A Pound Of Flesh

Orange Is the New Black meets Jennifer Probst’s New York Times bestselling Marriage to a Billionaire trilogy, featuring a strong-minded prison tutor who discovers that her sexy bad-boy student is far more than he appears to be. Haunted by nightmares of her father’s street murder fifteen years ago, Kat Lane decides to face her fears and uphold his legacy of helping others by teaching inmates at a New York prison. There she meets arrogant Wesley Carter, who’s as handsome as he is dangerous, as mysterious as he is quick-witted, and with a reputation that ensures people will keep their distance. As teacher and student, Kat and Carter are forced to leave their animosities at the door and learn that one should never judge a book by its cover. As Carter’s barriers begin to crumble, Kat realizes there’s much more to her angry student than she thought, leaving them to face a new, perilous obstacle: their undeniable attraction to one another. When Carter is released and Kat continues to tutor him on the outside, the obstacles mount. Can they fight the odds to make their relationship work? Will Kat’s family and friends ever accept her being with someone of his background? And will Kat’s discovery of Carter’s role on the night her father died force them apart forever...or unite them?

Over seven million Americans are either incarcerated, on probation, or on parole, with their criminal records often following them for life and affecting access to higher education, jobs, and housing. Court-ordered monetary sanctions that compel criminal defendants to pay fines, fees, surcharges, and restitution further inhibit their ability to reenter society. In A Pound of Flesh, sociologist Alexes Harris analyzes the rise of monetary sanctions in the criminal justice system and shows how they permanently penalize and marginalize the poor. She exposes the damaging effects of a little-understood component of criminal sentencing and shows how it further perpetuates racial and economic inequality. Harris draws from extensive sentencing data, legal documents, observations of court hearings, and interviews with defendants, judges, prosecutors, and other court officials. She documents how low-income defendants are affected by monetary sanctions, which include fees for public defenders and a variety of processing charges. Until these debts are paid in full, individuals remain under judicial supervision, subject to court summons, warrants, and jail stays. As a result of interest and surcharges that accumulate on unpaid financial penalties, these monetary sanctions often become insurmountable legal debts which many offenders carry for the remainder of their lives. Harris finds that such fiscal sentences, which are imposed disproportionately on low-income minorities, help create a permanent economic underclass and deepen social stratification. A Pound of Flesh delves into the court practices of five counties in Washington State to illustrate the ways in which subjective sentencing shapes the practice of monetary sanctions. Judges and court clerks hold a considerable degree of discretion in the sentencing and monitoring of monetary sanctions and rely on individual values—such as personal responsibility, meritocracy, and paternalism—to determine how much and when offenders should pay. Harris shows that monetary sanctions are imposed at different rates across jurisdictions, with little or no state government oversight. Local officials’ reliance on their own values and beliefs can also push offenders further into debt—for example, when judges charge defendants who lack the means to pay their fines with contempt of court and penalize them with additional fines or jail time. A Pound of Flesh provides a timely examination of how monetary sanctions permanently bind poor offenders to the judicial system. Harris concludes that in letting monetary sanctions go unchecked, we have created a two-tiered legal system that imposes additional burdens on already-marginalized groups.

Groundbreaking look at slaves as commodities through every phase of life, from birth to death and beyond, in early America In life and in death, slaves were commodities, their monetary value assigned based on their age, gender, health, and the demands of the market. The Price for Their Pound of Flesh is the first book to explore the economic value of enslaved people through every phase of their lives—including preconception, infancy, childhood, adolescence, adulthood, the senior years, and death—in the early American domestic slave trade. Covering the full “life cycle,” historian Daina Ramey Berry shows the lengths to which enslavers would go to maximize profits and protect their investments. Illuminating “ghost values” or the prices placed on dead enslaved people, Berry explores the little-known domestic cadaver trade and traces the illicit sales of dead bodies to medical schools. This book is the culmination of more than ten years of Berry’s exhaustive research on enslaved values, drawing on data unearthed from sources such as slave-trading records, insurance policies, cemetery records, and life insurance policies. Writing with sensitivity and depth, she resurrects the voices of the enslaved and provides a rare window into enslaved peoples’ experiences and thoughts, revealing how enslaved people recalled and responded to being appraised, bartered, and sold throughout the course of their lives. Reaching out from these pages, they compel the reader to bear witness to their stories, to see them as human beings, not merely commodities. A profoundly humane look at an inhumane institution, The Price for Their Pound of Flesh will have a major impact how we think about slavery, reparations, capitalism, nineteenth-century medical education, and the value of life and death. Winner of the 2018 Hamilton Book Award – from the University Coop (Austin, TX) Winner of the 2018 Society for Historians of the Early American Republic Book Prize (SHEAR) Winner of the 2018 Phillis Wheatley Literary Award, from the Sons and Daughters of the US Middle Passage Finalist for the 2018 Frederick Douglass Book Prize from Yale University’s Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition

