A Thing Of Beauty Is A Joy Forever

The long-awaited Volume II of a Beginner’s Guide to Becoming an Antiques Dealer is intended to complement the first volume, moving readers on to the next level in starting a full-time antiques business. This fully illustrated paperback written by Christine Pym provides in-depth professional tips and suggestions that come from her first-hand experience in creating, building, and establishing from scratch the forty-year-old acclaimed high-end retail business David J Pym Antiques. Critiqued as “unique in its genre, compelling, and captivating,” this how-to guide also provides general background information on antique terms and time periods, together with descriptions of popular products and collectors’ items. These include such treasures as rare and vintage guitars, timepieces, Renaissance and Baroque-style cupids and putti, as well as Art Nouveau and Art Deco art glass, lady figure bronzes and table lamps, mirrors and chandeliers for interior design, and fine jewellery. Written for antiquities enthusiasts and passionate collectors everywhere, the book is considered “a rare first-hand glimpse into the antiques world and its internal workings.” The book begins by asking the question: “What is the antiques industry about?” No one, including universities, has been able to get to the bottom of it. By all accounts, it remains a popular, yet mystifying, sometimes secretive, unregulated industry. Also, despite being potentially rewarding and exciting, it cannot be described as an easy profession. Therefore, the book seeks to explore and simplify the business.

The Thing of Beauty Is a Joy Forever is created based on a famous quotation from a world-renowned English poet during the early part of the eighteenth century. His name was John Keats. Frank liked and loved his works. In his love for photography, he came to like taking beautiful pictures of almost everything that he saw with his eyes.

Finally available, a high quality book of the original classic edition of Endymion- A Poetic Romance. This is a new and freshly published edition of this culturally important work by John Keats, which is now, at last, again available to you. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Endymion- A Poetic Romance: The two first books, and indeed the two last, I feel sensible are not of such completion as to warrant their passing the press; nor should they if I thought a years castigation would do them any good;-it will not: the foundations are too sandy. It is just that this youngster should die away: a sad thought for me, if I had not some hope that while it is dwindling I may be plotting, and fitting myself for verses fit to live.This may be speaking too presumptuously, and may deserve a punishment: but no feeling man will be forward to inflict it: he will leave me alone, with the conviction that there is not a fiercer hell than the failure in a great object. This is not written with the least atom of purpose to forestall criticisms of course, but from the desire I have to conciliate men who are competent to look, and who do look with a zealous eye, to the honour of English literature.The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted: thence proceeds mawkishness, and all the thousand bitters which those men I speak of must necessarily taste in going over the following pages.

A dazzling new look into the short but intense, tragic life and remarkable work of John Keats, one of the greatest lyric poets of the English language, seen in a whole new light, not as the mythologized Victorian guileless nature-lover, but as the subversive, bawdy complex cynic whose life and poetry were lived and created on the edge. In this brief life, acclaimed biographer Lucasta Miller takes nine of Keats's best-known poems—"Endymion"; "On First Looking into Chapman’s Homer"; "Ode to a Nightingale"; "To Autumn"; "Bright Star" among them—and excavates how they came to be and what in Keats's life led to their creation. She writes of aspects of Keats's life that have been overlooked, and explores his imagination in the context of his world and experience, paying tribute to the unique quality of his mind. Miller, through Keats’s poetry, brilliantly resurrects and brings vividly to life, the man, the poet in all his complexity and spirit, living dangerously, disdaining respectability and cultural norms, and embracing subversive politics. Keats was a lower-middle-class outsider from a tragic and fractured family, whose extraordinary energy and love of language allowed him to pummel his way into the heart of English literature; a freethinker and a liberal at a time of repression, who delighted in the sensation of the moment. We see how Keats was regarded by his contemporaries (his writing was seen as smutty) and how the young poet’s large and boisterous life—a man of the metropolis, who took drugs, was sexually reckless and afflicted with syphilis—went straight up against the Victorian moral grain; and Miller makes clear why his writing—considered marginal and avant-garde in his own day—retains its astonishing originality, sensuousness and power two centuries on.