A Woman S Work

Edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson, this powerful collection of award-winning female creators shares their writing about the female artists that matter most to them. This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. This Woman’s Work: Essays on Music is edited by iconic musician Kim Gordon and esteemed writer Sinéad Gleeson and features an array of talented contributors, including: Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li, and Zakia Sewell. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman’s Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space. Women have to speak up, to shout louder to tell their story—like the auteurs and ground-breakers featured in this collection, including: Anne Enright on Laurie Anderson; Megan Jasper on her ground-breaking work with Sub Pop; Margo Jefferson on Bud Powell and Ella Fitzgerald; and Fatima Bhutto on music and dictatorship. This Woman’s Work also features writing on the experimentalists, women who blended music and activism, the genre-breakers, the vocal auteurs; stories of lost homelands and friends; of propaganda and dictatorships, the women of folk and country, the racialized tropes of jazz, the music of Trap and Carriacou; of mixtapes and violin lessons.

Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S

Why does the political representation of women matter? And which hurdles - personal, political and societal - have been faced, fought and sometimes overcome in the past thirty years? From campaigning with small children to increasing the number of women in Parliament, bringing women's issues to the heart of the Labour Party and tackling a parliamentary culture with no consideration for family life, this frank, inspiring and politically charged book is a crucial account of the progress (and occasional setbacks) made in fighting to change the Labour Party, UK politics and the way the country has been governed since the 1970s.

A profound and personal exploration of the intersections of womanhood, femininity, and creativity This Woman’s Work is a powerfully raw autobiographical work that asks vital questions about femininity and the assumptions we make about gender. Julie Delporte examines cultural artifacts and sometimes traumatic memories through the lens of the woman she is today—a feminist who understands the reality of the women around her, how experiencing rape culture and sexual abuse is almost synonymous with being a woman, and the struggle of reconciling one’s feminist beliefs with the desire to be loved. She sometimes resents being a woman and would rather be anything but. Told through beautifully evocative colored pencil drawings and sparse but compelling prose, This Woman’s Work documents Delporte’s memories and cultural consumption through journal-like entries that represent her struggles with femininity and womanhood. She structures these moments in a nonlinear fashion, presenting each one as a snapshot of a place and time—trips abroad, the moment you realize a relationship is over, and a traumatizing childhood event of sexual abuse that haunts her to this day. While This Woman’s Work is deeply personal, it is also a reflection of the conversations that women have with themselves when trying to carve out their feminist identity. Delporte’s search for answers in the turmoil created by gender assumptions is profoundly resonant in the era of #MeToo.

"A fascinating history of…[a craft] that preceded and made possible civilization itself." —New York Times Book Review New discoveries about the textile arts reveal women's unexpectedly influential role in ancient societies. Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women. Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture. Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion. In a "brilliantly original book" (Katha Pollitt, Washington Post Book World), she argues that women were a powerful economic force in the ancient world, with their own industry: fabric.

As a woman, it can feel that the odds are stacked against you in business and when more women than ever before are self-employed and starting businesses, why is it that so few of them are able to scale and get the success they deserve? A heated discussion on this subject by some super-successful businesswomen led to the creation of this book. Is it because it's so much harder for women to get funding and investment? Is it because women are also likely to be running the household and juggling childcare? Is it because women struggle to be taken seriously? The real question that came out of this debate was: what can we do to help women overcome these challenges and really shine? Fuelled by the raw passion of successful businesswomen in a range of industries, this book will empoweryou to scale and grow your business, whatever you do. It is packed full of tips and personal storiesdrawing on a range of expertise. This book covers both the hard and soft business skills required to take your business to the next level. From time management and resilience to how to hone your product and scale profitably, this is the book that these businesswomen wish they could have had in their arsenal when they were looking to scale. In each chapter, a businesswoman explores the obstacles she has had to overcome in a particular area, and gives the reader practical advice to do the same. No more playing small, now is the time to go for it. This book will show you how. Ten contributing authors including: Dr Areej Khataybih, Clare Downes, Jeannie McGillivray, Jill Martin, Lorraine Gannon, Mary Grant, Natalie Jameson, Sonja Leason, Steph Middleton-Foster and Vicki Wuche

The heralded Queen of Hip-Hop Lit presents an addictive collection of celebrated urban authors with their fingers on the pulse of the streets. Street lit’s finest female voices—Keisha Starr, Tysha, LaKesa Cox, and Monique S. Hall—deliver searing stories about women who make hard sacrifices to stay on top of their hustle and seize the power, money, and fame they can’t live without. Enterprising and fearless, these players are more than equipped to handle whatever the street throws at them. That’s because they are hellbent on survival—by any means necessary. Once again, Nikki Turner shares ultra-realistic page-turners that will keep fans coming back for more.

A NEW YORK TIMES NOTABLE BOOK OF 2019 From National Book Award finalist Megan K. Stack, a stunning memoir of raising her children abroad with the help of Chinese and Indian women who are also working mothers When Megan Stack was living in Beijing, she left her prestigious job as a foreign correspondent to have her first child and work from home writing a book. She quickly realized that caring for a baby and keeping up with the housework while her husband went to the office each day was consuming the time she needed to write. This dilemma was resolved in the manner of many upper-class families and large corporations: she availed herself of cheap Chinese labor. The housekeeper Stack hired was a migrant from the countryside, a mother who had left her daughter in a precarious situation to earn desperately needed cash in the capital. As Stack's family grew and her husband's job took them to Dehli, a series of Chinese and Indian women cooked, cleaned, and babysat in her home. Stack grew increasingly aware of the brutal realities of their lives: domestic abuse, alcoholism, unplanned pregnancies. Hiring poor women had given her the ability to work while raising her children, but what ethical compromise had she made? Determined to confront the truth, Stack traveled to her employees' homes, met their parents and children, and turned a journalistic eye on the tradeoffs they'd been forced to make as working mothers seeking upward mobility—and on the cost to the children who were left behind. Women's Work is an unforgettable story of four women as well as an electrifying meditation on the evasions of marriage, motherhood, feminism, and privilege.