A Sentimental Journey And Other Writings

'Love is nothing without feeling. And feeling is still less without love.' Celebrated in its own day as the progenitor of 'a school of sentimental writers', A Sentimental Journey (1768) has outlasted its many imitators because of the humour and mischievous eroticism that inform Mr Yorick's travels. Setting out to journey to France and Italy he gets little further than Lyons but finds much to appreciate, in contrast to contemporary travel writers whom Sterne satirizes in the figures of Smelfungus and Mundungus. A master of ambiguity and double entendre, Sterne is nevertheless as concerned as his peers with exploring the nature of virtue; unlike other writers of sentimental fiction Sterne insists on the inseparability of desire and feeling. This new edition includes a selection from The Sermons of Mr Yorick, which shed light on the concerns of the Journey, The Journal to Eliza, which records Sterne's feelings as he languishes for the company of Eliza Draper, and A Political Romance, the satire on a local ecclesiastical squabble that was the catalyst for Sterne's literary career. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Mr. Yorick, the sentimental traveller, refrains from the customary reflections on monuments and landscapes. Instead, he focuses on his sweet and affectionate emotions, experiencing them everywhere he goes and with every creature who crosses his path — from bursts of sympathy for a caged bird and an abused donkey, to bonhomie among peasants at dinner and flirtation with women of every social degree. Closer in spirit to a novel than a travelogue, Mr. Yorick's account of his wanderings satirizes conventional travel books, and his comic mishaps along the path to tender emotions are as much a critique of pure sentiment as they are an exploration of human sympathy. Unabridged republication of the classic 1768 edition.

A Sentimental Journey Through France and Italy is a novel by Laurence Sterne, who travelled through France and Italy as far south as Naples, and after returning determined to describe his travels from a sentimental point of view. The narrator is the Reverend Mr. Yorick, who is slyly represented to guileless readers as Sterne's barely disguised alter ego. The book recounts his various adventures, usually of the amorous type. Yorick's journey starts in Calais, where he meets a monk who begs for donations to his convent. Yorick initially refuses to give him anything, but later regrets his decision. He finds the monk, they exchange their snuff-boxes, and Yorick buys a chaise to continue his journey.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

The quintessential novel of sentiment, A Sentimental Journey masquerades as the fragmentary travel journal of Parson Yorick, a whimsical and amorous Englishman abroad. Accompanied through Paris and the provinces by his loyal French valet, Yorick enjoys a variety of sentimental and often comic encounters with a lively range of French characters. The novel is also punctuated by passages of self-conscious reflection on questions of personal and national identity, slavery and freedom, poverty and inequality. Appendices include material on sensibility in philosophy and literature and on eighteenth-century travel writing, as well as excerpts from Sterne’s other writings and examples of the novel’s critical reception, imitation, and illustration.

" When I had fished my dinner, and drank the King of France’s health, to satisfy my mind that I bore him no spleen, but, on the contrary, high honour for the humanity of his temper,—I rose up an inch taller for the accommodation. No said I the Bourbon is by no means a cruel race: they may be misled, like other people; but there is a mildness in their blood. As I acknowledged this, I felt a suffusion of a finer kind upon my cheek—more warm and friendly to man, than what Burgundy (at least of two livres a bottle, which was such as I had been drinking) could have produced. Just God! said I, kicking my portmanteau aside, what is there in this world’s goods which should sharpen our spirits, and make so many kind- hearted brethren of us fall out so cruelly as we do by the way?"