A More Unbending Battle

The night broke open in a storm of explosions and fire. The sound of shells whizzing overhead, screeching through the night like wounded pheasants, was terrifying. When the shells exploded prematurely overhead, a rain of shrapnel fell on the men below -- better than when the shells exploded in the trenches . . . In A More Unbending Battle, journalist and author Pete Nelson chronicles the little-known story of the 369th Infantry Regiment -- the first African-American regiment mustered to fight in WWI. Recruited from all walks of Harlem life, the regiment had to fight alongside the French because America's segregation policy prohibited them from fighting with white U.S. soldiers. Despite extraordinary odds and racism, the 369th became one of the most successful -- and infamous -- regiments of the war. The Harlem Hellfighters, as their enemies named them, spent longer than any other American unit in combat, were the first Allied unit to reach the Rhine, and showed extraordinary valor on the battlefield, with many soldiers winning the Croix de Guerre and the Legion of Honor. Replete with vivid accounts of battlefield heroics, A More Unbending Battle is the thrilling story of the dauntless Harlem Hellfighters.

In the tradition of Guns, Germs, and Steel, Leebaert tells the stories of small forces that have triumphed over vastly larger ones and changed the course of history -- from the Trojan Horse to Al Qaeda. Maps and charts.

When the United States entered World War I in 1917, thousands of African-American men volunteered to fight for a country that granted them only limited civil rights. Many from New York City joined the 15th N.Y. Infantry, a National Guard regiment later designated the 369th U.S. Infantry. Led by mostly inexperienced white and black officers, these men not only received little instruction at their training camp in South Carolina but were frequent victims of racial harassment from both civilians and their white comrades. Once in France, they initially served as laborers, all while chafing to prove their worth as American soldiers. Then they got their chance. The 369th became one of the few U.S. units that American commanding general John J. Pershing agreed to let serve under French command. Donning French uniforms and taking up French rifles, the men of the 369th fought valiantly alongside French Moroccans and held one of the widest sectors on the Western Front. The entire regiment was awarded the Croix de Guerre, the French government s highest military honor. Stephen L. Harris s accounts of the valor of a number of individual soldiers make for exciting reading, especially that of Henry Johnson, who defended himself against an entire German squad with a large knife. After reading this book, you will know why the Germans feared the black men of the 369th and why the French called them hell fighters. "

"We cannot let this history die, nor can we let it fade away. As it has filled me with pride and given me understanding of one group of outstanding soldiers, so it should be passed on to all Americans to appreciate and honor" (from the introduction by coauthor and unit historian Bill Miles) The Harlem Hellfighters: When Pride Met Courage is a portrait of bravery and honor. With compelling narrative and never-before-published photographs, this 160-page highly illustrated narrative nonfiction book introduces the unsung American heroes of the 369th Infantry Regiment, the Harlem Hellfighters. A good choice for book reports and other research by middle grade students—as well as for parents and teachers to share with young people interested in World War II and African American history. At a time of widespread bigotry and racism, the African American soldiers of the 369th Infantry Regiment put their lives on the line in the name of democracy. Bill Miles wrote: "The 369th was not only an outstanding military unit; it also represented a part of the history of my Harlem community and, as such, part of my history as well. As I learned the story of the regiment—how it was first formed, its glorious record in World War I—I knew I was discovering a hidden history of African American accomplishments." He continued: "As unit historian I recognize that the documentation of the 369th is as vital to understanding the African American experience as any story about slavery or the civil rights movement. For in the story of the 369th—in the trenches of France, in the battles of Meuse-Argonne, and at the bloody siege of Sechault—we have African Americans defining their own characters with courage and determination, writing their own history in sweat and blood."

