A Surplus Of Memory

In 1943, against utterly hopeless odds, the Jews of the Warsaw Ghetto rose up to defy the Nazi horror machine that had set out to exterminate them. One of the leaders of the Jewish Fighting Organization, which led the uprisings, was Yitzhak Zuckerman, known by his underground pseudonym, Antek. Decades later, living in Israel, Antek dictated his memoirs. The Hebrew publication of Those Seven Years: 1939-1946 was a major event in the historiography of the Holocaust, and now Antek's memoirs are available in English. Unlike Holocaust books that focus on the annihilation of European Jews, Antek's account is of the daily struggle to maintain human dignity under the most dreadful conditions. His passionate, involved testimony, which combines detail, authenticity, and gripping immediacy, has unique historical importance. The memoirs situate the ghetto and the resistance in the social and political context that preceded them, when prewar Zionist and Socialist youth movements were gradually forged into what became the first significant armed resistance against the Nazis in all of occupied Europe. Antek also describes the activities of the resistance after the destruction of the ghetto, when 20,000 Jews hid in "Aryan" Warsaw and then participated in illegal immigration to Palestine after the war. The only extensive document by any Jewish resistance leader in Europe, Antek's book is central to understanding ghetto life and underground activities, Jewish resistance under the Nazis, and Polish-Jewish relations during and after the war. This extraordinary work is a fitting monument to the heroism of a people.

Recounts the struggle against the Nazi takeover of Warsaw and provides an account of the author's activities as head courier for the ZOB, the Jewish Fighting Organization.

This collection of essays celebrates the work of the French Nobel prize-winning novelist Claude Simon. Scholars from France, Germany, the United States and the United Kingdom reconsider the fifty years of Simon’s fiction in the light of his large-scale autobiographical novel Le Jardin des Plantes (1997). From a variety of perspectives – postmodernist, psychoanalytic, aesthetic – contributors reflect on the central paradox of Simon’s work: his writing and rewriting of an experience of war so disruptive and traumatic that words can never be adequate to communicate it. The layers of artifice in Le Jardin des Plantes and the nature of Simon’s aesthetic are analysed in essays which explore intertextual resonances between Simon and Proust, Flaubert, Borges and Poussin. A complementary view of Simon’s Photographies 1937–1970 shows that it too can be seen as form of indirect autobiography.

This groundbreaking and truly interdisciplinary collection of essays examines how digital media technologies require us to rethink established conceptualisations of human memory in terms of its discourses, forms and practices.

In 1940, the historian Emanuel Ringelblum established a clandestine organization, code named Oyneg Shabes, in Nazi-occupied Warsaw to study and document all facets of Jewish life in wartime Poland and to compile an archive that would preserve this history for posterity. As the Final Solution unfolded, although decimated by murders and deportations, the group persevered in its work until the spring of 1943. Of its more than 60 members, only three survived. Ringelblum and his family perished in March 1944. But before he died, he managed to hide thousands of documents in milk cans and tin boxes. Searchers found two of these buried caches in 1946 and 1950. Who Will Write Our History tells the gripping story of Ringelblum and his determination to use historical scholarship and the collection of documents to resist Nazi oppression.

AcknowledgmentsI: Collective Memories, Images, and the Atrocity of War II: Before the Liberation: Journalism, Photography, and the Early Coverage of Atrocity III: Covering Atrocity in Word IV: Covering Atrocity in Image V: Forgetting to Remember: Photography as Ground of Early Atrocity MemoriesVI: Remembering to Remember: Photography as Figure of Contemporary Atrocity Memories VII: Remembering to Forget: Contemporary Scrapbooks of Atrocity Notes Selected Bibliography Index Copyright © Libri GmbH. All rights reserved.

In Social Memory and History, a group of anthropologists, sociologists, social linguists, gerontologists, and historians explore the ways in which memory reconstructs the past and constructs the present. A substantial introduction by the editors outlines the key issues in the understanding of social memory: its nature and process, its personal and political implications, the crisis in memory, and the relationship between social and individual memory. Ten cross-cultural case studies—groups ranging from Kiowa songsters, Burgundian farmers, elderly Phildelaphia whites, Chilean political activists, American immigrants to Israel, and Irish working class women—then explore how social memory transmits culture or contests it at the individual, community, and national levels in both tangible and symbolic spheres.

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