A Voice Never Heard

An astonishing true story and an unforgettable exploration of faith, divine hope and love, this memoire details the strength and courage it has taken to survive and persevere through the loss of my first-born child. No one ever dreams of being the mother who loses their child to suicide. No one ever wishes to feel the struggles of mental illness and addiction. But sadly, I am here to tell you it happens, it happened to me, my family and thankfully, I have survived both. This book will take you through the emotional and physical torment that had engulfed my mind, my body and my soul. I had lost my voice and refused to acknowledge my truth but writing my story has led me through the process of grief and I finally found a way to engage wholeheartedly. The details of dreadful wounds and the horrors of self-infliction, my memoire serves deeply the ones who feel they are alone and defeated by loss.

Biography, told from the viewpoint of an old-timer, tells us what made Sandy Koufax so amazing.

She was a beautiful doelike child, with an intense, graceful fragility. In her first year, she picked up words, smiled and laughed, and learned to walk. But then Anne-Marie began to turn inward. And when her little girl lost some of the words she had acquired, cried inconsolably, and showed no interest in anyone around her, Catherine Maurice took her to doctors who gave her a devastating diagnosis: autism. In their desperate struggle to save their daughter, the Maurices plunged into a medical nightmare of false hopes, "miracle cures," and infuriating suggestions that Anne-Marie's autism was somehow their fault. Finally, Anne-Marie was saved by an intensive behavioral therapy. Let Me Hear Your Voice is a mother's illuminating account of how one family triumphed over autism. It is an absolutely unforgettable book, as beautifully written as it is informative. "A vivid and uplifting story . . . Offers new strength to parents who refuse to give up on their autistic children." -- Kirkus Reviews "Outstanding . . . Heartfelt . . . A lifeline to families in similar circumstances." -- Library Journal

Canada's first Olympic gold medallist couldn't walk until he was ten, and became the greatest runner of his generation. Who was the first Canadian to Win an Olympic Gold Medal? When Mark Hebscher was asked this simple trivia question, he had no idea that it would lead him on a two year odyssey, researching a man he had never heard of. Paralyzed as a child and told he would never walk again, George Washington Orton persevered, eventually becoming the greatest distance runner of his generation, a world-class hockey player, and a brilliant scholar. A sports pioneer, Orton came up with the idea of numbered football jerseys and introduced ice hockey to Philadelphia. Orton's 1900 Paris Olympic medals were credited to the United States for seven decades before the mistake was uncovered and rectified. Yet he is virtually unknown in Canada. Finally, his story is being told.

Deuteronomy in the New Testament brings together a set of specially commissioned studies by authors who are experts in the field. After an introductory chapter on the use of Deuteronomy in the second temple literature, each of the New Testament books that contain quotations from Deuteronomy are discussed: Matthew, Mark, Luke-Acts, John, Romans & Galatians, 1 & 2 Corinthians, Hebrews, the Pastoral Epistles and Revelation. The book provides an overview of the status, role and function of Deuteronomy in the first century. It considers the Greek and Hebrew manuscript traditions and offers insights into the various hermeneutical stances of the New Testament authors and the development of New Testament theology.

Ronald H. Nash, Gabriel Fackre and John Sanders offer three evangelical views on the destiny of the unevangelized.

In a Palestinian town called Ramah, during the reign of King Herod, Amahl decided to leave home in search of power. Unlike the prodigal son, he finds himself in unfamiliar territory when it comes to worshipping Greek gods to quench his thirst for riches and power. His excessive thirst for power manifested itself into greed, selfishness, and tragedy! Amahl's parents were massacred. He and his siblings were being raised by their grandfather, Father Asa. Father Asa was a worshipper of the true God Jehovah, and he believed God would send the Messiah soon. Father Asa was getting older in age, and he wanted Amahl to settle down and take on this heritage. However, Amahl, being the oldest, had his own agenda and was instead becoming restless, angry, and disrespectful""hungry for power! Amahl became intrigued by Odessa, who introduced him to Greek gods that promise, not only gold, but wealth, success, and opportunities. Even though Amahl's heart belonged to another woman, he married Odessa in search for the gods of wealth. His long love for power became a reality when he became an innkeeper, and he fathered a son with Odessa. As greed began to overtake Amahl, he praised the gods because they had given him his heart's desire. While waiting for more wealth and full favor from the gods, tragedy struck!

A lavish presentation of 208 folksongs collected throughout Alabama in the 1940s Alabama is a state rich in folksong tradition, from old English ballads sung along the Tennessee River to children’s game songs played in Mobile, from the rhythmic work songs of the railroad gandy dancers of Gadsden to the spirituals of the Black Belt. The musical heritage of blacks and whites, rich and poor, hill folk and cotton farmers, these songs endure as a living part of the state’s varied past. In the mid 1940s Byron Arnold, an eager young music professor from The University of Alabama, set out to find and record as many of these songs as he could and was rewarded by unstinting cooperation from many informants. Mrs. Julia Greer Marechal of Mobile, for example, was 90 years old, blind, and a semi-invalid, but she sang for Arnold for three hours, allowing the recording of 33 songs and exhausting Arnold and his technician. Helped by such living repositories as Mrs. Marechal, the Arnold collection grew to well over 500 songs, augmented by field notes and remarkable biographical information on the singers. An Alabama Songbook is the result of Arnold’s efforts and those of his informants across the state and has been shaped by Robert W. Halli Jr. into a narrative enriched by more than 200 significant songs-lullabies, Civil War anthems, African-American gospel and secular songs, fiddle tunes, temperance songs, love ballads, play-party rhymes, and work songs. In the tradition of Alan Lomax’s The Folk Songs of North America and Vance Randolph’s Ozark Folksongs, this volume will appeal to general audiences, folklorists, ethnomusicologists, preservationists, traditional musicians, and historians.