A Structural Analysis Of The Honorary Consul By Graham Greene

Is Graham Greene really the great novelist we think he is? ... In what way did he succeed in keeping his readership spellbound? ... What was the driving force behind his so-called 'Catholicism''... Was there a special reason for him to call The Honorary Consulhis favourite book'... Why is 'clock time' such a matter of great concern to those who otherwise believe the book to be his greatest'... And is there any reason for calling his characters 'empty' or 'full' - and anything in between - instead of just defining them flat or round'... The answers to these and many other intriguing questions are to be found in this captivating analysis of The Honorary Consulby Rudolf E. van Dalm. Instead of being only a study on Graham Greene, it has turned out to be a fascinating report on what makes Greene such an absorbing writer. One of the most gripping publications on the famous British author on the eve of the millennium, the book is both entertaining and instructive.

A comprehensive reference guide to the published writings of Graham Greene, this book surveys not only Greene's literary work - including his fiction, poetry and drama - but also his other published writings. Accessibly organised over five central sections, the book provides the most up-to-date listing available of Greene's journalism, his published letters and major interviews. The Writings of Graham Greene also includes a bibliography of major secondary writings on Greene and a substantial and fully cross-referenced index to aid scholars and researchers working in the field of 20th Century literature.

In the 1970s and 1980s, Graham Greene adopted the yearly habit of touring Spain and Portugal in the company of his Spanish friend, the priest and university professor Leopoldo Durán. The most outstanding fruit of these trips, almost always in summer, was the inspiration for his major Hispanic novel, Monsignor Quixote (1982), a celebration of friendship above ideological, political, or religious differences, incorporating allusions to Cervantes' famous comic novel within a critical vision of post-Franco Spain. Graham Greene's Journeys in Spain and Portugal: Travels with My Priest reconstructs each of Greene's trips through the Iberian Peninsula between 1976 and 1989, detailing their preparations, itineraries, anecdotes, companions, topics of conversation, and often surprising repercussions. Carlos Villar Flor outlines the trips' biographical importance and fills numerous gaps of documented information on this final phase of Greene's life. His detailed inquiry into Greene's Iberian adventures with Durán also helps us better to understand the genesis and resonances of Monsignor Quixote, which over time became Greene's favourite of his own novels, and the subsequent television adaptation. The book also addresses incidents and aspects that, for one reason or another, never emerged in Durán's own account of their travels together, Graham Greene: Friend and Brother (1994). These include the possible motivations for Greene's first visit to Spain, related to his role as an informant for MI6; the mysterious visits to an old English lady located in Sintra; the writer's attempts in the early 1980s to establish links with Spanish socialists; or the fascinating story of a Spanish nobleman's suspicious proposal to create a Greene Foundation. Ultimately, Greene's trips to Spain and Portugal appear as more layered and intriguing than Durán's account suggests, whilst Durán himself emerges aptly as a complex and quixotic figure--as much the protagonist of this book as Greene.

A monograph analysing the symbolic role played by contemporary fiction in the break-up of political and cultural consensus in British public life.

Joyce's methods of composition have only recently begun to be examined in a rigorous fashion. Already the work done on the genesis of Joyce's texts has fostered both new insights and new questions regarding the overall status of his oeuvre. The conference Genitricksling Joyce, held at Antwerp in 1997, testified to the variety and vitality of genetic investigations into Joyce's work. We have tried to recreate this vitality in the present volume with a double purpose, or double trick. First, the essays collected in Genitricksling Joyce are not only indicative of the growing body of genetic scholarship, they also signify methodological and theoretical changes among its practitioners towards a more open form of discussion and understanding. Second, we hope that these essays will clearly demonstrate the relevance of genetic criticism to current critical and cultural concerns in Joyce studies.