A Reference Guide To Modern Armenian Literature 1500 1920

A comprehensive guide to Armenian writers and literature spanning five centuries. Combining features of a reference work, bibliographic guide, and literary history, it records the output of almost 400 authors who wrote both in Armenia and in the communities of the Armenian diaspora. Presents a general history of the literature, with chapters devoted to a single century and prefaced by information on the era's social, cultural, and religious milieus; followed by a section of biobibliographical entries for Armenian authors, a section of bibliographies and reference works, and a listing of anthologies of literature both in Armenian and in translation. Includes references to earlier authors and to sources of influence, both Armenian and non-Armenian. A final section contains bibliographies devoted to particular genres and periods, such as minstrels, folklore, and prosody. A thematic discussion of the works of more than 150 poets, historians, monks, and others highlights the themes that captured the imagination of Armenian authors.--From publisher description.

This much-needed guide to translated literature offers readers the opportunity to hear from, learn about, and perhaps better understand our shrinking world from the perspective of insiders from many cultures and traditions. In a globalized world, knowledge about non-North American societies and cultures is a must. Contemporary World Fiction: A Guide to Literature in Translation provides an overview of the tremendous range and scope of translated world fiction available in English. In so doing, it will help readers get a sense of the vast world beyond North America that is conveyed by fiction titles from dozens of countries and language traditions. Within the guide, approximately 1,000 contemporary non-English-language fiction titles are fully annotated and thousands of others are listed. Organization is primarily by language, as language often reflects cultural cohesion better than national borders or geographies, but also by country and culture. In addition to contemporary titles, each chapter features a brief overview of earlier translated fiction from the group. The guide also provides in-depth bibliographic essays for each chapter that will enable librarians and library users to further explore the literature of numerous languages and cultural traditions.

Philology is one of the most investigated fields of Armenian studies. At the end of the twentieth century, it was important to provide an overview of the main achievements and on the methodological approaches implemented in this field till now. This is the aim of the present publication. Part I focuses on the manuscripts, the inscriptions, and the printings. Its second section is devoted to the textual criticisms and the third section explores the interface between linguistics and philology. Case studies form the core of Part II. One chapter offers an overview on the 17th-19th centuries, and two articles are devoted to the conditions of the circulation of the literary production in the 20th century, both in Western and Eastern Armenian.

Preserving Armenia's rich literary tradition from a multitude of viewpoints has been the aim of this three-volume work. This third volume joins the previous two in making excerpts of Armenian masterpieces accessible in beautifully rendered English translations, while enabling readers to enjoy the immediacy of these works through lively discussions of the authors and their times. Here the focus is on the eighteenth through twentieth centuries. The volume begins with a comprehensive overview of the entire historical, social, and literary panorama of the periods covered: the Armenian Renaissance, the development of modern Armenian (with its Western and Eastern versions), the emergence of a national identity and democratic thinking (with their impact on literature and theater), and such literary schools as Romanticism, Realism, and Aestheticism. Biographies of more than 130 prominent authors appear in these pages, together with critical comments concerning their works and extensive excerpts from the works themselves. The texts are edited, annotated with footnotes, and presented in a format that permits easy comprehension. Literature unveils a rich pageant of works in historical perspective. The varied experiences from the Armenian past come alive, allowing for new understandings and comparisons to literatures of other nations.

A History of Armenian Womenâ (TM)s Writing: 1880-1921 introduces the reader to the wealth and diversity of womenâ (TM)s writing in Armenian in the late nineteenth and early twentieth centuries. The volume focuses on six Armenian women writers-Srpouhi Dussap, Sibyl, Mariam Khatisian, Marie Beylerian, Shushanik Kurghinian and Zabel Yesayian and these authorsâ (TM) novels, short stories, poems and essays. The study contends that Western and Eastern Armenian women writers, while not displaying a uniformity of opinion and vision, nevertheless found inspiration in the activism, writings and arguments of one another and form a literary genealogy of womenâ (TM)s writing in Armenian. The study has several objectives. For general readers and those interested primarily in the historical account it provides a chronological description of the formative period of modern Armenian womenâ (TM)s writing beginning in 1880 with the publication of a series of articles on womenâ (TM)s education and employment by Srpouhi Dussap and concludes with the physical dislocations and psychological traumas of the Armenian Genocide in 1915 and the fall of the first independent Republic of Armenia in 1921. On another level the book concentrates on disentangling the contemporaneous intellectual debates about Armenian womenâ (TM)s proper sphere. The author argues that the role of the Armenian woman was central to debates about national identity, education, the family and society by Armenian writers and women writers sought to participate in and guide this discourse through literary texts.

The second edition of the Historical Dictionary of Armenia relates the turbulent past of this persistent country through a chronology, an introductory essay, a bibliography, and over 200 cross-referenced dictionary entries on significant persons, events, places, organizations, and other aspects of Armenian history from the earliest times to the present.

In Stateless, Talar Chahinian offers a rich exploration of Western Armenian literary history in the wake of the 1915 genocide that led to the dispersion of Armenians across Europe, North America, the Middle East, and beyond. Chahinian highlights two specific time periods—post WW I Paris and Post WW II Beirut—to trace the ways in which literature developed in each diaspora. In Paris, a literary movement known as Menk addressed the horrors they experienced and focused on creating a new literary aesthetic centered on belonging while in exile. In Beirut, Chahinian shows how the literature was nationalized in the absence of state institutions. Armenian intellectuals constructed a unified and coherent narrative of the diaspora that returned to the pre-1915 literary tradition and excluded the Menk generation. Chahinian argues that the adoption of “national” as the literature's organizing logic ultimately limited its vitality and longevity as it ignored the diverse composition of diaspora communities.

The first volume consists of essays on four major twentieth-century Armenian authors: Yeghishe ́Charents, Gurgen Mahari, Zabel Esayan, and Vahan Totovents.