A Most Amazing Scene Of Wonders

"The first book to situate early American experimental science in the context of a transatlantic public sphere, A Most Amazing Scene of Wonders offers a view of the origins of American science and the cultural meaning of the American Enlightenment."--BOOK JACKET.

"The first book to situate early American experimental science in the context of a transatlantic public sphere, A Most Amazing Scene of Wonders offers a view of the origins of American science and the cultural meaning of the American Enlightenment."--BOOK JACKET.

For the Victorians, electricity was the science of spectacle and of wonder. It provided them with new ways of probing the nature of reality and understanding themselves. Luigi Galvani's discovery of 'animal electricity' at the end of the eighteenth century opened up a whole new world of possibilities, in which electricity could cure sickness, restore sexual potency and even raise the dead. In Shocking Bodies, Iwan Rhys Morus explores how the Victorians thought about electricity, and how they tried to use its intimate and corporeal force to answer fundamental questions about life and death. Some even believed that electricity was life, which brought into question the existence of the soul, and of God, and provided arguments in favour of political radicalism. This is the story of how electricity emerged as a powerful new tool for making sense of our bodies and the world around us.

Science and Empire in the Atlantic World is the first book in the growing field of Atlantic Studies to examine the production of scientific knowledge in the Atlantic world from a comparative and international perspective. Rather than focusing on a specific scientific field or single national context, this collection captures the multiplicity of practices, people, languages, and agendas that characterized the traffic in knowledge around the Atlantic world, linking this knowledge to the social processes fundamental to colonialism, such as travel, trade, ethnography, and slavery.

The most misunderstood force driving health and disease The story of the invention and use of electricity has often been told before, but never from an environmental point of view. The assumption of safety, and the conviction that electricity has nothing to do with life, are by now so entrenched in the human psyche that new research, and testimony by those who are being injured, are not enough to change the course that society has set. Two increasingly isolated worlds--that inhabited by the majority, who embrace new electrical technology without question, and that inhabited by a growing minority, who are fighting for survival in an electrically polluted environment--no longer even speak the same language. In The Invisible Rainbow, Arthur Firstenberg bridges the two worlds. In a story that is rigorously scientific yet easy to read, he provides a surprising answer to the question, "How can electricity be suddenly harmful today when it was safe for centuries?"

What does it mean to hear scientifically? What does it mean to see musically? This volume uncovers a new side to the long nineteenth century in London, a hidden history in which virtuosic musical entertainment and scientific discovery intersected in remarkable ways. Sound Knowledge examines how scientific truth was accrued by means of visual and aural experience, and, in turn, how musical knowledge was located in relation to empirical scientific practice. James Q. Davies and Ellen Lockhart gather work by leading scholars to explore a crucial sixty-year period, beginning with Charles Burney’s ambitious General History of Music, a four-volume study of music around the globe, and extending to the Great Exhibition of 1851, where musical instruments were assembled alongside the technologies of science and industry in the immense glass-encased collections of the Crystal Palace. Importantly, as the contributions show, both the power of science and the power of music relied on performance, spectacle, and experiment. Ultimately, this volume sets the stage for a new picture of modern disciplinarity, shining light on an era before the division of aural and visual knowledge.

Volume I problematizes the concepts of Enlightenment and revolution, revealing how the former did not wholly cause the latter. The volume also provides a comprehensive analysis of the American Revolution, making it essential to American historians and scholars of the Atlantic World.

In the context of slavery, science is usually associated with slaveholders' scientific justifications of racism. But this book demonstrates that abolitionists were equally adept at using scientific ideas to discredit slaveholders.00Focusing on antislavery scientists and black and white abolitionists in Britain and America between the 1770s and 1860s, historian Eric Herschthal shows how these activists drew upon chemistry, botany, medicine, and mechanics to portray slavery as a premodern institution bound for obsolescence. These activists contended that slavery stood in the way of scientific progress, blinded slaveholders to scientific evidence, and prevented enslavers from adopting labor-saving technologies that might eradicate enslaved labor.00Historians have recently begun to challenge the myth that slavery was premodern-backward-demonstrating slavery's centrality to the rise of modern capitalism, science, and technology. This book demonstrates where the myth comes from in the first place.