A Township At War

A Township at War takes the reader from rural Canadian field and farm to the slopes of Vimy Ridge and the mud of Passchendaele, and shows how a tightly knit Ontario community was consumed and transformed by the trauma of war. In 1914, the southern Ontario township of East Flamborough was like a thousand other rural townships in Canada, broadly representative in its wartime experience. Author Jonathan Vance draws from rich narrative sources to reveal what rural people were like a century ago—how they saw the world, what they valued, and how they lived their lives. We see them coming to terms with global events that took their loved ones to distant battlefields, and dealing with the prosaic challenges of everyday life. Fall fairs, recruiting meetings, church services, school concerts—all are reimagined to understand how rural Canadians coped with war, modernism, and a world that was changing more quickly than they were. This is a story of resilience and idealism, of violence and small-mindedness, of a world that has long disappeared and one that remains with us to this day.

The Great War: From Memory to History offers a new look at the multiple ways the Great War has been remembered and commemorated through the twentieth century and into the twenty-first. Drawing on contributions from history, cultural studies, film, and literary studies this collection offers fresh perspectives on the Great War and its legacy at the local, national, and international levels. More importantly, it showcases exciting new research on the experiences and memories of “forgotten” participants who have often been ignored in dominant narratives or national histories. Contributors to this international study highlight the transnational character of memory-making in the Great War’s aftermath. No single memory of the war has prevailed, but many symbols, rituals, and expressions of memory connect seemingly disparate communities and wartime experiences. With groundbreaking new research on the role of Aboriginal peoples, ethnic minorities, women, artists, historians, and writers in shaping these expressions of memory, this book will be of great interest to readers from a variety of national and academic backgrounds.

Forty-five years after the fall of Saigon, John Boyko brings to light the little-known story of Canada's involvement in the American War in Vietnam. Through the lens of six remarkable people, some well-known, others obscure, bestselling historian John Boyko recounts Canada's often-overlooked involvement in that conflict as peacemaker, combatant, and provider of weapons and sanctuary. When Brigadier General Sherwood Lett arrived in Vietnam over a decade before American troops, he and the Canadians under his command risked their lives trying to enforce an unstable peace while questioning whether they were merely handmaidens to a new war. As American battleships steamed across the Pacific, Canadian diplomat Blair Seaborn was meeting secretly in Hanoi with North Vietnam’s prime minister; if American leaders accepted his roadmap to peace, those ships could be turned around before war began. Claire Culhane worked in a Canadian hospital in Vietnam and then returned home to implore Canadians to stop supporting what she deemed an immoral war. Joe Erickson was among 30,000 young Americans who changed Canada by evading the draft and heading north; Doug Carey was one of the 20,000 Canadians who enlisted with the American forces to serve in Vietnam. Rebecca Trinh fled Saigon with her husband and young daughters, joining the waves of desperate Indochinese refugees, thousands of whom were to forge new lives in Canada. Through these wide-ranging and fascinating accounts, Boyko exposes what he calls the Devil’s wiliest trick: convincing leaders that war is desirable, persuading the public that it is acceptable, and telling combatants that the deeds they carry out and the horrors they experience are normal, or at least necessary. In uncovering Canada’s side of the story, Boyko reveals the many secret and forgotten ways that Canada not only fought the war but was forever shaped by its lessons and lies.

In the mid-1980s, Emmanuel Jal was a seven year old Sudanese boy, living in a small village with his parents, aunts, uncles, and siblings. But as Sudan's civil war moved closer—with the Islamic government seizing tribal lands for water, oil, and other resources—Jal's family moved again and again, seeking peace. Then, on one terrible day, Jal was separated from his mother, and later learned she had been killed; his father Simon rose to become a powerful commander in the Christian Sudanese Liberation Army, fighting for the freedom of Sudan. Soon, Jal was conscripted into that army, one of 10,000 child soldiers, and fought through two separate civil wars over nearly a decade. But, remarkably, Jal survived, and his life began to change when he was adopted by a British aid worker. He began the journey that would lead him to change his name and to music: recording and releasing his own album, which produced the number one hip-hop single in Kenya, and from there went on to perform with Moby, Bono, Peter Gabriel, and other international music stars. Shocking, inspiring, and finally hopeful, War Child is a memoir by a unique young man, who is determined to tell his story and in so doing bring peace to his homeland.

This book examines Canada's collective memory of the First World War through the 1920s and 1930s. It is a cultural history, considering art, music, and literature. Thematically organized into such subjects as the symbolism of the soldier, the implications of war memory for Canadian nationalism, and the idea of a just war, the book draws on military records, memoirs, war memorials, newspaper reports, fiction, popular songs, and films. It takes an unorthodox view of the Canadian war experience as a cultural and philosophical force rather than as a political and military event.

Blood and Daring will change our views not just of Canada's relationship with the United States, but of the Civil War, Confederation and Canada itself. In Blood and Daring, lauded historian John Boyko makes a compelling argument that Confederation occurred when and as it did largely because of the pressures of the Civil War. Many readers will be shocked by Canada's deep connection to the war—Canadians fought in every major battle, supplied arms to the South, and many key Confederate meetings took place on Canadian soil. Filled with engaging stories and astonishing facts from previously unaccessed primary sources, Boyko's fascinating new interpretation of the war will appeal to all readers of history.

In Hometown Horizons, Robert Rutherdale considers how people and communities on the Canadian home front perceived the Great War. Drawing on newspaper archives and organizational documents, he examines how farmers near Lethbridge, Alberta, shopkeepers in Guelph, Ontario, and civic workers in Trois-Rivières, Québec took part in local activities that connected their everyday lives to a tumultuous period in history. Many important debates in social and cultural history are addressed, including demonization of enemy aliens, gendered fields of wartime philanthropy, state authority and citizenship, and commemoration and social memory. The making of Canada’s home front, Rutherdale argues, was experienced fundamentally through local means. City parades, military send-offs, public school events, women’s war relief efforts, and many other public exercises became the parochial lenses through which a distant war was viewed. Like no other book before it, this work argues that these experiences were the true "realities" of war, and that the old maxim that truth is war’s first victim needs to be understood, even in the international and imperialistic Great War, as a profoundly local phenomenon. Hometown Horizons contributes to a growing body of work on the social and cultural histories of the First World War, and challenges historians to consider the place of everyday modes of communication in forming collective understandings of world events. This history of a war imagined will find an eager readership among social and military historians, cultural studies scholars, and anyone with an interest in wartime Canada.