A Twilight Reel

Each of the twelve stories in A twilight Reel chronicles a transformation-loss, self-discovery, renewal-among the inhabitants of the fictional town of Runion, NC. A preacher held at knifepoint in a stranger's cabin, another who absconds with his church's funds and the wife of a parishioner; an elderly woman who slowly goes mad as she freezes to death; a renowned fiddler who returns home to die of AIDS; a gravedigger more comfortable with the dead than the living ... Sinful or righteous, imbued with hope or beyond redemption, each of these memorable characters struggles to endure, survive, or triumph over unplanned encounters with the people, forgotten or remembered, admired or scorned, who beset their lives. These narrative threads are masterfully woven into the tapestry that is A Twilight Reel-a book full of surprises, dark fears, and unexpected humor, that echoes and distills the travails of any people, in any place.

This “wondrous” collection of fantasy tales from Neil Gaiman, Patricia A. McKillip, and others “is a treasure chest. Open it and revel in its riches” (Kirkus Reviews, starred review). For this enchanting anthology—a World Fantasy Award finalist—editors Ellen Datlow and Terri Windling “asked their contributors to reimagine Fäerie” in the present day, or “search its more dimly lit pathways,” and the authors have responded with bountiful imagination. The title piece is a poem by Neil Gaiman, but most of the others are longer pieces, “like shards of stories you want to hear more of.” Jeffrey Ford “limns the heartbreaking tale” of fairies who live in sandcastles built by young children; Ellen Steiber’s ‘Screaming for Fairies’ “sketches the lineaments of desire.” Bruce Glassco “finds a different voice for Tinkerbell and Captain Hook in ‘Never Never.’” Tanith Lee’s ‘Elvenbrood’ tale is eerie and “chilling.” Gregory Maguire, Nina Kiriki Hoffman, Patricia A. McKillip, and Emma Bull’s stories all “enchant” and bewitch. Delia Sherman’s ‘CATNYP’ is “both funny and deeply clever, warming the cockles of anyone who has ever had dealings with a research library, especially New York Public’s” (Kirkus Reviews, starred review). This companion volume to The Green Man: Tales from the Mythic Forest is “a rewarding choice for those who like the traditional with a twist” (Booklist).

At first glance, Lloyd Hamilton was a large, baby-faced comic who walked like a duck. To the trained eye, Hamilton demonstrated keen timing and an inventive mind, providing wry humor rich in emotion during his 20 year career. Perhaps most importantly, Hamilton was greatly admired by his fellow comics, receiving praise from the likes of Charlie Chaplin and Buster Keaton. This book explores Hamilton's life and work, beginning with his conservative, middle-class childhood and continuing through the comic's entry into show business as a theatre extra, his most memorable role as half of silent comedy's "Ham and Bud" duo, and his first feature film, The Darker Self. The author examines Hamilton's private life and alcoholism and the decline of his health and career, which led to his death at the age of 43. The book includes exclusive photographs from the Hamilton family, a filmography with detailed plot descriptions, many behind-the-scenes facts, and an analysis of Hamilton's critical lost feature film A Self-Made Failure.

The relationship between the British Communist Party and Soviet Communism is one of perennial fascination. In this text Thorpe makes extensive use of available sources, to offer a new view of this most controversial of topics.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Beyond the Movie Theater excavates the history of non-theatrical cinema before 1920, exploring where and how moving pictures of the 1910s were used in ways distinct from and often alternative to typical theatrical cinema. Unlike commercial cinema, non-theatrical cinema was multi-purpose in its uses and multi-sited in where it could be shown, targeted at particular audiences and, in some manner, sponsored. Relying on contemporary print sources and ephemera of the era to articulate how non-theatrical cinema was practiced and understood in the US during the 1910s, historian Gregory A. Waller charts a heterogeneous, fragmentary, and rich field that cannot be explained in terms of a master narrative concerning origin or institutionalization, progress or decline. Uncovering how and where films were put to use beyond the movie theater, this book complicates and expands our understanding of the history of American cinema, underscoring the myriad roles and everyday presence of moving pictures during the early twentieth century.

Margaret Dickinson's history of oppostional film is a pioneering account of an important by little documented aspect of modern British Cinema: the often extreme form of independent cinema that accompanied the radical politics of the 1960s and 70s. During the 70s an organized independent film and video movement emerged (including such filmmaking groups as London Filmmakers' Co-op, Cinema Action, Amber, Liberation Films and Sheffield Co-op). This avant-garde exerted an increasing influence within the British media mainstream - changing attitudes and practice, and enabling cross-over work by filmmakers such as Peter Greenaway and Sally Potter. This oppostional sector revolutionized British media, especially during the formation of Channel Four at the start of the 1980s, even as the political landscape at large was shifting dramatically to the right. Organized into three parts, 'Rogue Reels 'provides the first overview of the various strands of politicized filmmaking that emerged in postwar Britain. Part I is a concise history of the movement. Part II collects key texts and documents form the period 1971-92. Part III is made up of seven oral histories of the most influential production houses. Recuperating the radical tradition of postwar filmmaking (which continues to impact on today's media culture), 'Rogue Reels' raises urgent issues of policy and practice. Mixing narrative with first-hand accounts, and the important statements and documents of this movement the book provides the first overview of the different strands of filmmaking that are still impacting on avant-garde and mainstream practice.

A weekend warrior’s guide to the best expeditions within striking distance of Seattle Seattle is one of the most rapidly growing cities in the United States, and while there’s plenty to explore in the Emerald City, sometimes residents just need to get away from it all. Lush green forests perfect for hiking, tiny islands, charming fishing villages, and even British Columbia’s most authentic Chinese food, are all accessible within a few hours’ drive from the bustling metropolis. Easy Weekend Getaways from Seattle guides both travelers and Seattleites alike through their next weekend expedition. Whether you want to do serious hiking and biking, visit breweries, or tour locations from Twin Peaks or Twilight, this guidebook suggests a variety of destinations and travel tips for people of all interests planning their next weekend getaway in the Pacific Northwest. Chapters cover foodie getaways, romantic mini-breaks, the great outdoors, and quiet time, with perfectly curated itineraries to match your travel mood.