A Prairie Boy S Summer

Summer on the prairies during the Depression years was not a vacation from school; it was hard work.

Billedbog i farver med en del tekst om, hvordan tilværelsen formede sig for børn om sommeren på den nordamerikanske prærie i 1930'erne

'With reverence and warmth the author writes and paints his memories of boyhood on a 1930 prairie farm in winter. The narrative is colorful and interesting...the illustrations, one for each of twenty brief flashbacks, are rich in texture and painted in the American folk-primitive style; nearly all are small triumphs which can stand alone.' ---Booklist

Cavalry units from Midwestern states remain largely absent from Civil War literature, and what little has been written largely overlooks the individual men who served. The Fifth Illinois Cavalry has thus remained obscure despite participating in some of the most important campaigns in Arkansas and Mississippi. In this pioneering examination of that understudied regiment, Rhonda M. Kohl offers the only modern, comprehensive analysis of a southern Illinois regiment during the Civil War and combines well-documented military history with a cultural analysis of the men who served in the Fifth Illinois. The regiment’s history unfolds around major events in the Western Theater from 1861 to September 1865, including campaigns at Helena, Vicksburg, Jackson, and Meridian, as well as numerous little-known skirmishes. Although they were led almost exclusively by Northern-born Republicans, the majority of the soldiers in the Fifth Illinois remained Democrats. As Kohl demonstrates, politics, economics, education, social values, and racism separated the line officers from the common soldiers, and the internal friction caused by these cultural disparities led to poor leadership, low morale, disciplinary problems, and rampant alcoholism. The narrative pulls the Fifth Illinois out of historical oblivion, elucidating the highs and lows of the soldiers’ service as well as their changing attitudes toward war goals, religion, liberty, commanding generals, Copperheads, and alcoholism. By reconstructing the cultural context of Fifth Illinois soldiers, Prairie Boys Go to War reveals how social and economic traditions can shape the wartime experience.

Text and twenty color paintings depict the rigors and simple pleasures during the stark 1930s. The narrative is colorful and interesting . . . the illustrations, one for each of the twenty brief flashbacks, are rich in texture and painted in the American folk-primitive style. -- Booklist

In the last thirty years of the twentieth century, Canadian federal governments offered varying degrees of support for literary and other artistic endeavour. A corollary of this patronage of culture at home was an effort to make the resulting works available for audiences elsewhere in the world. Current developments in the study of translation and its influence as cultural transfer have made possible new assessments of such efforts to project a national image abroad. Translating Canada examines cultural materials exported by Canada in addition to those selected for acquisition by German publishers, theatres, and other culture brokers. It also considers the motivations of particular translators and the reception by German reviewers of works by a wide variety of Canadian writers -- novelists and poets, playwrights and children's authors, literary and social critics. Above all, the book maps for its readers a number of significant, though frequently unsuspected, roles that translation assumes in the intercultural negotiation of national images and values. The chapters in this collection will be of value to students, teachers, and scholars in a number of fields. Informed lay readers, too, will appreciate the authors’ insights into the different ways in which translation has contributed to German reception of Canadian books and culture.

The study of children's illustrated books is located within the broad histories of print culture, publishing, the book trade, and concepts of childhood. An interdisciplinary history, Picturing Canada provides a critical understanding of the changing geographical, historical, and cultural aspects of Canadian identity, as seen through the lens of children's publishing over two centuries. Gail Edwards and Judith Saltman illuminate the connection between children's publishing and Canadian nationalism, analyse the gendered history of children's librarianship, identify changes and continuities in narrative themes and artistic styles, and explore recent changes in the creation and consumption of children's illustrated books. Over 130 interviews with Canadian authors, illustrators, editors, librarians, booksellers, critics, and other contributors to Canadian children's book publishing, document the experiences of those who worked in the industry. An important and wholly original work, Picturing Canada is fundamental to our understanding of publishing history and the history of childhood itself in Canada.

Resilience. Persistence. Determination. Ingenuity. These are qualities farmers possess, and they were required to be a successful pioneer. They also happened to be some of the founding characteristics of the Brewster family. Douglas K. Brewster was born into a long line of Brewster men, proud of their American roots, proud to be pioneers in Saskatchewan, Canada, and proud to be farmers. Their lineage marks their contribution to the various communities—big and small—they’ve inhabited over the years. Doug grew up in Earl Grey, Saskatchewan, but the pursuit of knowledge carried him all across Saskatchewan and Alberta, as well as to other areas of Canada and the United States. A Lucky Prairie Boy is the story of Douglas K. Brewster, a farm kid with a rich family history and a keen mind for the bigger picture. Always looking to leave people, places, and inventions better than when he found them, Doug pursued an education in business and professional accounting before starting his manufacturing, construction and farming businesses. He was just as concerned about the farming industry as a whole as he was about his neighbour’s farm and livelihood. But this story is not just about Doug. Always reflecting on the bigger picture, where his family came from to where they are now and will go in the future, Doug intricately weaves his family’s history and his ancestors’ stories throughout his own life’s narrative. Through a gruelling but happy childhood, first and second chances at love, failed and successful business ventures, friends cherished and lost, and unexpected and ongoing health struggles, A Lucky Prairie Boy is a testament to the Brewster family.