A Perfect Fifth

Two divides perfectly into four, not five. Zara Keller is a survivor turned piano phenomenon living for a big dream. When she’s invited to spend the weekend with four long-time friends outside of London, she has little use for luxurious Fullerhill Manor—but Lady Jillian Stansfield might be a different story. The obligations thrust on Jillian Stansfield as Lady of the Manor center on home and family. Even her best friends expect her to put aside the desire for a meaningful life and carry on her legacy through marriage and children. Will the arrival of a fifth person be enough to tip the balance of their “gang of four” in her favor? Zara challenges Jillian to pursue grander plans and stirs something new and profound, compelling Jillian to be true to herself and make the hardest decisions of her life. But when tragedy strikes, saving Jillian may cost Zara the goal of a position at the Royal College of Music, and the chance at love. Content advisory: This book contains instances of trauma and homophobia.

Music Theory for the Bass Player is a comprehensive and immediately applicable guide to making you a well-grounded groover, informed bandmate and all-around more creative musician. Included with this book are 89 videos that are incorporated in this ebook. This is a workbook, so have your bass and a pen ready to fill out the engaging Test Your Understanding questions! Have you always wanted to learn music theory but felt it was too overwhelming a task? Perhaps all the books seem to be geared toward pianists or classical players? Do you know lots of songs, but don't know how the chords are put together or how they work with the melody? If so, this is the book for you! • Starting with intervals as music's basic building blocks, you will explore scales and their modes, chords and the basics of harmony. • Packed with fretboard diagrams, musical examples and exercises, more than 180 pages of vital information are peppered with mind-bending quizzes, effective mnemonics, and compelling learning approaches. • Extensive and detailed photo demonstrations show why relaxed posture and optimized fingering are vital for good tone, timing and chops. • You can even work your way through the book without being able to read music (reading music is of course a vital skill, yet, the author believes it should not be tackled at the same time as the study of music theory, as they are different skills with a different practicing requirement. Reading becomes much easier once theory is mastered and learning theory on the fretboard using diagrams and patterns as illustrations, music theory is very accessible, immediately usable and fun. This is the definitive resource for the enthusiastic bassist! p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica; min-height: 16.0px} This book and the 89 free videos stand on their own and form a thorough source for studying music theory for the bass player. If you'd like to take it a step further, the author also offers a corresponding 20 week course; this online course works with the materials in this book and practices music theory application in grooves, fills and solos. Information is on the author's blog.

The fifth and final book in Megan McCafferty's beloved, New York Times bestselling series - now with a new foreword by Rebecca Serle Jessica thought her Pineville, New Jersey life was behind her. Now a young professional, she’s ready to keep moving forward—until she (literally) runs into her former boyfriend Marcus Flutie at the airport on her way to her best friend’s Caribbean wedding. Marcus and Jessica have both changed dramatically, yet their connection feels as familiar as ever. Is their reunion just a fluke? Or is this momentous collision orchestrated by fate? Readers have followed Jessica through every step (and misstep) from her life as a high schooler, to her years in college, and a twenty-something stumbling towards adulthood. In Perfect Fifths, the hilarious and satisfying conclusion to the Jessica Darling series, readers will finally get a peek inside the mind of Marcus Flutie, with a finale perfect in its imperfections.

The early Christian Gnosis did not spring up in isolation, but drew upon earlier sources. In this book, many of these sources are revealed for the first time. Special emphasis is placed on the Hellenistic doctrine of the "Solar Logos" and the early Christian symbolism which depicted Christ as the Spiritual Sun, the illumination source of order, harmony, and spiritual insight. Based on 15 years of research, this is a unique book which throws a penetrating light on the secret traditions of early Christianity. It clearly demonstrates that number is at the heart of being. Jesus Christ, Sun of God, illustrates how the Christian symbolism of the Spiritual Sun is derived from numerical symbolism of the "ancient divinities."

Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician.

This book provides a comprehensive introduction to the subject of acoustics, including the principles of human perception of sound, sometimes called psychoacoustics. Acoustics and Psychoacoustics is ideal for students of music technology, sound recording, traditional music and acoustics, as well as engineers studying audio, multimedia and communications systems. Anyone who wants a practical understanding of how real musical sounds behave and are perceived in real spaces, will find this an accessible and interesting read. Subjects featured include: · Principles of sound · Human hearing and psychoacoustics · Musical timbre, pitch and loudness perception · Sound generation in musical instruments · Sound in different environments (architectural acoustics) · Processing sound electronically The book's second edition provides new material on wave motion, brass and woodwind instruments, forward and backward masking, an introduction to coding, and diffusion. Additional references and marginal notes explaining basic terms are provided to aid understanding. Supporting website: http://www-users.york.ac.uk/~dmh8/AcPsych/acpsyc.htm Visit the book's supporting website, designed by author David Howard, for additional resources: · Questions and exercises to test your knowledge · Web links for further resources and research · Audio clips · Calculation facilities (eg. adding decibel values and converting between frequency ratio and cents/semitones) The website can also be reached via www.focalpress.com Professor David M Howard lectures on music technology at the University of York's Electronics Department. His research interests include the analysis and synthesis of music, speech and singing, human hearing modelling and the use of computer displays in voice teaching. He is an active organist, choral singer and choral conductor. Dr James Angus was an instigator of the music technology courses at York, where he formerly lectured. He is now an independent consultant and researches in the area of acoustics, in particular diffuser design and audio signal processing. Acoustics and Psychoacoustics is part of the Focal Press Music Technology Series.

For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.