Act Age Vol 4

Kei Yonagi must delve deep into her psyche to succeed in the cutthroat world of acting, but can she keep her sanity while doing so? Is there a method to Kei Yonagi’s madness when it comes to acting? The young actor has a family of siblings to feed, but she finds herself struggling with her psychological demons when playing a role. Her desperate acting catches the eye of a famous director, Sumiji Kuroyama, who’s looking for raw talent to mold. Can he help Yonagi navigate the cutthroat world of acting without losing her sanity? Kei Yonagi's education in acting continues as she's now cast in a lead role opposite a rising luminary of the theatrical world—Araya Myojin! However, theater acting requires a completely different skill set that Kei finds extremely hard to grasp. But she better learn quickly as opening night draws near and she's yet to gain the acceptance of the theater troupe or its world-renown director Yujiro Iwao.

Kei Yonagi must delve deep into her psyche to succeed in the cutthroat world of acting, but can she keep her sanity while doing so? Is there a method to Kei Yonagi’s madness when it comes to acting? The young actor has a family of siblings to feed, but she finds herself struggling with her psychological demons when playing a role. Her desperate acting catches the eye of a famous director, Sumiji Kuroyama, who’s looking for raw talent to mold. Can he help Yonagi navigate the cutthroat world of acting without losing her sanity?

Kei Yonagi must delve deep into her psyche to succeed in the cutthroat world of acting, but can she keep her sanity while doing so? Is there a method to Kei Yonagi’s madness when it comes to acting? The young actor has a family of siblings to feed, but she finds herself struggling with her psychological demons when playing a role. Her desperate acting catches the eye of a famous director, Sumiji Kuroyama, who’s looking for raw talent to mold. Can he help Yonagi navigate the cutthroat world of acting without losing her sanity? In order to meet the famous actor Chiyoko Momoshiro, Kei Yonagi tries out for the Death Island movie. For her audition, Yonagi must improvise being stranded on an island while struggling against other desperate survivors. As the pressure mounts, Yonagi utters a line that startles everyone and could very well hurt her chances of landing the role!

THE DOOR OF DARKNESS IS CAST OPEN—THE WORLD ADVANCES TO A NEW FIELD The specter of war hangs thick in the air of the Oriana Kingdom, where Princess Rose is expected to wed Duke Perv. This supposed marriage cannot and will not stand, though, as it would throw a major wrench in a certain shadowbroker’s plans. Not one to miss an opportunity for sleuthing, Cid makes his way to the royal capital to put a stop to the ceremony, but are there even bigger schemes at work behind this unholy matrimony?

Shotaro continues his search for Emine in the I.C. Prefecture. But a careless comment sends him on the run from an angry kappa. Meanwhile, Mana is eager to enter the Robot Fight Tournament - sponsored by the "Happy Factory" - and get another commendation, but Yohei senses there's something far more sinister than the tournament going on at the Fear Factory . . . That doesn't stop him from building a powerful battle robot that's guaranteed to take home the prize. Just when Mana is confident of her victory, the Fear Robot itself steps into the arena - with NoFix the King of Spin at the helm!

Winter is coming. Having been attacked by a group that worshiped Satsuki Uruma, Sorawo and Toriko head to the cult's former base—the Farm in the Mountains. The other world is still chock full of all kinds of dangerous mysteries, but the allure of exploring the unknown is ever present. Sorawo prepares for more adventures with Toriko, but the most terrifying of threats is silently closing in on them. Not to mention the fact that it seems there's something Toriko needs to tell Sorawo... There's no turning back now—a whirlwind of bizarre exploration and survival is upon them!

Every ninety years, twelve gods incarnate as humans. They are loved. They are hated. In two years, they are dead. The team behind critical tongue-attractors like Young Avengers and PHONOGRAM reunite to create a world where gods are the ultimate pop stars and pop stars are the ultimate gods. But remember: just because you're immortal, doesn't mean you're going to live forever. Collects THE WICKED + THE DIVINE #1-5.

The challenges to humanity posed by the digital future, the first detailed examination of the unprecedented form of power called "surveillance capitalism," and the quest by powerful corporations to predict and control our behavior. In this masterwork of original thinking and research, Shoshana Zuboff provides startling insights into the phenomenon that she has named surveillance capitalism. The stakes could not be higher: a global architecture of behavior modification threatens human nature in the twenty-first century just as industrial capitalism disfigured the natural world in the twentieth. Zuboff vividly brings to life the consequences as surveillance capitalism advances from Silicon Valley into every economic sector. Vast wealth and power are accumulated in ominous new "behavioral futures markets," where predictions about our behavior are bought and sold, and the production of goods and services is subordinated to a new "means of behavioral modification." The threat has shifted from a totalitarian Big Brother state to a ubiquitous digital architecture: a "Big Other" operating in the interests of surveillance capital. Here is the crucible of an unprecedented form of power marked by extreme concentrations of knowledge and free from democratic oversight. Zuboff's comprehensive and moving analysis lays bare the threats to twenty-first century society: a controlled "hive" of total connection that seduces with promises of total certainty for maximum profit -- at the expense of democracy, freedom, and our human future. With little resistance from law or society, surveillance capitalism is on the verge of dominating the social order and shaping the digital future -- if we let it.