Adam And Eve And Pinch Me

Jock Lewis died in the Paddington train crash. His fiancée Minty even received a letter from Great Western. But she never heard from the police, and Jock had left with all her savings. When a mysterious dark-haired man appears at Minty's home, at work, even in the cinema, she knows it must be Jock's ghost. But ghosts are grey and don't wear leather jackets... Five women, all unknown to each other, are the simultaneous unwilling victims of one man, a morally corrupt criminal who exploits them all and then suddenly, suspiciously, disappears. As this mystery man of shadows returns, and five women are haunted by a living nightmare, Minty begins to wonder... Can you kill a ghost?

"If you don't want your heart broken, don't let on you have one." Sara Moone is an expert on broken hearts. She is a foster child who has been bounced from home to home, but now she is almost sixteen and can not live in the system forever. She vows that she will live in a cold, white place where nobody can hurt her again. But there is one more placement in store for Sara. She is sent to live with the Huddlestons on their sheep farm. There, despite herself, Sara learns that there is no escape from love. It has a way of catching you off guard, even when you try to turn your back. When it was published in 1994, "Adam and Eve and Pinch-Me" won every major children's book award in Canada. Since then it has appeared in countries around the world. Its story of love and longing strikes a universal chord.

Fifteen-year-old Sara Moone, abandonded at birth and shunted from one foster home to another, finds that she cannot remain aloof from her latest family.

With more than 110,000 copies sold, Did Adam & Eve Have Belly Buttons? is the number one book for Catholic teens. It offers today’s young Catholic 200 clear and insightful answers to questions about the Catholic faith. This book captures the attention of teens by directly addressing their concerns, misconceptions, and challenges. The revised edition adds over 500 Bible and 800 Catechism references, and has the Imprimatur.

Never has contemporary fiction been more widely discussed and passionately analysed; recent years have seen a huge growth in the number of reading groups and in the interest of a non-academic readership in the discussion of how novels work. Drawing on his weekly Guardian column, 'Elements of Fiction', John Mullan examines novels mostly of the last ten years, many of which have become firm favourites with reading groups. He reveals the rich resources of novelistic technique, setting recent fiction alongside classics of the past. Nick Hornby's adoption of a female narrator is compared to Daniel Defoe's; Ian McEwan's use of weather is set against Austen's and Hardy's; Carole Shield's chapter divisions are likened to Fanny Burney's. Each section shows how some basic element of fiction is used. Some topics (like plot, dialogue, or location) will appear familiar to most novel readers; others (metanarrative, prolepsis, amplification) will open readers' eyes to new ways of understanding and appreciating the writer's craft. How Novels Work explains how the pleasures of novel reading often come from the formal ingenuity of the novelist. It is an entertaining and stimulating exploration of that ingenuity. Addressed to anyone who is interested in the close reading of fiction, it makes visible techniques and effects we are often only half-aware of as we read. It shows that literary criticism is something that all fiction enthusiasts can do. Contemporary novels discussed include: Monica Ali's Brick Lane; Martin Amis's Money; Margaret Atwood's The Blind Assassin; A.S. Byatt's Possession; Jonathan Coe's The Rotters' Club; J.M. Coetzee's Disgrace; Michael Cunningham's The Hours; Don DeLillo's Underworld; Michel Faber's The Crimson Petal and the White; Ian Fleming's From Russia with Love; Jonathan Franzen's The Corrections; Mark Haddon's The Curious Incident of the Dog in the Night-time; Patricia Highsmith's Ripley under Ground; Alan Hollinghurst's The Spell; Nick Hornby's How to Be Good; Ian McEwan's Atonement; John le Carré's The Constant Gardener; Andrea Levy's Small Island; David Mitchell's Cloud Atlas; Andrew O'Hagan's Personality; Orhan Pamuk's My Name Is Red; Ann Patchett's Bel Canto; Ruth Rendell's Adam and Eve and Pinch Me; Philip Roth's The Human Stain; Jonathan Safran Foer's Everything Is Illuminated; Carol Shields's Unless; Zadie Smith's White Teeth; Muriel Spark's Aiding and Abetting; Graham Swift's Last Orders; Donna Tartt's The Secret History; William Trevor's The Hill Bachelors; and Richard Yates's Revolutionary Road .

Jean Little's poignant novel about an abandoned girl, and the dog who helps teach her how to trust again. Ten-year-old Min has had a long history of foster care since she was abandoned at age three. Now, let go by yet another foster family, Min continues to build a protective wall around herself. Her newest caregiver, a former Children's Aid doctor, sees past Min's hardened shell and tries to find a way to reach her...and does, finally, by taking in a sick, neglected dog that has escaped from a puppy mill. While watching the dog recover and open its heart to its new owners, Min comes out of her own shell. Readers will rejoice as Min opens her heart and allows herself to be a part of a loving family, to make friends and to finally stand up to the taunts of a bully, whose hurtful words have contributed to her lack of self-esteem.

Jock Lewis was supposed to have died in a terrible train crash at Paddington. Minty, his girlfriend, received a letter telling her so. But, curiously, the police haven’t been in touch. And Jock has borrowed all her savings. Zillah also got a letter informing her that her husband, Jerry Leach, was dead. Something about it struck her as suspicious, but she chooses not to mention her doubts to her fiancé, an up-and-coming Conservative Member of Parliament. Fiona, a successful banker, met Jeff Leigh before the Paddington crash. And although he never seemed to have a job, and borrowed money from her, she is utterly devoted to him -- and can’t understand why he suddenly disappeared. As the novel progresses, it slowly becomes apparent how the lives of these women might be connected, and how they may figure into a series of vicious stabbing deaths that have shocked and terrified the citizens of London. With consummate skill, Ruth Rendell pulls the colourful strands of this harrowing story ever tighter, increasing the tension page by page.