A Scandal By Any Other Name

Julia Bishop has led a very sheltered life. Protected by her family from those who might ridicule her for her secrets, she stays hidden away in the country. But she longs for more, if only for an evening. To kiss a rake in full view of the stable boy. Unchaperoned picnics. Romance. But she knows she’ll never experience any of those things. That is, until a handsome duke with a mysterious past of his own arrives... Duke Jasper DeVere left London to grieve his grandfather’s death privately, away from the prying eyes and gossips of the ton. Seeking solitude at a friend’s country manor, he’s surprised he finds himself drawn to the company of the shy beauty determined to present the epitome of proper behavior. That is, until the mysterious woman makes an indecent proposal... Julia can’t believe what she’s suggested to the duke. Nor that he agrees a distraction is what they both need. But what will happen when Jasper must return to his duties and leave Julia behind? Will the memories of their time together be enough for a lifetime of solitude for either of them? Because Julia can never leave her country haven and a duke can never stay... Each book the Tale of Two Sisters series is STANDALONE: * The Importance of Being Scandalous * A Scandal By Any Other Name

A most proper earl. A not-so-proper heiress. A match fit for a fairytale. Leopold Graham never expected to inherit his earldom so soon—or the massive debt his father saddled the title with. Forced to leave behind his pursuit of hedonistic pleasure and instead pursue a suitable, wealthy heiress, Leo sees nothing but a long, dull future ahead of him. Ivy Leighton may be a wealthy heiress, but she’s definitely not suitable. Her exotic Romani roots are cause for scorn amongst most of high society. Not that Ivy minds overmuch. She’s too independent and free spirited to worry about things like that. Then she meets Leo . . . and her mind conjures all sorts of delicious trouble they could indulge in together. She just needs to convince him that sometimes a little scandal can lead to a lifetime of happiness.

Few men of the Civil War era were as complicated or infamous as William Clarke Quantrill. Most who know him recognize him as the architect of the Confederate raid on Lawrence, Kansas, in August 1863 that led to the murder of 180 mostly unarmed men and boys. Before that, though, Quantrill led a transient life, shifting from one masculine form to another. He played the role of fastidious schoolmaster, rough frontiersman, and even confidence man, developing certain notions and skills on his way to becoming a proslavery bushwhacker. Quantrill remains impossible to categorize, a man whose motivations have been difficult to pin down. Using new documents and old documents examined in new ways, A Man by Any Other Name paints the most authentic portrait of Quantrill yet rendered. The detailed study of this man not only explores a one-of-a-kind enigmatic figure but also allows us entry into many representative experiences of the Civil War generation. This picture brings to life a unique vision of antebellum life in the territories and a fresh view of guerrilla warfare on the border. Of even greater consequence, seeing Quantrill in this way allows us to examine the perceived essence of American manhood in the mid-nineteenth century.

What a scoundrel wants, a scoundrel gets. . . A decade ago, the Marquess of Bourne was cast from society with nothing but his title. Now a partner in London's most exclusive gaming hell, the cold, ruthless Bourne will do whatever it takes to regain his inheritance—including marrying perfect, proper Lady Penelope Marbury. A broken engagement and years of disappointing courtships have left Penelope with little interest in a quiet, comfortable marriage, and a longing for something more. How lucky that her new husband has access to an unexplored world of pleasures. Bourne may be a prince of London's illicit underworld, but he vows to keep Penelope untouched by its wickedness—a challenge indeed as the lady discovers her own desires, and her willingness to wager anything for them . . . .even her heart.

Daphne Goodenham has always been determined to wed a duke—not just because she loves fine dresses and parties, but because she wants to guarantee that she and her sister are never destitute again. When she meets the Duke of Inverfyre, a notorious fop, she immediately notices intriguing inconsistencies. Is there more to the duke than meets the eye? Why would he hide the truth if he were handsome, young, rich and a duke? Alexander, the Duke of Inverfyre, is bent on catching a notorious thief who injured his sister, no matter what the cost. But confronted by the lovely Miss Goodenham, Alexander’s disguise proves to be no defense against her curiosity—and he has no resistance to her kiss. Will Daphne inadvertently foil Alexander’s plan? Will he have to sacrifice her interest to avenge his sister? Or can Daphne ensure Alexander’s triumph and make her own Christmas wish come true?

In London, 1593, sixteen-year-old Will Hughes makes his living on Shakespeare's stage, but after the famous playwright Christopher Marlowe is murdered, he teams up with young Lord James Bloomsbury, and together the two hunt the elusive assassin as their forbidden feelings for each other ignite.

Sherlock Holmes is one of the most recognizable—and most parodied—names in western literature. Bill Mason, BSI, collects and annotates these parody names, from the first one that appeared in 1891, to the present day. As Mason says in his introduction: One of the great aspects of Sherlock Holmes is the fact that, just as the character himself is subject to endless variation, so is his name. Ellery Queen noted that the name itself “is particularly susceptible to the twistings and mis-shapenings of burlesque minded authors.” Surely, Arthur Conan Doyle, who struggled a little with what he was going to call his detective hero, could not have known just how perfect the name he finally selected—Sherlock Holmes—would be for parody, for rhyme, for the transposing of letters and sounds, for the substitution of suggestive words in the name of a comic character. Mason’s listings are an invaluable resource for the Holmsian scholar, researcher, or for those interested in whiling away a few hours with a delightful and chuckle-inspiring volume.