A Synoptic History Of Classical Rhetoric

Continuing its tradition of providing students with a thorough review of ancient Greek and Roman rhetorical theory and practices, A Synoptic History of Classical Rhetoric is the premier text for undergraduate courses and graduate seminars in the history of rhetoric. Offering vivid examples of each classical rhetor, rhetorical period, and source text, students are led to understand rhetoric's role in the exchange of knowledge and ideas. Completely updated throughout, Part I of this new edition integrates new research and expanded footnotes and bibliographies for students to develop their own scholarship. Part II offers eight classical texts for reading, study, and criticism, and includes discussion questions and keys to the text in Part I.

The purpose of history is to help people understand the present by providing a sense of continuity to their lives. The history of western civilization begins in Ancient Greece. So much of what we observe around us -- art, architecture, poetry, drama, and political systems -- is derived from the Greeks. Even religious beliefs and beliefs about the solar system emanate from the writings of Greek and Roman philosophers. Writing itself is a phenomenon of Greek civilization. Students seeking to understand the social impact of technologies such as writing, print, and television, must begin their study with figures such as Socrates, who was one of the first to be concerned with the changes in social interaction and consciousness wrought by the emergence of writing on portable material. For students of language, an awareness of the classical world is particularly important. The study of human discourse is an entirely western phenomenon. As far as one can judge from surviving evidence, the Greeks were the only people of the ancient world who endeavored to analyze the ways in which human beings communicate with each other. Greece is, therefore, the birthplace of the art of discourse, which includes not only rhetoric, but also logic and grammar. Although many other ancient civilizations produced literature, only the Greeks produced analytic, expository treatises that attempted to discover the actual bases of human communication. Written treatises and school "systems" which allowed rhetorical discoveries to be transmitted to others enabled the Greeks and later the Romans to amass a considerable body of precepts to guide speakers and writers. This body of precepts forms the basis for the study of "rhetoric" -- the art of human discourse. This book provides a clear understanding of the classical roots of rhetoric. While no single volume can account for every idea developed by the ancients on the art of rhetoric, this book seeks to present the concepts that will most effectively provide today's student with a basis for understanding human communication. The text contains essays about the period, original treatises by ancient writers with modern analyses that elaborate on their rhetorical precepts, and representative speeches given by celebrated orators of the ancient world. In addition, a bibliography of readings is presented for those who want to study this period more deeply.

Since its original publication by UNC Press in 1980, this book has provided thousands of students with a concise introduction and guide to the history of the classical tradition in rhetoric, the ancient but ever vital art of persuasion. Now, George Kennedy offers a thoroughly revised and updated edition of Classical Rhetoric and Its Christian and Secular Tradition. From its development in ancient Greece and Rome, through its continuation and adaptation in Europe and America through the Middle Ages and Renaissance, to its enduring significance in the twentieth century, he traces the theory and practice of classical rhetoric through history. At each stage of the way, he demonstrates how new societies modified classical rhetoric to fit their needs. For this edition, Kennedy has updated the text and the bibliography to incorporate new scholarship; added sections relating to women orators and rhetoricians throughout history; and enlarged the discussion of rhetoric in America, Germany, and Spain. He has also included more information about historical and intellectual contexts to assist the reader in understanding the tradition of classical rhetoric.

What distinguishes the study of rhetoric from other pursuits in the liberal arts? From what realms of human existence and expression, of human history, does such study draw its defining character? What, in the end, should be the purposes of rhetorical inquiry? And amid so many competing accounts of discourse, power, and judgment in the contemporary world, how might scholars achieve these purposes through the attitudes and strategies that animate their work? Rethinking Rhetorical Theory, Criticism, and Pedagogy: The Living Art of Michael C. Leff offers answers to these questions by introducing the central insights of one of the most innovative and prolific rhetoricians of the twentieth century, Michael C. Leff. This volume charts Leff ’s decades-long development as a scholar, revealing both the variety of topics and the approach that marked his oeuvre, as well as his long-standing critique of the disciplinary assumptions of classical, Hellenistic, renaissance, modern, and postmodern rhetoric. Rethinking Rhetorical Theory, Criticism, and Pedagogy includes a synoptic introduction to the evolution of Leff ’s thought from his time as a graduate student in the late 1960s to his death in 2010, as well as specific commentary on twenty-four of his most illuminating essays and lectures.

This book contributes to the history of classical rhetoric by focusing on how key terms helped to conceptualize and organize the study and teaching of oratory. David Timmerman and Edward Schiappa demonstrate that the intellectual and political history of Greek rhetorical theory can be enhanced by a better understanding of the emergence of 'terms of art' in texts about persuasive speaking and argumentation. The authors provide a series of studies to support their argument. They describe Plato's disciplining of dialgesthai into the Art of Dialectic, Socrates' alternative vision of philosophia, and Aristotle's account of demegoria and symboule as terms for political deliberation. The authors also revisit competing receptions of the Rhetoric to Alexander. Additionally, they examine the argument over when the different parts of oration were formalized in rhetorical theory, illustrating how an 'old school' focus on vocabulary can provide fresh perspectives on persistent questions.

Classical Rhetoric in the Middle Ages: The Medieval Rhetors and Their Art 400-1300, with Manuscript Survey to 1500 CE is a completely updated version of John Ward’s much-used doctoral thesis of 1972, and is the definitive treatment of this fundamental aspect of medieval and rhetorical culture.

This study locates pre-gospel orality and gospel literacy within Greco-Roman rhetorical norms for education and performance. Heavy use of a few basic rhetorical conventions marks the gospel tradition as a marginal yet rhetorically competent attempt to create a Christian public. The book identifies gnomic sayings as the thickest available sample of gospel rhetorics, an alternative to samples based on chreia and parable. Gnome-use is central throughout ancient rhetorical theory and practice. Gnome is therefore an especially good focus for comparative study, particularly of characterisation and legal topicality. This work establishes a credible model of interaction among the speech-habits of Jesus, those of early Christian oral tradition, and the innovative rhetorics of gospel and epistolary texts. The plurality of rhetorical-criticisms current in New Testament studies is also addressed.