A Radical History Of Britain

From medieval Runnymede to twentieth-century Jarrow, from King Alfred to George Orwell by way of John Lilburne and Mary Wollstonecraft, a rich and colourful thread of radicalism runs through a thousand years of British history. In this fascinating study, Edward Vallance traces a national tendency towards revolution, irreverence and reform wherever it surfaces and in all its variety. He unveils the British people who fought and died for religious freedom, universal suffrage, justice and liberty - and shows why, now more than ever, their heroic achievements must be celebrated. Beginning with Magna Carta, Vallance subjects the touchstones of British radicalism to rigorous scrutiny. He evokes the figureheads of radical action, real and mythic - Robin Hood and Captain Swing, Wat Tyler, Ned Ludd, Thomas Paine and Emmeline Pankhurst - and the popular movements that bore them. Lollards and Levellers, Diggers, Ranters and Chartists, each has its membership, principles and objectives revealed.

The essays in this collection explore significant questions regarding the terms 'radical' and 'radicalism' in early modern England. They investigate whether we can speak of a radical tradition, and whether radicalism was a local, national or transnational phenomenon. It looks at the role of migration and exchange of ideas, images and texts in the history of supposedly radical events, ideologies and movements (or moments). Offering a timely reassessment of the subject, it reflects the latest research on seventeenth-century British and Irish radicalism.

Based on new archaeological finds, this book introduces a novel rethinking of the whole of British history before the coming of the Romans. So many extraordinary archaeological discoveries (many of them involving the author) have been made since the early 1970s that our whole understanding of British prehistory needs to be updated. So far only the specialists have twigged on to these developments; now, Francis Pryor broadcasts them to a much wider, general audience. Aided by aerial photography, coastal erosion (which has helped expose such coastal sites as Seahenge) and new planning legislation which requires developers to excavate the land they build on, archaeologists have unearthed a far more sophisticated life among the Ancient Britons than has been previously supposed. Far from being the woaded barbarians of Roman propaganda, we Brits had our own religion, laws, crafts, arts, trade, farms, priesthood and royalty. And the Scots, English and Welsh were fundamentally one and the same people.

The end of empire shaped the way the British public saw their place in the world, society and the ethnic and racial boundaries of their nation. Focussing on some of the most controversial organisations of the 1960s, this book illuminates their central importance in constructing post-imperial Britain.

In many and varied forms, the Radical Right has been a hyper-nationalist thorn in the side of Britain's liberal political system for over 100 years. This book examines its troublesome history, and its critique of British society.

In offering a wide-ranging overview of radicalism throughout the 'long' nineteenth century, from the mid eighteenth century to the aftermath of the First World War, this study contests the methods and findings of recent revisionist interpretations. Radical movements faced a more difficult task than other political formations since they sought not merely to construct an audience - to find a language which resonated with people's material needs and greivances - but to mobilise for change. Options were limited as radicals had to conform to rhetorical, organisational and cultural norms to ensure popular legitimacy and support. This volume pays particular attention therefore to contextual factors: to the changing codes and conventions of political culture and public space. Through critical engagement with revisionist and post-modernist interpretations, it throws new light on factors which often divided liberals from radicals, and indeed, radicals from themselves. This is an accessible and much-needed introduction to the new linguistic and cultural approaches to nineteenth-century popular politics.

A new edition of this best-selling history of Britain, from Roman times, now updated to cover the first decade of the 21st century. The Oxford History of Britain tells the story of Britain and its people over two thousand years, from the coming of the Roman legions to the present day. Encompassing political, social, economic, and cultural developments throughout the British Isles, the dramatic narrative is taken up in turn by ten leading historians who offer the fruits of the best modern scholarship to the general reader in an authoritative form. A vivid, sometimes surprising picture emerges of a continuous turmoil of change in every period, and the wider social context of political and economic tension is made clear. But consensus, no less than conflict, is a part of the story: in focusing on elements of continuity down the centuries, the authors bring out that special awareness of identity which has been such a distinctive feature of British society. By relating both these factors in the British experience, and by exploring the many ways in which Britain has shaped and been shaped by contact with Europe and the wider world, this landmark work brings the reader face to face with the past, and the foundations of modern British society. This updated new edition (by the original editor) adds great richness by taking the story down from the economic crisis of 2008 to the conflict over Europe at the present day.

Gabriel Rockhill opens new space for rethinking the relationship between art and politics. Rather than understanding the two spheres as separated by an insurmountable divide or linked by a privileged bridge, Rockhill demonstrates that art and politics are not fixed entities with a singular relation but rather dynamically negotiated, sociohistorical practices with shifting and imprecise borders. Radical History and the Politics of Art proposes a significant departure from extant debates on what is commonly called "art" and "politics," and the result is an impressive foray into the force field of history, in which cultural practices are meticulously analyzed in their social and temporal dynamism without assuming a conceptual unity behind them. Rockhill thereby develops an alternative logic of history and historical change, as well as a novel account of social practices and a multidimensional theory of agency. Engaging with a diverse array of intellectual, artistic, and political constellations, this tour de force diligently maps the various interactions between different dimensions of aesthetic and political practices as they intertwine and sometimes merge in precise fields of struggle.