A Short History Of The Great War

This vivid, detailed history of World War I presents the general reader with an accurate and readable account of the campaigns and battles, along with brilliant portraits of the leaders and generals of all countries involved. Scrupulously fair, praising and blaming friend and enemy as circumstances demand, this has become established as the classic account of the first world-wide war.

NEW YORK TIMES BESTSELLER • Drawing on exhaustive research, this intimate account details how World War I reduced Europe’s mightiest empires to rubble, killed twenty million people, and cracked the foundations of our modern world “Thundering, magnificent . . . [A World Undone] is a book of true greatness that prompts moments of sheer joy and pleasure. . . . It will earn generations of admirers.”—The Washington Times On a summer day in 1914, a nineteen-year-old Serbian nationalist gunned down Archduke Franz Ferdinand in Sarajevo. While the world slumbered, monumental forces were shaken. In less than a month, a combination of ambition, deceit, fear, jealousy, missed opportunities, and miscalculation sent Austro-Hungarian troops marching into Serbia, German troops streaming toward Paris, and a vast Russian army into war, with England as its ally. As crowds cheered their armies on, no one could guess what lay ahead in the First World War: four long years of slaughter, physical and moral exhaustion, and the near collapse of a civilization that until 1914 had dominated the globe. Praise for A World Undone “Meyer’s sketches of the British Cabinet, the Russian Empire, the aging Austro-Hungarian Empire . . . are lifelike and plausible. His account of the tragic folly of Gallipoli is masterful. . . . [A World Undone] has an instructive value that can scarcely be measured”—Los Angeles Times “An original and very readable account of one of the most significant and often misunderstood events of the last century.”—Steve Gillon, resident historian, The History Channel

A lively, engaging history of The Great War written for a new generation of readers In recent years, scholarship on World War I has turned from a fairly narrow focus on military tactics, weaponry, and diplomacy to incorporate considerations of empire, globalism, and social and cultural history. This concise history of the first modern, global war helps to further broaden the focus typically provided in World War I surveys by challenging popular myths and stereotypes to provide a new, engaging account of The Great War. The conventional World War I narrative that has evolved over the past century is that of an inevitable but useless war, where men were needlessly slaughtered due to poor decisions by hidebound officers. This characterization developed out of a narrow focus on the Western Front promulgated mainly by British historians. In this book, Professor Proctor provides a broader, more multifaceted historical narrative including perspectives from other fronts and spheres of interest and a wider range of participants. She also draws on recent scholarship to consider the gendered aspect of war and the ways in which social class, religion, and cultural factors shaped experiences and memories of the war. Structured chronologically to help convey a sense of how the conflict evolved Each chapter considers a key interpretive question, encouraging readers to examine the extent to which the war was total, modern, and global Challenges outdated stereotypes created through a focus on the Western Front Considers the war in light of recent scholarship on empire, global history, gender, and culture Explores ways in which the war and the terms of peace shaped the course of the 20th century World War I: A Short History is sure to become required reading in undergraduate survey courses on WWI, as well as courses in military history, the 20th century world, or the era of the World Wars.

A Short History of the Great War

This book analyzes the world of 1914 by combining the approaches of traditionalist hermeneutics and 20th century geopolitics. The juxtaposition of these two frameworks, incorporated in the principles of Sacred Geography and Sea Power, allows for a Traditionalist perspective on the choices facing the Ten Great Powers on the eve of the Great War. The book’s multifaceted approach follows the iconoclastic “culture critique” method of the Traditional School that was developed by René Guénon, Frithjof Schuon and Julius Evola; it shows the pre-war world as essentially different from the post-war world. Thus, the Ten Great Power protagonists of the Great War may be understood on their own terms, rather than through a backward projection of politically-correct values on the existentially different human life-world of 1914. Dislodging the historical-materialist “progress” premise that underpins contemporary academic historiography, this book reasserts the highest claim of the Art of History: meta-narrative meaning.