A New Life For The Country

Winner, 2020 Palestine Book Award Finalist, 2019 Foreword Indies Award From migrations to pop culture, loss to la dérive, Life in a Country Album is a soundtrack of the global cultural landscape—borders and citizenship, hybrid identities and home, freedom and pleasure. It’s a vast and moving look at the world, at what home means, and the ways we coexist in an increasingly divided world. These poems are about the dialects of the heart—those we are incapable of parting from, and those that are largely forgotten. Life in a Country Album is a vital book for our times. With this beautiful, epic collection, Nathalie Handal affirms herself as one of our most diverse and important contemporary poets.

What is it like to leave behind everything and everyone you’ve ever known amidst terror, trauma, and war, knowing you will never see them again? How must it feel to come to a strange, new land, and have to build a community from scratch? And what, finally, does it mean to pass on this legacy to your children, and theirs? The engrossing story of Chrystyna Zorych Holman’s family touches on all these questions. As part of the third wave of Ukrainian immigration post-WWII, they came to Canada as refugees. Her parents, both writers and activists, met at a rally for a free and democratic Ukraine—a cause they would champion even after their move to Canada. With their two young children in tow—Chrystyna and her baby sister, Kvitka—they would make the incredible crossing of the Atlantic by boat to start a new life in Manitoba, only narrowly missing the Gulags. Despite harrowing beginnings, Holman’s story is a tale of love, levity, and the beauty of community. Readers young and old will appreciate the intergenerational story she weaves as her family moves from Manitoba to Toronto to Charlottetown, recounting tales of her mother’s acerbic wit in dealing with her young students, her father’s rebuffs of her potential college beau, or her daughters bonding with her parents through the traditions they brought from home. Holman’s tale involves a wide cast of characters from the Ukrainian-Canadian community that congregated around her family, and speaks to a world of invaluable Ukrainian cultural knowledge—touching on everything from Christmas traditions, embroidery, and pysanky to the poems of women political prisoners in the USSR. It is sure to make a wonderful addition to the shelves of Ukrainian-Canadians interested in their history—or anyone looking for a more intimate sense of the multicultural fabric of Canadian society.

- Each of the 12 houses will be featured in national and international press to announce the book- In the UK, the media includes Tatler, House & Garden, Country Life, The English Home, and Telegraph Luxury Online- In the US, the media includes Town & Country, Architectural Digest Online, The AD Aesthete Podcast, Air Mail, and DeparturesThis book is a sumptuously produced journey around 12 privately-owned country houses, asking what it is like to live in such places today. What role do they play in the 21st century? For many years after the Second World War, the country house was struggling. Now a new generation of young owners, often with children, has taken over. They're finding innovative ways to live in these ancient, fragile and poetic places. While they treasure the history and beauty of the houses, they're also adapting and enhancing them for a modern era. Old Homes, New Life is a behind-the-scenes account of today's aristocracy, as they reinvent the country house way of life. Each family does this in its own way, maintaining the tradition of individualism, even eccentricity, which is so much associated with country houses. Dylan Thomas's superb yet intimate photographs capture both the inhabitants of these houses and the spaces they occupy - from State dining to family kitchen, walled garden to attic. This feast for the eyes is accompanied by an equally mouth-watering text by Clive Aslet, based on interviews with family members and his long experience of the subject through his years as editor of Country Life. The result is an exclusive tour of a dozen spectacular homes.

"Brilliant and beautiful. It surely ranks with the best war memoirs I’ve ever encountered." —Tim O’Brien, author of The Things They Carried An award-winning poet and former infantry team leader in Iraq, Brian Turner combines his devastating recollections as “Sergeant Turner” with his visions of the experiences of generations of warriors in his family—and even those of the enemy—in a work of profound understanding and shocking beauty.

LONGLISTED FOR THE NATIONAL BOOK AWARD “Nothing short of magic.” —Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa’s “30 Under 30” list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flower its sweetness garlands made for pretty girls i imagine her yasmeen bright & alive & i ache to have been born her instead Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen—the name her parents meant to give her at birth—Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.

From the archives of the YIVO Institute for Jewish Research, a collection of traditional Yiddish folksongs by highly regarded ethnomusicologist Ruth Rubin, presented with added commentary from music scholars Chana Mlotek and Mark Slobin.

This book is an example of the experiment of life. A life that is predestined before birth until its end. The choices we think we make aren’t free choices, but rather ones designed to direct us through The Labyrinth of Life. They aren’t choices at all, though the person making the choices may believe otherwise. William Elihu Palmer, in his 91st year of life, has the experience in which to reflect upon, not only the direction of his life, but his life at the present time. He’s concluded that all his life has been in a labyrinth. Not sure how he got in, where he was going on, or how he’ll get out. All of it predetermined before he was born.