A Popular History Of The Art Of Music From The Earliest Times

A Popular History of the Art of Music From the Earliest Times Until the Present by W. S. B. (William Smythe Babcock) Mathews I. HE name "music" contains two ideas, both of them important in our modern use of the term: The general meaning is that of "a pleasing modulation of sounds." In this sense the term is used constantly by poets, novelists and even in conversation-as when we speak of the "music of the forest," the "music of the brook" or the "music of nature." There is also a reminiscence of the etymological derivation of the term, as something derived from the "Muses," the fabled retinue of the Greek god Apollo, who presided over all the higher operations of the mind and imagination. Thus the name "music," when applied to an art, contains a suggestion of an inspiration, a something derived from a special inner light, or from a higher source outside the composer, as all true imagination seems to be to those who exercise it. 2. Music has to do with tones, sounds selected on account of their musical quality and relations. These tones, again, before becoming music in the artistic sense, must be so joined together, set in order, controlled by the human imagination, that they express sentiment. Every manifestation of musical art has in it these two elements: The fit selection of tones; and, second, the use of them for expressing sentiment and feeling. Hence the practical art of music, like every other fine art, has in it two elements, an outer, or technical, where trained intelligence rules, and teaching and study are the principal means of progress; and an inner, the imagination and musical feeling, which can indeed be strengthened by judicious experience in hearing, but which when wanting cannot be supplied by the teacher, or the laws of their action reduced to satisfactory statement. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

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