A Summer Day In The Company Of Ghosts

A new, bilingual collection of poetry by a pioneering, multi-talented Chinese writer and photographer in a landmark English translation. “My poems are flecks of salt clinging ambivalently to a horse’s back,” Wang Yin writes. This is the first comprehensive collection of this important Chinese poet’s work to appear in English, translated by Andrea Lingenfelter. Readers can follow the full arc of his career, from the early, surrealist, and Deep Image–influenced work of the 1980s, when he made his debut as a post-Misty poet, through the turn toward the rawer, more immediate poetry of the nineties, and on to the existential and ineffable weavings of his more recent work. Wang’s sensibility is both cosmopolitan and lyrical, and his poetry has a subtlety and beauty that contrasts with the often physically painful imagery with which he depicts psychological reality, a reality expressed as various states of mind struggling against the suppression of memory. Shanghai winters, a winter in Katowice, a summer day with ghosts, blue shadows, petals in the darkness, an “empty lane lit up by moonlight”—the poems of this extraordinary volume illuminate the inner life as a singular encounter between physical and spiritual realms.

All Kat Roberts wants is to be normal, or at least to look that way to students at her new school. But her mother is a medium, and not the kind that fits in between small and large; Kat's mom is the kind of medium who sees spirits and communicates with them. And, even worse, Kat has just discovered that she can see spirits too. In this first adventure in the popular Suddenly Supernatural series, Elizabeth Cody Kimmel brings humor and heart to the trials and tribulations of finding out who you are and who you want to be-all while surviving the seventh grade.

“Powerful, laden with emotion, and smartly written.” —Brandon Sanderson, author of Mistborn and The Way of Kings A brilliant historical fantasy novel from acclaimed author Mary Robinette Kowal featuring the mysterious spirit corps and their heroic work in World War I. Ginger Stuyvesant, an American heiress living in London during World War I, is engaged to Captain Benjamin Harford, an intelligence officer. Ginger is a medium for the Spirit Corps, a special Spiritualist force. Each soldier heading for the front is conditioned to report to the mediums of the Spirit Corps when they die so the Corps can pass instant information about troop movements to military intelligence. Ginger and her fellow mediums contribute a great deal to the war efforts, so long as they pass the information through appropriate channels. While Ben is away at the front, Ginger discovers the presence of a traitor. Without the presence of her fiancé to validate her findings, the top brass thinks she's just imagining things. Even worse, it is clear that the Spirit Corps is now being directly targeted by the German war effort. Left to her own devices, Ginger has to find out how the Germans are targeting the Spirit Corps and stop them. This is a difficult and dangerous task for a woman of that era, but this time both the spirit and the flesh are willing... Other Books Forest of Memory Glamour in Glass Of Noble Family Shades of Milk and Honey Valour and Vanity Without a Summer At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Poems between natural and human history, private life and death, and about the crises of our century, from an acclaimed Italian poet. Tacitus, the brooding historian of the Roman Empire, supplies the title of Antonella Anedda’s Historiae, in which she grapples with a legacy of Mediterranean displacement and violence that stretches from antiquity to the present day. Anedda writes about the aftermath of centuries of colonization, about the ongoing European immigration crisis, and about the wild Sardinian archipelago of La Maddalena and the teeming Roman neighborhood of Trastevere—places between which she has divided her life—in a wonderfully various collection where poems of community frame poems of private life, among them a moving elegy for her mother. With wit, insight, and economy, Anedda reminds us that history is plural and that our perspectives, too, are constituted by pluralities—by events both present and past, both world-shaking and exquisitely mundane.

Energetic, formally audacious poems by a recently rediscovered Polish writer, shining examples of art as resistance. Zuzanna Ginczanka's last poem “Non omnis moriar,” written shortly before her execution by the Nazis at the age of 27, is one of the most famous and unsettling texts in modern East European literature: using the lyric form of a Romantic testament and naming the person who betrayed her to the occupation authorities as a Jew, it exposes the hypocrisy at the heart of a national Polish culture based on exclusion and attempts to exorcise its demons through fierce irony. Ginczanka, born in the Eastern Borderlands town of Równe (Rivne), now in Ukraine, was encouraged by Warsaw's doyen of poets, Julian Tuwim, to come to the capital, where her virtuoso wit, beauty and lyrical gifts made her an object of fascination and desire in the lively literary world of the interbellum. From the start, her poems tended to reverse traditional accounts of the relation of body to spirit, and to mock hypocrisy about sex, politics, and social identity. Ginczanka's linguistic exuberance and invention—reminiscent now of Tsvetaeva, now of Marianne Moore or Mina Loy—are as exhilarating as the passionate fusion of the physical world and the world of ideas she advocated in the single collection published during her lifetime, On Centaurs.

