Dangerous Edges Of Graham Greene

Informative, broad-ranging, and sheds new light on the life and literary art of one of the last century's most celebrated authors.

Since the war Graham Greene has travelled habitually to the world's trouble-spots and has provided leading newspapers and journals with articles about what he saw. While contending that a writer must be free of political affiliations he has commmitted himself to many countries and causes, and while insisting that literature must never be used for political ends he has written novels informed by a political urgency. The Dangerous Edge is about his political reportage and how the observations that formed it were transformed into literature. It is about how a novelist who struggled to record public issues dispassionately became in the process an important political conscience.

Since the war Graham Greene has travelled habitually to the world's trouble-spots and has provided leading newspapers and journals with articles about what he saw. While contending that a writer must be free of political affiliations he has commmitted himself to many countries and causes, and while insisting that literature must never be used for political ends he has written novels informed by a political urgency. The Dangerous Edge is about his political reportage and how the observations that formed it were transformed into literature. It is about how a novelist who struggled to record public issues dispassionately became in the process an important political conscience.

Graham Greene's 'long journey through time' began in 1904, when he was born into a tribe of Greenes based in Berkhamstead at the public school where his father was headmaster. In A Sort of Life Greene recalls schooldays and Oxford, adolescent encounters with psychoanalysis and Russian roulette, his marriage and conversion to Catholicism, and how he rashly resigned from The Times when his first novel, The Man Within was published in 1929. A Sort of Life reveals, brilliantly and compellingly, a life lived and an art obsessed by 'the dangerous edge of things'.

A young boy, Victor, is collected from school by a stranger in a bowler hat - the stranger says he has won Victor in a game of backgammon with Victor's father. The stranger, known as the Captain, takes Victor to live with the sweet but withdrawn Lisa, where he serves as her conduit to the outside world. From mysterious beginnings, Graham Greene's final novel becomes a twisting thriller of smuggling, jewel theft and international espionage which culminates in a dramatic showdown in Panama.

Description: Movie Press Kits.

'The novel that I love the most is The Quiet American' Ian McEwan, Sunday Times bestselling author of Lessons Into the intrigue and violence of 1950s Saigon comes CIA agent Alden Pyle, a young idealistic American sent to promote democracy through a mysterious 'Third Force'. As Pyle's naive optimism starts to cause bloodshed, his friend Fowler, a cynical foreign correspondent, finds it hard to stand aside and watch. But even as Fowler intervenes he wonders why: for the greater good, or something altogether more complicated? WITH AN INTRODUCTION BY ZADIE SMITH **One of the BBC's 100 Novels That Shaped Our World**

This collection of seventeen interviews covers fifty years. Here the eminent author of The Power and the Glory, The Third Man, and The Heart of the Matter speaks of himself, his life, and his works. Though reluctant to be interviewed, especially by an academic or journalist he did not know, Greene was more at ease in an interview with a personal friend, who he felt would be less likely to misunderstand or misquote him. Yet even his good friend V. S. Pritchett spent considerable time trying to pin him down for his 1978 interview. When he finally did arrange an interview, Pritchett tells that Greene's "flat conspiratorial, laughing voice . . ., of itself, makes him the best company I've known in the last forty years". Other interviewers--included here are V. S. Naipaul and Penelope Gilliatt--shared Pritchett's opinion, but many found that he avoided idle conversation for fear that his words would be misconstrued. Greene's anxiety was not without foundation. In an interview with Michael Menshaw, Greene explained: "It's got so I hate to say who I am or what I believe...A few years ago I told an interviewer I'm a gnostic. The next day's newspaper announced that I had become an agnostic". After such incidents, Greene turned to the anecdote--relating an experience with Fidel Castro or with Papa Doc Duvalier--to communicate in interviews with strangers. Nevertheless, in all the interviews Greene granted over the years, the reader hears very clearly the voice of a man whose conversation is as painfully honest and unpretentious as is his written prose. The interviews here are divided chronologically into four periods, loosely related to his subject matter or to his reputation at the time of theinterview. Thus the reader sees the development of the writer from a callow but gifted young man into one of the foremost men of letters in the English-speaking world.