A Spiritual Canticle Of The Soul And The Bridegroom Christ

Claiming to be a literary interpretation, this poem of forty stanza's is loosely based on the Biblical book of Song of Songs. This story follows a bride that has been separated from her bridegroom and her search for him. If it is not obvious enough from the reading of the poem itself and St. John of the Cross's extensive explanation afterwards, the poem is a literary interpretation of Song of Songs, but also of the soul's search for Jesus Christ.

** Active Table of Contents ** This book comes complete with a Touch-or-Click Table of Contents, divided by each section. This edition has a linked Table of Contents and has been wonderfully formatted (searchable and interlinked) to work on your e-book reader. The Spiritual Canticle, Cántico Espiritual, is one of the poetic works of the Spanish mystical poet St. John of the Cross. It is part of four works by John dealing with the so-called Dark Night of the Soul, when the individual Soul undergoes earthly and spiritual privations in search of union with God. Along with the other three, The Dark Night Of the Soul, The Living Flame of God and the Spiritual Canticle, it is regarded as one of the greatest works of mysticism in Christianity and in the Spanish language. You can purchase other religious works directly from Wyatt North Publishing.

In A Spiritual Canticle of the Soul and the Bridegroom Christ, St. John states: "I do not purpose here to set forth all that greatness and fullness the spirit of love, which is fruitful, embodies in it. Yes, rather it would be foolishness to think that the language of love and the mystical intelligence - and that is what these stanzas are - can be at all explained in words of any kind, for the Spirit of our Lord who helps our weakness."

Excerpt from A Spiritual Canticle of the Soul and the Bridegroom Christ The present volume of the works of St. John of the Cross contains the explanation of the 'Spiritual Canticle of the Soul and the Bridegroom Christ.' The two earlier works, the 'Ascent of Mount Carmel' and the 'Dark Night of the Soul,' dealt with the cleansing of the soul, the unremittant war against even the smallest imperfections standing in the way of union with God; imperfections which must be removed, partly by strict self-discipline, partly by the direct intervention of God, Who, searching 'the reins and hearts' by means of heavy interior and exterior trials, purges away whatever is displeasing to Him. Although some stanzas refer to this preliminary state, the chief object of the 'Spiritual Canticle' is to picture under the Biblical simile of Espousals and Matrimony the blessedness of a soul that has arrived at union with God. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

THE present volume of the works of St. John of the Cross contains the explanation of the 'Spiritual Canticle of the Soul and the Bridegroom Christ.' The two earlier works, the, 'Ascent of Mount Carmel' and the 'Dark Night of the Soul' dealt with the cleansing of the soul, the unremittant war against even the smallest imperfections standing in the way of union with God; imperfections which must be removed, partly by strict self-discipline, partly by the direct intervention of God, Who, searching 'the reins and hearts' by means of heavy interior and exterior trials, purges away whatever is displeasing to Him. Although some stanzas refer to this preliminary state, the chief object of the 'Spiritual Canticle' is to picture under the Biblical simile of Espousals and Matrimony the blessedness of a soul that has arrived at union with God. The Canticle was composed during the long imprisonment St. John underwent at Toledo from the beginning of December 1577 till the middle of August of the following year. Being one of the principal supporters of the Reform of St. Teresa, he was also one of the victims of the war waged against her work by the Superiors of the old branch of the Order. St. John's prison was a narrow, stifling cell, with no window, but only a small loophole through which a ray of light entered for a short time of the day, just long enough to enable him to say his office, but affording little facility for reading or writing. However, St. John stood in no need of books. Having for many years meditated on every word of Holy Scripture, the Word of God was deeply written in his heart, supplying abundant food for conversation with God during the whole period of his imprisonment. From time to time he poured forth his soul in poetry; afterwards he communicated his verses to friends. One of these poetical works, the fruit of his imprisonment, was the 'Spiritual Canticle, ' which, as the reader will notice, is an abridged paraphrase of the Canticle of Canticles, the Song of Solomon, wherein under the image of passionate love are described the mystical sufferings and longings of a soul enamoured with God

Excerpt from A Spiritual Canticle of the Soul and the Bridegroom Christ The soul asks to see God and die. Man cannot see God and live. Death the friend. The cure of imperfect love. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.