Undoing Plessy: Charles Hamilton Houston, Race, Labor and the Law, 1895–1950 explores the manner in which African Americans countered racialized impediments, attacking their legal underpinnings during the first half of the twentieth century. Specifically, Undoing Plessy explores the professional life of Charles Hamilton Houston, and the way it informs our understanding of change in the pre-Brown era. Houston dedicated his life to the emancipation of oppressed people, and was inspired early-on to choose the law as a tool to become, in his own words, a “social engineer.” Further, Houston’s life provides a unique lens through which one may more accurately view the threads of race, labor, and the law as they are woven throughout American society. Houston understood the difficulties facing black workers in America, and, by marshaling his considerable skills as an attorney and leader, was able to construct a strategy that fought for full integration by changing the laws of the United States at the highest level. With unparalleled success, Houston developed a three-pronged strategy from 1925–1950 that focused on the courts, the workplace, and politics, securing the expansion of labor rights and civil rights for African Americans. Better than most, Charles Houston understood that the right to work was inherently necessary to achieve real, not just perceived, freedom. To that end, Undoing Plessy situates Houston’s life within the contested cultural and political realities of his time, expanding our understanding of what it meant to work and be free in America during the first half of the twentieth century. In particular, these gains were achieved in areas significant to workers, including education, the workplace, access to unions, housing, and equality before the law at the local, state, and federal levels. To understand Charles Houston’s contributions on behalf of those who labored in the black community, and more broadly in American society, his life is contextualized within the long Civil Rights Movement. Houston’s work was intimately connected with many profound efforts to liberate those who were oppressed. Undoing Plessy examines his strategies and accomplishments, helping us to further understand the complexities of change in the pre-Brown Era, and offers us compelling insights into dilemmas currently facing those in the workplace.

Winner of the Christopher Award and the New York City Book Award Winner of the 2016 Wheatley Book Award in Nonfiction A history of African Americans in New York City from the 1910s to 1960, told through the life of Samuel Battle, the New York Police Department’s first black officer. When Samuel Battle broke the color line as New York City’s first African American cop in the second decade of the twentieth century, he had to fear his racist colleagues as much as criminals. He had to be three times better than his white peers, and many times more resilient. His life was threatened. He was displayed like a circus animal. Yet, fearlessly claiming his rights, he prevailed in a four-decade odyssey that is both the story of one man’s courageous dedication to racial progress and a harbinger of the divisions between police and the people they serve that plague twenty-first-century America. By dint of brains, brawn, and an outsized personality, Battle rode the forward wave of African American history in New York. He circulated among renowned turn-of-the-century entertainers and writers. He weathered threatening hostility as a founding citizen of black Harlem. He served as “godfather” to the regiment of black soldiers that won glory in World War I as the “Hellfighters of Harlem.” He befriended sports stars like Joe Louis, Jesse Owens, and Sugar Ray Robinson, and he bonded with legendary tap dancer Bill “Bojangles” Robinson. Along the way, he mentored an equally smart, equally tough young man in a still more brutal fight to integrate the New York Fire Department. At the close of his career, Battle looked back proudly on the against-all-odd journey taken by a man who came of age as the son of former slaves in the South. He had navigated the corruption of Tammany Hall, the treachery of gangsters like Lucky Luciano and Dutch Schultz, the anything-goes era of Prohibition, the devastation of the Depression, and the race riots that erupted in Harlem in the 1930s and 1940s. By then he was a trusted aide to Mayor Fiorello La Guardia and a friend to First Lady Eleanor Roosevelt. Realizing that his story was the story of race in New York across the first half of the century, Battle commissioned a biography to be written by none other than Langston Hughes, the preeminent voice of the Harlem Renaissance. But their eighty-thousand-word collaboration failed to find a publisher, and has remained unpublished since. Using Hughes’s manuscript, which is quoted liberally throughout this book, as well as his own archival research and interviews with survivors, Pulitzer Prize–winning journalist Arthur Browne has created an important and compelling social history of New York, revealed a fascinating episode in the life of Langston Hughes, and delivered the riveting life and times of a remarkable and unjustly forgotten man, setting Samuel Battle where he belongs in the pantheon of American civil rights pioneers.

Examining the legacy of the Great War on African American culture, this book considers the work of such canonical writers as W.E.B. Du Bois, Langston Hughes, Nella Larsen and Alain Locke. It also considers the legacy of the war for African Americans as represented in film, photography and anthropology.

For Paul Gustavson, life is a succession of obstacles, a minefield of mistakes to stumble through. His wife has left him, his father has suffered a stroke, his girlfriend is dating another man, he has impotency issues, and his overachieving brother invested his parents’ money in stocks that tanked. Still, Paul has his friends at Bay State bar, a steady line of cocktails, and Stella. Stella is Paul’s dog. She listens with compassion to all his complaints about the injustices of life and gives him better counsel than any human could. Their relationship is at the heart of this poignantly funny and deeply moving story about a man trying to fix his past in order to save his future.