Slyly funny, inventive, and virtuosic, this new collection from a Russian-American master challenges poetic convention and explores themes of alienhood, translation, and human emotion. In Eugene Ostashevsky’s The Feeling Sonnets—his fourth collection of poems— words, idioms, sentences, and poetic conventions are dislodged and defamiliarized in order to convey the experience of living in a land, and a language, apart. The book consists of four cycles of fourteen unrhymed, unmetered sonnets. The first cycle asks about the relationship between interpretation and emotion, whether “we feel the feelings that we call ours.” The second cycle, mainly composed of “daughter sonnets,” describes bringing up children in a foreign country and a foreign language. The third cycle, called “Die Schreibblockade,” German for writer’s block, talks about foreign-language processing of inherited historical trauma, in this case the siege of Leningrad from 1941 to 1944. The fourth cycle is about translation. The sonnets are followed by a short libretto, commissioned by the Italian composer Lucia Ronchetti, about Ravel’s interaction with Paul Wittgenstein over the Piano Concerto for the Left Hand.

One of the Best Science Fiction and Fantasy Books of the past decade, selected by NPR One of the 50 Best Sci-Fi Books of All Time, selected by Esquire One of the 100 Most Influential Queer Books of All Time, selected by Booklist A Best Book of 2017: NPR, The Guardian, Publishers Weekly, Library Journal, Bustle, Bookish, Barnes & Noble, Chicago Public Library, Book Scrolling. CLMP Firecracker Award Winner A Stonewall Book Award Honor Book Finalist for the 2018 Locus Award, John W. Campbell Award for Best New Writer, and the Lambda Literary Award. Nominated for the 2018 Hurston/Wright Legacy Award for Debut Novel "What Solomon achieves with this debut--the sharpness, the depth, the precision--puts me in mind of a syringe full of stars. I want to say about this book, its only imperfection is that it ended. But that might give the wrong impression: that it is a happy book, a book that makes a body feel good. It is not a happy book. I love it like I love food, I love it for what it did to me, I love it for having made me feel stronger and more sure in a nightmare world, but it is not a happy book. It is an antidote to poison. It is inoculation against pervasive, enduring disease. Like a vaccine, it is briefly painful, leaves a lingering soreness, but armors you from the inside out." --NPR "In Rivers Solomon's highly imaginative sci-fi novel An Unkindness of Ghosts, eccentric Aster was born into slavery on--and is trying to escape from--a brutally segregated spaceship that for generations has been trying to escort the last humans from a dying planet to a Promised Land. When she discovers clues about the circumstances of her mother's death, she also comes closer to disturbing truths about the ship and its journey." --BuzzFeed "What Solomon does brilliantly in this novel is in the creation of a society in which dichotomies loom over certain aspects of the narrative, and are eschewed by others...Hearkening back to the past in visions of the future can hold a number of narrative purposes...The past offers us countless nightmares and cautionary tales; so too, I'm afraid, can the array of possible futures lurking up ahead." --Tor.com "This book is a clear descendent of Octavia Butler's Black science fiction legacy, but grounded in more explicit queerness and neuroatypicality." --AutoStraddle "Ghosts are 'the past refusing to be forgot,' says a character in this assured science-fiction debut. That's certainly the case aboard the HSS Matilda, a massive spacecraft arranged along the cruel racial divides of pre-Civil War America." --Toronto Star Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, she'd be powerful enough to tear down the walls around her until nothing remains of her world. Aster lives in the lowdeck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster. Embroiled in a grudge with a brutal overseer, Aster learns there may be a way to improve her lot--if she's willing to sow the seeds of civil war.