of life. From home to hospitals, from classrooms to courtrooms, from boardrooms to backyards--there's a Close to Home panel that hits us where we live and work and play. A Million Little Pieces of Close to Home features hilarious panels first published in newspapers in the year 2000, the year of the Y2K scare that never materialized. Of course, that's just the kind of thing you'd expect from a Close to Home world.

A NEW YORK TIMES BESTSELLER 'Inspirational and essential' Bret Easton Ellis, author of American Psycho 'Poignant and tragic' The Spectator 'Easily the most remarkable non-fiction book about drugs and drug taking since Hunter S Thompson's Fear and Loathing in Las Vegas' Observer James Frey wakes up on a plane, with no memory of the preceding two weeks. His face is cut and his body is covered with bruises. He has no wallet and no idea of his destination. He has abused alcohol and every drug he can lay his hands on for a decade - and he is aged only twenty-three. What happens next is one of the most powerful and extreme stories ever told. His family takes him to a rehabilitation centre. And James Frey starts his perilous journey back to the world of the drug and alcohol-free living. His lack of self-pity is unflinching and searing. A Million Little Pieces is a dazzling account of a life destroyed and a life reconstructed. It is also the introduction of a bold and talented literary voice.

A collection of single panel comics poking fun at the aging process, from a syndicated American cartoonist. “Where there is stress, or receding hairlines and liver spots, there is humor.” —John McPherson Be it the ritual hazing of new residents at Spring Meadow Retirement Center that requires retirees to drink twenty-five shots of prune juice, or the oxymoronic humor involved in the publication of the “1st Annual Swimsuit Edition of Aging Today,” this collection of John McPherson’s cartoons finds humor in life’s most everyday act—namely, aging. Octogenarians, centenarians—even those younger and in between—all agree, John McPherson is a comic master when it comes to creating humor out of getting older. Culling more than 100 aging-specific black-and-white and full-color panels from McPherson's Close to Home cartoon panel and featuring a zany cast of malpracticing medics, denture-less dentists, and cynical civil servants, this humorous compendium is the ultimate ode to being over the hill.

Where there is stress, there is humor." --John McPherson * Close to Home, syndicated by Universal uClick, lampoons the best of popular culture one controversy at a time. Everything I Need to Know I Learned on Jerry Springer: A Close to Home Collection is a Close to Home collection. Creator John McPherson's sardonic wit creates an innocent hullabaloo with the Center for Nursing Advocacy and earns the accolades of Leavenworth Federal Detention Center's inmate #19108045. * McPherson's mastery is elevating the mundane to the magnificent. Scenes of societal sloth, coworker conundrums, dysfunctional discord, and medical malpractice become achingly funny when sketched by his pen.

Inside Women Are from Venus, Men Are Idiots, Close to Home cartoonist John McPherson illustrates what happens when planets--and planetary beings--just don't seem to align. From memorable Thanksgiving TV-carving dinners to disjointed marriage counseling sessions, McPherson culls more than 75 relationship-specific, full-color panels inside this interplanetary ode to coupledom. McPherson's mastery in Close to Home is elevating the mundane to the magnificent. The caustic interactions between balding, bespeckled middle-aged men and auburn-haired, beehive-tressed women become achingly funny when sketched by his pen. Appearing in more than 700 newspapers internationally, McPherson's Close to Home is one of the most popular card lines from Recycled Paper Greetings.

Perhaps the most unconventional and literally breathtaking father-son story you'll ever read, My Friend Leonard pulls you immediately and deeply into a relationship as unusual as it is inspiring. The father figure is Leonard, the high-living, recovering coke addict "West Coast Director of a large Italian-American finance firm" (read: mobster) who helped to keep James Frey clean in A Million Little Pieces. The son is, of course, James, damaged perhaps beyond repair by years of crack and alcohol addiction-and by more than a few cruel tricks of fate. James embarks on his post-rehab existence in Chicago emotionally devastated, broke, and afraid to get close to other people. But then Leonard comes back into his life, and everything changes. Leonard offers his "son" lucrative—if illegal and slightly dangerous—employment. He teaches James to enjoy life, sober, for the first time. He instructs him in the art of "living boldly," pushes him to pursue his passion for writing, and provides a watchful and supportive veil of protection under which James can get his life together. Both Leonard's and James's careers flourish…but then Leonard vanishes. When the reasons behind his mysterious absence are revealed, the book opens up in unexpected emotional ways. My Friend Leonard showcases a brilliant and energetic young writer rising to important new challenges—displaying surprising warmth, humor, and maturity—without losing his intensity. This book proves that one of the most provocative literary voices of his generation is also one of the most emphatically human.

A story of drug and alcohol abuse and rehabilitation as it has never been told before. Recounted in visceral, kinetic prose, and crafted with a forthrightness that rejects piety, cynicism, and self-pity, it brings us face-to-face with a provocative new understanding of the nature of addiction and the meaning of recovery. By the time he entered a drug and alcohol treatment facility, James Frey had taken his addictions to near-deadly extremes. He had so thoroughly ravaged his body that the facilityís doctors were shocked he was still alive. The ensuing torments of detoxification and withdrawal, and the never-ending urge to use chemicals, are captured with a vitality and directness that recalls the seminal eye-opening power of William Burroughsís Junky. But A Million Little Pieces refuses to fit any mold of drug literature. Inside the clinic, James is surrounded by patients as troubled as he is -- including a judge, a mobster, a one-time world-champion boxer, and a fragile former prostitute to whom he is not allowed to speak ó but their friendship and advice strikes James as stronger and truer than the clinicís droning dogma of How to Recover. James refuses to consider himself a victim of anything but his own bad decisions, and insists on accepting sole accountability for the person he has been and the person he may become--which runs directly counter to his counselors' recipes for recovery. James has to fight to find his own way to confront the consequences of the life he has lived so far, and to determine what future, if any, he holds. It is this fight, told with the charismatic energy and power of One Flew over the Cuckoo's Nest, that is at the heart of A Million Little Pieces: the fight between one young manís will and the ever-tempting chemical trip to oblivion, the fight to survive on his own terms, for reasons close to his own heart. A Million Little Pieces is an uncommonly genuine account of a life destroyed and a life reconstructed. It is also the introduction of a bold and talented literary voice.

The majority of us would not necessarily define ourselves as artists. We're parents, students, businesspeople, friends. We're working hard, trying to make ends meet, and often longing for a little more--more time, more love, more security, more of a sense that there is more out there. The truth? We need not look around so much. God is within us and he wants to shine through us in a million little ways. A Million Little Ways uncovers the creative, personal imprint of God on every individual. It invites the discouraged parent, the bored Christian, the exhausted executive to look at their lives differently by approaching their critics, their jobs, and the kids around their table the same way an artist approaches the canvas--with wonder, bravery, and hope. In her gentle, compelling style, Emily Freeman encourages readers to turn down the volume on their inner critic and move into the world with the courage to be who they most deeply are. She invites regular people to see the artistic potential in words, gestures, attitudes, and relationships. Readers will discover the art in a quiet word, a hot dinner, a made bed, a grace-filled glance, and a million other ways of showing God to the world through the simple human acts of listening, waiting, creating, and showing up.