In the depths of a freezing winter, Glasgow finds itself at the mercy of not one, but two serial killers. This is Detective Inspector Lorimer's worst nightmare and beyond anything he's faced in his years on the force. Can he find a link between the brutal slaying of prostitutes in the back streets of the city and the methodical killing of several unconnected businessmen? When the latest victim turns out to be a prominent Scottish politician, the media's spotlight is shone on Lorimer's investigation. Psychologist and criminal profiler Solly Brightman is called in to help solve the cases, but his help may be futile as they realise that someone on the inside is leaking confidential police information. Meanwhile two killers haunt the snowy streets and Lorimer must act fast, before they strike again... Evoking the gritty truth of Glasgow like no other writer, Alex Gray has created in Lorimer the most dynamic Scottish detective since Rebus.

The author, a Hollywood producer, describes how movies are made, sharing his experiences working with Robert De Niro, Brian De Palma, Sean Penn, and Sean Connery

The Merchant of Venice, is an intriguing drama of love, greed, and revenge. Believed to have been written in 1596, it is classified as a comedy, but while it shares certain aspects with Shakespeare's other romantic comedies, the play is perhaps remembered more for its dramatic scenes, and especially for the character of Shylock, a vengeful Venetian moneylender. At its heart, the play contrasts the characters of Shylock, with the gracious, level-headed Portia, a wealthy young woman, besieged by suitors. One suitor in particular, Antonio, a merchant in Venice, must default on a large loan provided by Shylock, who insists on the enforcement of the binding contract that will cost the life of Antonio, inciting Portia to mount a memorable defense. In this richly plotted drama, Shylock, whom Shakespeare endowed with the depth and vitality of his greatest characters, is not alone in his villainy. In fact, the large cast of ambitious and scheming characters demonstrates in scene after scene, that honesty is a quality often strained where matters of love and money are concerned. In many of the play’s productions, Shylock gives such powerful expression to his alienation due to the hatred around him that, he emerges as the hero. The suspense and gravity of the play's main plot, along with its romance, have made The Merchant of Venice an audience favorite and one of the most studied and performed of Shakespeare's plays.

While she has never felt the need to change her figure, Mrs Pargeter is happy enough to accompany her friend Kim to a health farm. Until, in the night, she sees a body being wheeled out. What Mrs Pargeter doesn’t realise is that this suspicious death will set her on a trail of detection which will bring her into direct conflict with her late husband’s business associates.

Sophie Jackson’s award-winning Pound of Flesh novels reignite “that feeling of sneaking risqué books under the bedcovers with a flashlight” (RT Book Reviews)! Join her millions of online fans with this irresistible enovella that takes the intimate relationship between a gutsy prison tutor and her sexy bad-boy student to the ultimate level. When tutor Kat Lane met her brooding, dangerously tempting student Wesley Carter behind bars, she never dreamed of the day she would be excitedly planning for their wedding. It won’t be long before they’re man and wife, and neither Kat nor Carter can wait. But as they settle into the joyful haze of nearly-newlywed bliss, all their friends seem to be one step ahead. Everywhere they turn, couples are becoming parents, and the longing in Kat’s eyes worries Carter. What if she gets baby fever…and he’s not so sure? Carter’s childhood was rough, and his father was no example for how to be an upstanding man—or a good parent. Can Carter create a happy, safe, supportive home for his future children with Kat—the life he never had growing up? He had better figure it out soon…because Kat just told him she needs to take a pregnancy test.