A Taste For Pop

A study of four artists closely associated with the Pop Art movement.

How farmer's markets and organic produce became synonymous with "good food" and why they shouldn't be. How did farmer's markets, nose-to-tail, locavorism, organic eating, CSAs, whole foods, and Whole Foods become synonymous with “good food”? And are these practices really producing food that is morally, environmentally, or economically sustainable? Rebecca Tucker's compelling, reported argument shows that we must work to undo the moral coding that we use to interpret how we come by what we put on our plates. She investigates not only the danger of the accepted rhetoric, but the innovative work happening on farms and university campuses to create a future where nutritious food is climate-change resilient, hardy enough to grow season after season, and, most importantly, available to all—not just those willing or able to fork over the small fortune required for a perfect heirloom tomato. Tucker argues that arriving at that future will require a broad cognitive shift away from the idea that farmer's markets, community gardens, and organic food production is the only sustainable way forward; more than that, it will require the commitment of research firms, governments, corporations, and post-secondary institutions to develop and implement agriscience innovations that do more than improve the bottom line. A Matter of Taste asks us to rethink what good food really is.

"Non-fans regard Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her (creepy) manager-husband's struggle with cancer, her knack for howling out raw emotion. There's nothing cool about Dion, and nothing clever. That's part of her appeal as an object of love or hatred - with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt. This book documents Carl Wilson's brave and unprecedented year-long quest to find his inner Dion fan, and explores how we define ourselves in the light of what we call good and bad, what we love and what we hate."--Bloomsbury Publishing.

For his 2007 critically acclaimed 33 1/3 series title, Let's Talk About Love, Carl Wilson went on a quest to find his inner Céline Dion fan and explore how we define ourselves by what we call good and bad, what we love and what we hate. At once among the most widely beloved and most reviled and lampooned pop stars of the past few decades, Céline Dion's critics call her mawkish and overblown while millions of fans around the world adore her “huge pipes” and even bigger feelings. How can anyone say which side is right? This new, expanded edition goes even further, calling on thirteen prominent writers and musicians to respond to themes ranging from sentiment and kitsch to cultural capital and musical snobbery. The original text is followed by lively arguments and stories from Nick Hornby, Krist Novoselic, Ann Powers, Mary Gaitskill, James Franco, Sheila Heti and others. In a new afterword, Carl Wilson examines recent cultural changes in love and hate, including the impact of technology and social media on how taste works (or doesn't) in the 21st century.

In this original and engaging book, Cécile Whiting examines what Pop looked like when it left the highbrow cloisters of Manhattan's art galleries and ventured westward to the sprawling suburbs of Los Angeles.

Modern pop began in 1952 when the first British chart was published and the first 7" singles were released. It ended (perhaps) in 1995 when Robson and Jerome reached the top of the charts with the first number one not to be available on vinyl since 1953. The internet age ushered in the death rites of over 40 years of pop. A Complete History Pop describes the journey that leads from 'Rock Around the Clock' to 'Crazy in Love'. Raw, thrilling, surprising and sometimes downright dangerous, the Pop moment almost always clocks in under 3:30 and is initially, immediately recognised by a teenage listener. Billy Fury. Chuck Berry. Sonny and Cher. The Troggs. Glen Campbell. Bee Gees. Roxy Music. Chic. Slade. Sex Pistols. Adam and the Ants. Pet Shop Boys. New Order. Madonna. Bob Stanley's A Complete History of Pop documents the rich soundtrack of the last six decades as it has been heard on radios and jukeboxes across the land. There have been many books on pop but very few, if any, have attempted to bring the whole story to life from rock n roll to house and techno in all its various sub-permutations. Audacious and addictive, A Complete History of Pop is a one-stop pop shop for the music lover everywhere.

Nobody likes a shakedown. Especially not Denis Carroll, proprietor of The Brass Lantern, a dive bar in a bleak southern Illinois town. Five years ago Denis gunned down a dirtbag who was attempting to hold up his bar. At least that’s what the cops think. After the shooting, Denis’ hotheaded younger brother, Vince, insisted on taking the rap. No big deal. He’d plead self-defense. Case closed. What the Carrolls didn’t count on was the cops discovering a huge stash of weed in a back room, locally sourced marijuana the Carrolls peddled “to make ends meet.” Weed supplied by the psychotic Goodwin Brothers, Clay and Randy. Vince ended up taking the fall for that, too. With Vince behind bars and Denis promising to keep his nose clean, the Goodwins turn to blackmail to force the Carrolls back into the illegal drug trade. Play along or the Goodwin Brothers (one of whom witnessed the shooting at the bar) will finger Denis as a murderer. Meanwhile the Goodwins have troubles of their own, specifically their niece, Erica. As a child, Erica witnessed her sister being sexually abused by her Uncle Clay. As a young woman, she saw her fiancé shot down at a local bar by one of the Carrolls. Erica is determined to get revenge on both men. How much better if she can kill two birds with one stone—get rid of her uncle and pin his murder on that murderous bar owner? In this darkly humorous small-town noir everyone has something to hide and nothing is as it seems.