Absence Of Alice

For bargain hunter extraordinaire Sarah Winston, starting life over in Ellington, Massachusetts,has been a true trash-to-treasure success story, except when there’s a run on dead bodies . . . Sarah’s latest client, Alice Krandle, is sure she has a fortune in antiques on her hands. She’s already gotten a generous offer for the whole lot before her garage sale has even begun, but she thinks she can earn more with Sarah’s expert help. The problem is that while Sarah’s sorting through items from decades past, her landlady, Stella, faces a clear and present danger. Stella’s kidnapper has contacted Sarah with a set of instructions, and “Don’t call the police” is at the top of the list. But they didn’t say anything about Sarah’s friend Harriet—who happens to be a former FBI hostage negotiator . . . Praise for the Sarah Winston Garage Sale Mysteries “There’s a lot going on in this charming mystery, and it all works . . . Well written and executed, this is a definite winner.”— RT Book Reviews, 4 Stars on All Murders Final! “Full of garage-sale tips…amusing. A solid choice for fans of Jane K. Cleland’s Josie Prescott Antique Mystery series.” —Library Journal on Tagged for Death “Incredibly enjoyable.” —Mystery Scene on Sell Low, Sweet Harriet Visit us at www.kensingtonbooks.com

As our ideas of the human have come under increasing challenges – from technological change, from medical advances, from the existential threat of climate crisis, from an ideological decentering of the human, amongst many other things – the 'posthuman' has become an increasingly central topic in the Humanities. Bringing together leading scholars from across the world and a wide range of disciplines, this is the most comprehensive available survey of cutting edge contemporary scholarship on posthumanism in literature, culture and theory. The Bloomsbury Handbook of Posthumanism explores: - Central critical concepts and approaches, including transhumanism, new materialism and the Anthropocene - Ethical perspectives on ecology, race, gender and disability - Technology, from data and artificial intelligence to medicine and genetics - A wide range of genres and forms, from literary and science fiction, through film, television and music, to comics, video games and social media.

Alice is a precocious 12-year-old growing up in rural Texas with one wish on her mind - to get rid of Simon Jester. Simon is the man who saved Alice's mother, Meg, from drowning. Simon is Meg's hero - and her new husband. He's a mysterious man whose own family, he says, drowned in a nearby lake.

Life, Alice McKinley feels, is just one big embarrassment. Here she is, about to be a teenager and she doesn't know how. It's worse for her than for anyone else, she believes, because she has no role model. Her mother has been dead for years. Help and advice can only come from her father, manager of a music store, and her nineteen-year-old brother, who is a slob. What do they know about being a teen age girl? What she needs, Alice decides, is a gorgeous woman who does everything right, as a roadmap, so to speak. If only she finds herself, when school begins, in the classroom of the beautiful sixth-grade teacher, Miss Cole, her troubles will be over. Unfortunately, she draws the homely, pear-shaped Mrs. Plotkin. One of Mrs. Plotkin's first assignments is for each member of the class to keep a journal of their thoughts and feelings. Alice calls hers "The Agony of Alice," and in it she records all the embarrassing things that happen to her. Through the school year, Alice has lots to record. She also comes to know the lovely Miss Cole, as well as Mrs. Plotkin. And she meets an aunt and a female cousin whom she has not really known before. Out of all this, to her amazement, comes a role model -- one that she would never have accepted before she made a few very important discoveries on her own, things no roadmap could have shown her. Alice moves on, ready to be a wise teenager.

“A fascinating biography of a fascinating woman.” - Booklist, starred review “This definitive look at a remarkable figure delivers the goods.” - Publishers Weekly, starred review "A brilliant analysis." - Jericho Brown, Pulitzer Prize winner Featured in Ms. Magazine's “Reads for the rest of us” list of books by or about historically excluded groups Born in New Orleans in 1875 to a mother who was formerly enslaved and a father of questionable identity, Alice Dunbar-Nelson was a pioneering activist, writer, suffragist, and educator. Until now, Dunbar-Nelson has largely been viewed only in relation to her abusive ex-husband, the poet Paul Laurence Dunbar. This is the first book-length look at this major figure in Black women's history, covering her life from the post-reconstruction era through the Harlem Renaissance. Tara T. Green builds on Black feminist, sexuality, historical and cultural studies to create a literary biography that examines Dunbar-Nelson's life and legacy as a respectable activist – a woman who navigated complex challenges associated with resisting racism and sexism, and who defined her sexual identity and sexual agency within the confines of respectability politics. It's a book about the past, but it's also a book about the present that nods to the future.

A garage sale fanatic searches for evidence to clear her cheating ex of murder in this cozy mystery series opener. Starting your life over at age thirty-eight isn’t easy, but that’s what Sarah Winston finds herself facing when her husband CJ runs off with a 19-year-old temptress named Tiffany. Sarah’s self-prescribed therapy happily involves hitting all the garage and tag sales in and around her small town of Ellington, Massachusetts. If only she could turn her love for bargain hunting into a full-time career. But after returning from a particularly successful day searching for yard sale treasures, Sarah finds a grisly surprise in one of her bags: a freshly bloodied shirt . . . that undoubtedly belongs to her ex, CJ, who now happens to be Ellington’s chief of police. If that’s not bad enough, it seems Tiffany has gone missing. Now it’s up to Sarah to prove that her cold-hearted ex is not a cold-blooded killer . . . Nominated for an Agatha Best First Novel for 2014 Praise for Tagged for Death “A terrific find! Engaging and entertaining, this clever cozy is a treasure–charmingly crafted and full of surprises!” —Hank Phillippi Ryan; Agatha, Anthony, and Mary Higgins Clark Award–winning author “Like the treasures Sarah Winston finds at the garage sales she loves, this book is a gem.” —Barbara Ross, Agatha Award–nominated author of the Maine Clambake Mysteries “Full of garage-sale tips . . . amusing. A solid choice for fans of Jane K. Cleland’s Josie Prescott Antique Mystery series.” —Library Journal on Tagged for Death

This analysis of five exemplary domestic plays—the anonymous Arden of Faversham and A Warning for Fair Women (1590s), Thomas Heywood’s A Woman Killed with Kindness (1607), Thomas Middleton’s Women Beware Women (ca. 1613), and Walter Mountfort’s The Launching of the Mary, or The Seaman’s Honest Wife (1632)—offers a new approach to the emerging ideology of the private and public, or what Ann C. Christensen terms “the tragedy of the separate spheres.” Feminist scholarship has identified the fruitful gaps between theories and practices of household government in early modern Europe, while work on the global Renaissance attends to commercial expansion, cross-cultural encounters, and colonial settlements. Separation Scenes brings these critical concerns together to expose the intimate and disruptive relationships between the domestic culture and business culture of early modern England. Separation Scenes argues that domestic plays make the absence of husbands for business the subject of tragedy by focusing not on where men traveled but on whom and what they left behind. Elements that critics have rightly associated with domestic tragedy—adultery, sensational murders, and the lavishly articulated operations of domestic life—define this world, which, Christensen argues, was equally shaped by the absence of husbands. Her interpretations of these domestic plays invite us to historicize and further complicate the seemingly universal binary between a feminine “private sphere” and a masculine “public sphere.” Separation Scenes demonstrates how domestic drama played an active, dynamic, and critical role in deliberating the costs of commercial travel as it disrupted domestic conduct and prompted realignments within the home.

Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere--in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders. In Alice in Japanese Wonderlands, Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture. Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the "father of the Japanese short story," Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment.