A Passion For Detail

Bursting with superb photography and exquisite room drawings, a sumptuous showcase of interior decorating ideas and trendsetting design details that add rich character to any home, by one of America's brightest decorators. Full-color photographs and drawings throughout

Presents a tour of the author's three homes--a pre-war Manhattan duplex, a Colonial-era Connecticut stone house, and an Aspen residence--in order to show how to make the most of architectural features and interior furnishings.

For nearly five decades Barbra Streisand has been one of the singular figures in American entertainment. From the cabaret to the Broadway stage, from television and film stardom to her acclaimed work as a director, from the recording studio to the concert hall, she has demonstrated that the extraordinary voice that launched her career was only one of her remarkable gifts. Now, in her first book, Barbra Streisand reveals another aspect of her talent: the taste and style that have inspired her beautiful homes and collections. My Passion for Design focuses on the architecture and construction of her newest homes, the dream refuge that she has longed for since the days when she shared a small Brooklyn apartment with her mother, brother, and grandparents. A culmination and reflection of Streisand's love of American architecture and design between the eighteenth and twentieth centuries, the book contains many of her own photographs of the rooms she has decorated, the furniture and art she has collected, and the ravishing gardens she has planted on her land on the California coast. In addition to glimpses of her homes, Barbra shares memories of her childhood, the development of her sense of style, and what collecting has come to mean to her. My Passion for Design is a rare and intimate private tour into the world of one of our most beloved stars. It will be welcomed by her many fans and all lovers of the great achievements of American design.

This book journeys into the heart of dark passions and the crimes they impel. When passion is in the picture, what is criminal, what sane, what mad or simply bad? Brighton, 1870: A well-respected spinster infuses chocolate creams with strychnine in order to murder her lover's wife. Paris, 1880: A popular performer stalks her betraying lover through the streets of the city for weeks and finally takes aim. New York, 1906: A millionaire shoots dead a prominent architect in full view of a theatre audience. Through court and asylum records, letters and newspaper accounts,this book brings to life a period when the psychiatric professions were consolidating their hold on our understanding of what is human. An increasingly popular press allowed the public unprecedented insight into accounts of transgressive sexuality,savage jealousy and forbidden desires. With great story-telling flair, Lisa Appignanesi teases out the vagaries of passion and the clashes between the law and the clinic as they stumble towards a (sometimes reviled) collaboration. Sexual etiquette and class roles, attitudes to love, madness and gender, notions of respectability and honour, insanity and lunacy, all are at play in that vital forum in which public opinion is shaped - the theatre of the courtroom.

A guide to party planning shows how to select invitations, themes, menus, table settings, music, lighting, flowers, and decor for weddings, holiday parties, formal dinners, and cocktail parties.

In this book Thomas H. Bestul constructs the literary history of the Latin Passion narratives, placing them within their social, cultural, and historical contexts. He examines the ways in which the Passion is narrated and renarrated in devotional treatises, paying particular attention to the modifications and enlargements of the narrative of the Passion as it is presented in the canonical gospels. Of particular interest to Bestul are the representations of Jews, women, and the body of the crucified Christ. Bestul argues that the greatly enlarged role of the Jews in the Passion narratives of the twelfth and thirteenth centuries is connected to the rising anti-Judaism of the period. He explores how the representations of women, particularly the Virgin Mary, express cultural values about the place of women in late medieval society and reveal an increased interest in female subjectivity.

Touching the Passion considers the ways that the Passion in late medieval retables touched worshipers. The author explores the “aesthetics of immersion” through different lenses, such as scale, medium, the five senses, the effect of the frame, and medieval mnemonics.

A Passion for Performance: Sarah Siddons and Her Portraitists brings together three engaging essays – by Robyn Asleson, Shelley Bennett and Mark Leonard, and Shearer West – that recreate the eventful life, both on and off the stage, of the great eighteenth-century actress Sarah Siddons. Siddons was renowned for her bravura performances in tragic roles, and her fame was enhanced by the many portraits of her painted by the leading artists of the day. The greatest of these was Sir Joshua Reynolds’s Sarah Siddons as the Tragic Muse, a painting now in the Huntington Art Collections and recently studied at the Getty Center. A Passion for Performance places this magnificent portrait within the context of Siddons’s career as an actress and cultural icon. Includes a chronology of Siddons’s life by volume editor Robyn Asleson.