A New Face Of Hinduism

The first study by a Western scholar of the ideology & history of the Swaminarayan religion. Professor Williams outlines the daily activities & regulations to demonstrate how theology, ethics, devotion, & ritual unite in one contemporary Hindu sect.

An Introduction to Swaminarayan Hinduism, third edition, offers a comprehensive study of a contemporary form of Hinduism. Begun as a revival and reform movement in India 200 years ago, it has now become one of the fastest growing and most prominent forms of Hinduism. The Swaminarayan Hindu transnational network of temples and institutions is expanding in India, East Africa, the UK, USA, Australasia, and in other African and Asian cities. The devotion, rituals, and discipline taught by its founder, Sahajanand Swami (1781-1830) and elaborated by current leaders in major festivals, diverse media, and over the Internet, help preserve ethnic and religious identity in many modern cultural and political contexts. Swaminarayan Hinduism, here described through its history, divisions, leaders, theology and practices, provides valuable case studies of contemporary Hinduism, religion, migrants, and transnationalism. This new edition includes up-to-date information about growth, geographic expansion, leadership transitions, and impact of Swaminarayan institutions in India and abroad.

Digital Hinduism examines how Hinduism is being defined, reformed, and rearticulated in the digital era and how these changes are impacting the way Hindus view their own religious identities.

Public Hinduisms critically analyses the way in which Hinduism is produced and represented as an established feature of modern public landscapes. It examines the mediation, representation and construction of multiple forms of Hinduism in a variety of social and political contexts, and in the process establishes it as a dynamic and developing modern concept. The essays in this volume are divided into themes that address different aspects of the processes that form modern Hinduism. The book includes discussions on topics such as ecumenical initiatives, the contemporary interpretation of particular sampradaya and guru traditions, modes of community mobilisation and the mediation strategies of different groups. It also provides India and diaspora-focused case studies as well as ′Snapshot′ views elaborating on different themes. Taking a critical approach to the idea of Hinduism and the way it becomes public, the book provides an interesting read on contemporary Hinduism.

'The Life of Hinduism' collects a series of essays that present Hinduism as a vibrant, truly 'lived' religion. The text offers a glimpse into the multifaceted world of Hindu worship, life-cycle rites, festivals, performances, gurus, and castes.

The Historical Dictionary of Hinduism relates the history of Hinduism through a chronology, an introductory essay, photos, an extensive bibliography, and over 1,000 cross referenced dictionary entries on Hindu terminology, names of major historical figures and movements, gods and goddesses, prominent temples, terms for items used in Hindu practice, major texts, philosophical concepts, and more. This book is an excellent access point for students, researchers, and anyone wanting to know more about Hinduism.

From the linga of Shiva to ritual lamps, from a Vishnu temple to a heap of stones streaked with sacred vermilion, from illustrations of the epic adventures of Rama to a terracotta goddess figurine, the art Hinduism has inspired over the centuries is as rich and various as the religion itself - and, for most Westerners, as unknown. Hindu Art offers a key to this mystery. A splendid, richly illustrated introduction, the book opens to readers the manifold glories of the religious art of the Indian subcontinent. The narratives that Hindu artists illustrate, the gods they depict, and the forms they observe are the products of thousands of years of tradition and development. In a survey that stretches back to prehistory, T. Richard Blurton discusses religious, cultural and historical influences that figure in Hindu art, as well as those that Hinduism shares with Buddhism and Jainism. Tracing the development of Hindu art, he shows how it has come to embrace the widely varying styles of regions from Nepal to Afghanistan, from Sri Lanka to Bangladesh. Against this historical background, Blurton considers the use of images from the three major cults of Hinduism - the worship of Shiva, Vishnu and the Great Goddess - in painting, sculpture and temple architecture. As fascinating as it is informative, Hindu Art offers invaluable insight into one of the world's great and ancient cultures. It will prove an indispensable resource for anyone with an interest in the art of India.

Towards the end of the eighteenth century, a lone pilgrim reached Gujarat and joined a small ashram in Loj. In time, his followers not only accepted him as the leader of the ashram but also as the manifestation of deity and called him Swaminarayan. His followers increased rapidly and today Swaminarayan Hinduism is a transnational religious movement with major centers in India, East Africa, UK, USA, and Australasia. In a first multidisciplinary study of the movement, this volume provides new and vital information about its history, theology, as well as its transnational development, and brings forth current academic research from fields as diverse as the arts, architecture, sociology, and migration studies, among others. It analyses the philosophy, conduct, and principles that guide Swaminarayan Hindus and provides a case study of the historical and social processes of adapting religious traditions to shape new identities in response to evolving social, economic, and political changes.