A Salute To Spanish Poetry

An anthology of some of the finest poems from Spain and Latin America. Poets represented include Miguel de Unamuno, Federico Garcia Lorca, Rosalia de Castro, Ruben Dario, Leopoldo Lugones, Julio Herrera y Reissig, Amado Nervo, Antonio Machado, Alfonsina Storni, Delmira Agustini, Luis de Gongora y Argote, Andres Bello, Manuel Gonzalez Prada, Jorge Manrique, Joaquin Pasos, Gil Vicente, Miguel de Cervantes, Jose Juan Tablada, Jose Marti, Gabriela Mistral, Miguel de Barrios, Cesar Vallejo, Juan Ruiz.

Juan Ramón Jiménez is the central figure in Spanish poetry to-day. Born in 1881, he has been the greatest poetical influence in that brilliant school of modern Spanish poetry, of which F. García Lorca was one of the younger members. Ther eis nothing in Juan Ramón Jiménez of the conventional Andalusian pose known as "popularismo," so important in the poetry of some of his contemporaries, though he is no less fundamentally Spanish. This is the first time that a selection of Juan Ramón Jiménez's poetry is presented in English translation, and Professor J. B. Trend has conveyed in English the exotic impression of the original poems in Spanish.

This is a bilingual collection of various Spanish and Latin American poets.

This critical study of the group of remarkably talented poets who flourished in Spain between the First World War and the Spanish Civil War includes copious quotations accompanied by English prose translations. Mr Morris treats his poets as a group, showing how they shared certain themes and attitudes. He begins with a general study of the generation as a whole and then examines the use of tradition; the zest and levity of the Jazz Age; the exaltation of life as a shared attitude; then its converse; the escape from life; and finally the expression in complex imagery of personal tensions and disturbances. These are often 'difficult' poets, but become less so when they are sympathetically examined in this way and in relation to earlier literary traditions. Mr Morris enables the reader to take bearings and establish relationships which are enhanced by reproductions of photographs of the poets.

From the 12th-century Cantar de Mío Cid to the 20th-century poetry of Garcia Lorca, Salinas and Alberti, this book contains 37 poems by Spain's greatest poets. Spanish texts with literal English translations; biographical, critical commentary.

Neruda's epic hymn against fascism, Spain in Our Hearts, now available in this pocket Bibelot edition. In 1936, Pablo Neruda was Chile's consul in Madrid, and so horrified by the civil war and the murder of his friend, Federico Garcia Lorca, that he started writing what became his most politically passionate series of poems, Spain in Our Hearts. The collection was printed by soldiers on the front lines of the war, and later incorporated into the third volume of Neruda's revolutionary collection, Residence on Earth. This bilingual New Directions Bibelot edition presents Spain in Our Hearts as a single book as it was first published, a tribute to Neruda's everlasting spirit.

A landmark event in literary scholarship, the publication of the Johns Hopkins edition of The Complete Poetry of Percy Bysshe Shelley makes available for the first time critically edited clear texts of all poems and translations that Shelley published or circulated among friends, as well as diplomatic texts of his significant incomplete poetic drafts and fragments. Edited upon historical principles by Donald H. Reiman and Neil Fraistat, the multi-volume edition will offer more poems and fragments than any previous collective edition, arranged in the order of their first circulation. These texts are followed by the most extensive collations hitherto available and detailed commentaries that describe their contextual origins and subsequent reception. Rejected passages of released poems appear as supplements to those poems, while other poetic drafts that Shelley rejected or left incomplete at his death will be grouped according to either their publication histories or the notebooks in which they survive. Writing to his publisher in 1813, Shelley expressed the hope that two of his major works "should form one volume"; nearly two centuries later, the second volume of the Johns Hopkins edition of The Complete Poetry fulfills that wish for the first time. This volume collects two important pieces: Queen Mab and The Esdaile Notebook. Privately issued in 1813, Queen Mab was perhaps Shelley's most intellectually ambitious work, articulating his views of science, politics, history, religion, society, and individual human relations. Subtitled A Philosophical Poem: With Notes, it became his most influential -- and pirated -- poem during much of the nineteenth century, a favorite among reformers and radicals. The Esdaile Notebook, a cycle of fifty-eight early poems, exhibits an astonishing range of verse forms. Unpublished until 1964, this sequence is vital in understanding how the poet mastered his craft. As in the acclaimed first volume, these works have been critically edited by Donald H. Reiman and Neil Fraistat. The poems are presented as Shelley intended, with textual variants included in footnotes. Following the poems are extensive discussions of the circumstances of their composition and the influences they reflect; their publication or circulation by other means; their reception at the time of publication and in the decades since; their re-publication, both authorized and unauthorized; and their place in Shelley's intellectual and aesthetic development.