A Modern Samson Delilah Story With A Happy Ending

Read this '¬ÜONE OF KIND'¬" story about 2 Arkansas backcountry kids named Samson and Delilah. You will follow 25 years of their lives as they hit exciting bumps on life'¬"s road. Bumps that hurt, but then bumps of adventure. Yes, this 6'¬"8'¬ giant and his 5'¬"2'¬ sweetheart become national celebrities. A Happy Ending takes you to a love story you will never forget!As the characters meet, they discover they have a personal common thread with autism. They develop a team and the Rainbow Ranch dream for autistic children becomes a reality.1 out of every 110 children born today is autistic! Autism has grown 57% from 2002 to 2006! An autistic child has a healthy body, but for some unknown reason the brain has a short circuit!

Discovers how the Bible was represented in cinema from the beginnings up until the end of the 'silent' era.

Every woman has met a Samson in her life. Some women have fallen in love with them. Many are married to them. As husbands or lovers they don't make the best partners-not if you think you should be an equal partner in the relationship.

The child has existed in cinema since the Lumière Brothers filmed their babies having messy meals in Lyons, but it is only quite recently that scholars have paid serious attention to her/his presence on screen. Scholarly discussion is now of the highest quality and of interest to anyone concerned not only with the extent to which adult cultural conversations invoke the figure of the child, but also to those interested in exploring how film cultures can shift questions of agency and experience in relation to subjectivity. Childhood and Nation in World Cinema recognizes that the range of films and scholarship is now sufficiently extensive to invoke the world cinema mantra of pluri-vocal and pluri-central attention and interpretation. At the same time, the importance of the child in figuring ideas of nationhood is an undiminished tic in adult cultural and social consciousness. Either the child on film provokes claims on the nation or the nation claims the child. Given the waning star of national film studies, and the widely held and serious concerns over the status of the nation as a meaningful cultural unit, the point here is not to assume some extraordinary pre-social geopolitical empathy of child and political entity. Rather, the present collection observes how and why and whether the cinematic child is indeed aligned to concepts of modern nationhood, to concerns of the State, and to geo-political organizational themes and precepts.

Meet the legendary Samson as you've never known him before... through the eyes of the three women who loved him.